Formed by Nick ‘Harte’ Hodgson in mid-2003, The Shocking Pinks are one of the most exciting and memorable bands to spring out of Christchurch in the last 5 years. New Zealand’s exponent of the dance-punk revitalisation – The Shocking Pinks encompass a vast variety of styles into their (utterly original) sound, blending disco, shoegazer guitar, new wave keys and vocals and punky rhythms into a mish-mash of undeniably danceable funk.
Valentines day 2004 sees The Pinks release their debut full-length ‘Dance The Dance Electric’ on Tim Baird’s Christchurch-based and usually house-orientated Pinacolada label. Reduced down to a four-piece (though their stylist Antonia De Bere gets a credit) of Harte, Tim McDonald (keys / percussion), Johnno Smith (bass / vocals) and Danny Bare (guitar – Ex-Substandard), the debut is startling different from their early 4-track attempts (though most of the recordings were done in such a lo-fi manner), with their heavy A Certain Ratio influence shining through on a number of tracks, which are now very varied and dynamic.
Though now somewhat missing a front-person (the album features vocal cameos by the Brunettes Heather Mansfield and original vocalist Mel Smith (Emerald Green, The Greenmatics) their sound has indeed fleshed out, and the band intends to sort out a relationship with the American DFA label.
More news came about with their January 2004 pre-release tour – after internal squabbles, the returning news was that the band had called it quits – though the album was still to be released on valentines day. After a couple of weeks, Harte re-appeared, announcing the band would march on – now with a completely new line-up featuring Harte taking both drum and bass roles, with newcomers Kit on guitar, and Marie on synthesizers (while advertising for a new drummer).
Things turned a little bizarre from this point on, with members of the original line-up reinstated for one-off gigs, then yet another new line-up and an eventual New Zealand tour (which ended unceremoniously with yet more departures). Finally, with The Pinks profile rising substantially both nationally and internationally, Harte took over sole responsibility of the group, signing a contract with Festival Mushroom (through Flying Nun Records), with plans for an EP and sophmoric EP in the works.
Circa 2004-5 The Shocking Pinks are a one-man recording project, though he has a new and established live band of Herbert Palmer (guitar – also of the Leper Ballet), Gareth (synth, vocals, percussion), and Tom (bass). In September 2004 Harte formed a new duo as a sideline to The Pinks, Black Albino – making their debut supporting touring US troop Hawnay Troof and high-flying Aucklanders Die! Die! Die!. Black Albino are somewhat closer to Harte’s previous outfit the Incisions, and featured former Pink and Incision Tim McDonald.
The Pinks gradually spaced out their live performances during 2005 and early 2006, after Herbert Palmer left the group for foreign shores. However in mid 2006 Harte finally got word of his impending US record deal, signing to DFA records in New York City. The group played a supposed final Christchurch show in August 2006, with Harte heading stateside for the re-release of Infinityland under DFA, with a four-record deal in the wings.
However it took almost a year for the DFA to actually release their first stateside material – a white-label 12″ record; whilst Nick was actually still in Christchurch, and even continued to play shows and house party’s before eventually leaving mid 2007. By the end of the Pinks New Zealand lifetime the group was essentially Nick fronting (on guitar) the Tiger Tones (less bassist Ashlin Raymond) – a local group the Pinks have had a strong influence on.
- Dance The Dance Electric [2004 Pinacolada Pinacd02]
- Sway [2005 Self-Released]
- Mathematical Warfare [2005 Flying Nun Records Fncd494]
- Infinityland [2005 Flying Nun Records Fncd497]
- Smokescreen 12″ [2007 DFA]
- Shocking Pinks [2007 DFA]