
Pumice
The noisy, lo-fi and experimental one-man band of prolific multi-instrumentalist Stefan Neville who has been releasing DIY punky folk masterpieces since the mid 1990s (and continues today).

The noisy, lo-fi and experimental one-man band of prolific multi-instrumentalist Stefan Neville who has been releasing DIY punky folk masterpieces since the mid 1990s (and continues today).

Biography Short-lived super-group who’s key line-up centred around guitarist, vocalist and song-writer Alastair Galbraith, with Peter Jefferies (Nocturnal Projections, This Kind Of Punishment) on drums, Dave Mitchell (The 3Ds, Goblin Mix, Ghost Club etc) on rip-roaring guitarm and Galbraith’s former… Read More »Plagal Grind

The Psycho-Kat was the name given by Tracey Pagey to her solo music for kRkRkRk between mid 1994 & late 1996. “Metal percussion & distorted synth drones Amidst all this industrial noise & chaos, however, were far more subtle compositions which used layered, ethereal vocals, wind instruments & understated loops to create an altogether more meditative & ritualistic feel.
#nzmusic #psycho-kat

South Auckland punky acoustic trio who released an EP and had songs on 2 compilations, all put out by Paul Luker’s Industrial Tapes DIY cassette label in the mid 1980s. Luker was connected to the group through vocalist Brett Mason, whom he met performing poetry.
#nzmusic #papakurapostoffice

Phantom Forth was a post-punk trio from Auckland who released an EP on Flying Nun in 1984 – their sound was influenced by excellent Scottish group Young Marble Giants. Formed by Paul Luker who went on to form side-project This is Heaven and the DIY cassette label Industrial Tapes.
#nzmusic #phantomforth

Kim Pieters is a multi-talented artist based in Dunedin who has made significant contributions to music and visual arts since the 1980s. Pieters is known for her involvement in bands like Dadamah, and her long partnership with Peter Stapleton – with whom she co-founded Dunedin’s Lines of Flight festival.
#nzmusic #kimpieters

The Picnic Boys was a loose collective formed around the core trio of Kevin Smith, Patrick Faigan and Steve Watson (who later became Say Yes to Apes). At Faigan’s behest the various members recorded their own take on ‘experimental’ music to tape, which was later compiled into a handful of cassette releases on the groups TV Eye label in the early 1980s.
#nzmusic #thepicnicboys #sayyestoapes #tveye

The Portage was a 2-piece group featuring Nux Vomica’s Lawrence Kennett and Lisa Preston, after the earlier groups demise in the mid 1980’s. The released a single rare EP in 1988, due to be reissued in an expanded format by Leather Jacket Records.
#nzmusic #theportage #nuxvomica #leatherjacketrecords

The very first group to record on Flying Nun Records, fronted by legendary experimental guitarist Roy Montgomery. Dark and Gloomy, evocative recordings – suitably earning the nickname ‘Roy Division’.
#nzmusic #pingroup #flyingnunrecords #roymontgomery

Poppy post-punk from Charlotte Yates and Christine Jeffs (now a movie director). Released an EP, expanded to a 6-piece band featuring Jackie Clarke on additional vocals, then split in 1990 with Yates going on to record her own solo material.
3nzmusic #puttyinherhands #charlotteyates

Auckland punk group from 1979-1980 who were part of the AK79 scene. Their recordings (which were later compiled into a retrospective release) show some reggae and new wave influence.
#nzmusic #nzpunk #primmers #zwines #ak79

Formerly known as The Dallas Pro-Drag Allstars, Pro-Drag were a loud, hard-rocking Wellington-based Rock’N’Roll combo who put out releases on the lo-fi Stink Magnetic tape label. Band member (and Stink Magnetic label founder) Dylan Herkes described the group as ‘Hawaiian Industrial’.

Clangy Auckland post-punk / indie-pop from the mid 1980’s. Released a brash, tuneful and fun LP-sized EP on Meltdown Records in 1987 before going their separate ways.

Sadly defunct fun surf-guitar trio from Christchurch who released a handful of live recordings on BandCamp before moving on.

Christchurch power-pop Pop Mechanix began their life as ‘Splash Alley’. They built up a strong reputation locally and around the country with Dick Driver (and later, Peter McLennan) as front-man; but never quite made it to the next level in Australia.