Indie pop-rock out of Christchurch based around Joe Sampson (guitar / vocals / keys / bass etc) with James Sullivan (drums) and Ben Ordering (bass) on most of their recordings.
Strong on melody with big chiming guitar and unfussy rhythmic backing, their songs have a timeless quality to them – sometimes jangling, sometimes driving, and with Sampson’s powerful guitar playing always ready to attack.
Christchurch Celtic Rock who played all the local Irish pubs all across New Zealand (and occasionally Australia) from 1999 to 2002.
Made up of members of a number of local hard rock groups. Recorded an album at Blast Studios in 2000.
The Shallows were a short-lived Christchurch trio fronted by Roy Montgomery in 1985. Backed by Mick Elborado (bass) and Mary Heney (guitar / vocals) the trio recorded and self-released a sole 7″ single over a couple weeks in May, 1985.
The single was the result of a $750 government arts grant – the group laid out their exact expenses on the inside sleeve of the single.
Excellent early Flying Nun band from Christchurch featuring 3 future Terminals (Stapleton, Elborado and Crook).
Some terrific songs that build suspense and tension with galloping drums, rumbling bass and a cacophony of guitar, organ and violin.
The key group of New Zealand underground legend Peter Gutteridge (despite being a founding member of BOTH the Clean and the Chills). Snapper made driving, droning guitars-infused with synths post-punk throughout the 1980s and 1990s before Gutteridge disappeared from the public eye.
Paul Solly is one of a handful of mysterious individuals (along with Matt Lee, Lissa Mitchell and Douglas Bagnall), possibly all part of Fever Hospital that released a handful of lathe-cut singles on their own 8 Dec Records imprint, to startlingly low-key but enthusiastic acclaim.
One of the lesser-known Flying Nun Records releases, young singer-songwriter Nick Smith put out a largely unremembered EP on the label in 1987 after appearing on the ‘Outnumbered by Sheep’ compilation.
He also recorded a preceding EP (with the help of Chris Knox), released on record store Real Groovy Records own imprint back in 1986.
Smith would go on to have a successful career as a journalist.
Shaft is the long-standing vehicle of prominent song-writer Bob Cardy (aka Bob Brannigan), guitarist for the Axemen and a stalwart of the New Zealand underground scene. With a rotating cast of musicians backing him, Shaft always sounds like Shaft; a terrific band brimming with brilliant, dynamic and catchy songs.
Short-lived Industrial Punk from notable Palmerston North musician, venue owner / manager / promoter Dave White, with Zane Hookham and Rob Groats.
White was the manager of The Stomach, which served as the focal-point of Palmerston North’s underground music scene in the 1990’s and he self-produced and released their extremely rare 7″ single and 10″ EP lathe’s individually (with handmade covers) on old EMI blank acetates.
Terrific Wellington-based synth and guitar troop – greatly exciting, fun and wacky group. Often costumed and running through sets at breakneck pace, the group had a give it a go and home-production bent, distributing their own self-produced recordings (with art-work from the very talented Neon Sleep), hand-crafted pins, stickers and posters.
The group evolved out of youthful stints in underground hardcore groups – and they took elements of that (breakneck pace, gang vocals, building a community) to the group, but expanded the sound to make it more palatable to a wider audience.
Dave Mulcahy‘s first post-Jean Paul Sartre Experience band was the unfortunately short-lived Superette, who sprung up in Auckland in 1993. With Mulcahy taking guitar and vocal duties, he pulled together former Blue Marbles duo Ben Howe (Bass) and Greta Anderson (Drums/Backing Vox) to record the rough, thematically scary, but thoroughly charming Rosepig EP. From here the band became known as one of the better live pop-rock acts around New Zealand, and where one of the defining bands (along with the 3Ds) that turned me on to New Zealand bands.
Hugely popular and influential New Zealand industrial rock act who emerged out of Palmerston North in 1979. Known for their grinding sound (a mix of noisy, scattered and angular guitar and eclectic electronic sounds) and one particularly visual music video – the incredible and universally banned ‘Affco’.
4-piece Christchurch hard-rock outfit who originally formed as Gluefist. Made a bit of an impact in the late 90s through to 2002 with a few singles (particularly ‘Bullet In My Hand’, which received significant radio play) and a few high-profile support slots.
Nick Bollinger (The NZ Listener): “Dunedin based troubadour with a four track writes witty commentaries on society, love, and discount shopping. His guitar, casio and drum machine provide more colour than one might expect.”
Really dark and ominous Auckland Goth/Post-Punk 4-piece formed in Howick in 1981. Released an EP on Paul Lurkers Industrial Tapes label before splitting up in 1983. Vocalist Patrick Waller would go on to form The Kiwi Animal, while Andrew Moon was in Goblin Mix.