
David Mulcahy
Moody but sadly inconsistent solo material from JPSE / Superette front-man released on bandmate’s nascent Arch Hill label in 1999.

Moody but sadly inconsistent solo material from JPSE / Superette front-man released on bandmate’s nascent Arch Hill label in 1999.

General craziness in musical form at the hand of Michael Weston and his troops Bruce Mahalski, Eric Neuman and Nathan McConnell.
The Dunedin music compilation But I Can Write Songs OK includes their brilliant stars-on-45 take on Flying Nun bands ‘Dunedin sound on 45’, and even featured guest appearances from some of the targets – David Kilgour and Martin Phillips.

Wellington trio making lo-fi psychedelic and experimental noise. The group released a flurry of lathe cut releases in the late 90’s before resurfacing as the Electronic / Abstract / Experimental / Jazz outfit Nova Scotia.

One of the longest running mythic underground figures of New Zealand rock who has worked (and commanded) such significant figures in the New Zealand music scene as Chris Knox, Peter Stapleton, Maryrose Crook, Dave Mitchell, Malcolm Grant – the list goes on.

Early 80s Wellington post-punk outfit in the style of the Au Pairs, with long-standing members Kate Walker and Stephen Norris, plus a rotating cast of drummers and vocalists, including well-known Actor/Comedian Jennifer Ward-Leland and future Oscar winner Fran Walsh.

Wellington-based experimental noise trio featuring Paul Douglas (aka Rosy Parlane), Robert Lundon (RSW London / Imperial Records) and Paul Yates (aka Paul Ling – ex Garbage and the Flowers – now in the Melbourne-based Minit).

Kim Blackburn is a poet and singer-songwriter who put out the ‘Lizards In Love’ album on Flying Nun Records, using acoustic guitar and digital effects to give the album an unusual edge. Her voice has a deep, haunting quality – reminiscent of Nico.
She had previously been associated with underground labels such as Industrial Tapes, performing alongside Sandra Bell on the cassette only release ‘Two Metallic Hearts’.

Bizarre but often highly melodic experimental group, one of the first New Zealand outfits to incorporate multimedia elements into their shows and actually classified themselves as a production, creating art shows and (eventually) computer based presentation that encompassed both visual and audible elements.

Prolific formerly Christchurch (now Melbourne) downbeat and hip-hop producer, now performing under the name Trillion.

Two-piece Rock’N’Roll duo from Auckland. They were tremendous on A Low Hum’s 2nd to last tour, with drummer Zoe Fleury belting it out (and singing too) from behind the kit while Maeve Munro played feedback-drenched guitar and sang from up front. Very cool.
Only release was a split single with The Lover Haters.

Palmerston North outfit that released a tape of folk pop songs on Spotty Dog in 1995.

West Auckland punks from the early 80s – Stooges obsessed 20-somethings who evolved out of the equally primitive Dum Dum Boys and made sloppy punk-metal, later reissued by revivalist imprint Raw Power.
Eventually moved to Sydney and (due to the name clash with a 1960s Australian group with the same name) became Reptiles at Dawn.

Auckland guitar and drums duo who have put out a couple releases adorned by excellent 60’s hard-rock styled artwork (coming from guitarist John Appleton’s pen) to match their bluesy minimalist rock.
Drummer Martinengo would go on to form similar garage rock groups Los Hories and Gaytime, whilst also running 1:12 Records.

The pop outgrowth of Ex-Christchurch song-writer Dave Yetton (Ex Jean-Paul Sartre Experience), who’s backing band has included a couple generations of well-known kiwi performers, including Pluto’s rhythm section at one point.

Sonya Waters first appeared as the vocalist for ska group The Instigators, putting out a couple 7″ singles on Ripper Records in the early 1980’s before releasing an EP under her own name in 1983. This release got her a lot of attention – eventually leading to an RIANZ award for most promising female vocalist.