Gestalt Switch
(At the time) young and upcoming Dunedin rock act, forming in December 2001. Haven’t heard their 4 song debut ep, but they seem to be pushing a diverse sound – with loudness appearing to be key.
Artists
Skeptics
Hugely popular and influential New Zealand industrial rock act who emerged out of Palmerston North in 1979. Known for their grinding sound (a mix of noisy, scattered and angular guitar and eclectic electronic sounds) and one particularly visual music video – the incredible and universally banned ‘Affco’.
Slim
4-piece Christchurch hard-rock outfit who originally formed as Gluefist. Made a bit of an impact in the late 90s through to 2002 with a few singles (particularly ‘Bullet In My Hand’, which received significant radio play) and a few high-profile support slots.
French for Rabbits
Lovely, dreamy, folky indie-pop from (former Ragamuffin Children and The O’Lovelys) keyboardist Brook Singer and Jazz guitarist John Fitzgerald (guitar). Taking a DIY approach the group have toured Europe and the US, garnished exposure on television series soundtracks and grown a fairly sizeable following around the globe.
Swampy
Nick Bollinger (The NZ Listener): “Dunedin based troubadour with a four track writes witty commentaries on society, love, and discount shopping. His guitar, casio and drum machine provide more colour than one might expect.”
The Riptoids
Christchurch lo-fi rock group from the mid 1980’s with an ever-changing line-up and several releases on group member Campbell McLay’s ‘Onset/Offset’ label.
Plains
Auckland-based group comprised of experimental underground regulars – Tim Coster (field recordings), Richard Francis (computer), Rosy Parlane (guitar, computer), Mark Sadgrove (feedback, linuxcsound), Clinton Watkins (guitar) and Paul Winstanley (electric bass, digital feedback).
Silent Decree
Really dark and ominous Auckland Goth/Post-Punk 4-piece formed in Howick in 1981. Released an EP on Paul Lurkers Industrial Tapes label before splitting up in 1983. Vocalist Patrick Waller would go on to form The Kiwi Animal, while Andrew Moon was in Goblin Mix.
Die! Die! Die!
Since forming their first band in High School back in Dunedin, the duo of Michael Prain and Andrew Wilson have been consistently at the forefront of New Zealand independent music. Die! Die! Die! formed in 2003 as an Auckland-based post-punk group with an explosive, propulsive sound and excellent songs.
Casagrante Apparatus
Dunedin mid-90s experimental trio with a handful of impossible to find releases, including a lathe on Crawlspace, and 2 releases on drummer Stefan Neville’s own ‘A Stabbies and the Rocket Recording’ label.
Hiatus
Experimental music from Nick Hodgson (later known as Nick Harte), High Tension House’s Hamish Noonan and Tim McDonald. Scattered drums and treated guitars form a free-noise vibe that’s not entirely unpleasant
Ebony Sye
Youthful New wave pop group who put out an album in 1987 on Auckland label Ode Records before disappearing. Frontman Neil de Jong would resurface in another short-lived group (Voodoo Love); however the most well-known group he’s associated with would be Alien Weapony, as brothers Henry and Lewis de Jong are his songs, and he’s assisted as a live sound engineer and manager for the group.
The Clean
The Clean have left a giant stamp on New Zealand Independent Music. The group that came to define ‘The Dunedin Sound’ had a terrific topsy-turvy career that spanned 5 albums and a number of EPs, singles, compilations and live releases over a 31 year time-span.
Mainly Spaniards
Jangly indie-rock 4 piece from early 1980’s Christchurch. During their life they put out a well-received 7″ single on Flying Nun before going their separate ways. Failsafe Records released a retrospective compilation of their recordings in 2021.
Jawload
Mid 1990s rock’n’roll outfit from Andrew Tolley, before he found fame with The Hasselhoff Experiment. Tolley formed the group with This will kill that drummer Andrew Goodchild, before expanding the band to a 4 piece (and both Tolley and Goodchild switching to guitar).
Jawload were based in Wellington and released an album and two singles on Tolley’s own Kato Records label.