Alec Bathgate’s always kept a couple steps back in his fellow Enemy, Toy Love and Tall Dwarfs shadow, but released a lovely little Byrds-jangle-pop album (with heavy Beatles and Beach Boy flourishes) in 1996.
More technically competent than Knox, and somewhat reserved (in comparison at least), Bathgate is a reflective, precarious song-writer of great talent.
Short-lived David Mitchell 3 piece, and the last of his Auckland bands. This is when he truly found his voice, with support from Phil Moore, Andrew Moon and (Flying Nun alumni) Alf Danielson. Their complete recordings would later be compiled (along with The Exploding Budgies complete discography) as a compilation CD in 1991.
Whilst Chris Matthews was struggling within the pop-confines of the Prime Movers, Johnny Pierce (Bass), Grant Fell (Guitar) and Bevan Sweeney (Drums) were forming their own sound as Children’s Hour.
Excellent post-punk band taking in equal measures of Voidoids style angular guitar and Blood Brothers style furious hardcore screaming and breakbeat crunch. A talented 4-piece with an excellent grounding in music production, they were snapped up by Flying Nun after building a strong live reputation in auckland during 2002-3. ‘licking letters’ is the first single, coming from the break-through Octagon, Octagon, Octagon Ep, and is a jerky, stop-start ripper, few bands have shown such intensity committed to plastic.
Hugely popular and influential New Zealand industrial rock act who emerged out of Palmerston North in 1979. Known for their grinding sound (a mix of noisy, scattered and angular guitar and eclectic electronic sounds) and one particularly visual music video – the incredible and universally banned ‘Affco’.
Since forming their first band in High School back in Dunedin, the duo of Michael Prain and Andrew Wilson have been consistently at the forefront of New Zealand independent music. Die! Die! Die! formed in 2003 as an Auckland-based post-punk group with an explosive, propulsive sound and excellent songs.
The Clean have left a giant stamp on New Zealand Independent Music. The group that came to define ‘The Dunedin Sound’ had a terrific topsy-turvy career that spanned 5 albums and a number of EPs, singles, compilations and live releases over a 31 year time-span.
Jangly indie-rock 4 piece from early 1980’s Christchurch. During their life they put out a well-received 7″ single on Flying Nun before going their separate ways. Failsafe Records released a retrospective compilation of their recordings in 2021.
Christchurch-based art-rock group from the mid 1980’s who put out one EP on Bill Direen’s South Indies label. Several members came from low-key Flying Nun acts Mainly Spaniards and Ballon D’Essai.
Auckland duo of Mike Knuckley and Brett Higson. Released a cassette and appeared on a live compilation on Paul Lurkers Industrial Tapes label. Had some songs recorded live by Chris Knox and Doug Hood at the Rumba Bar with ‘One More’ turning up on the famed ‘The Last Rhumba’ live compilation on Flying Nun.
A formative group for 2 significant groups in New Zealand music – The Terminals song-writing duo of Peter Stapleton and Stephen Cogle, and Bilders duo Bill Direen and Allan Meek. Though a fairly significant group at the time, their recordings were sparse.
General craziness in musical form at the hand of Michael Weston and his troops Bruce Mahalski, Eric Neuman and Nathan McConnell.
The Dunedin music compilation But I Can Write Songs OK includes their brilliant stars-on-45 take on Flying Nun bands ‘Dunedin sound on 45’, and even featured guest appearances from some of the targets – David Kilgour and Martin Phillips.
One of the longest running mythic underground figures of New Zealand rock who has worked (and commanded) such significant figures in the New Zealand music scene as Chris Knox, Peter Stapleton, Maryrose Crook, Dave Mitchell, Malcolm Grant – the list goes on.
Kim Blackburn is a poet and singer-songwriter who put out the ‘Lizards In Love’ album on Flying Nun Records, using acoustic guitar and digital effects to give the album an unusual edge. Her voice has a deep, haunting quality – reminiscent of Nico.
She had previously been associated with underground labels such as Industrial Tapes, performing alongside Sandra Bell on the cassette only release ‘Two Metallic Hearts’.
Bizarre but often highly melodic experimental group, one of the first New Zealand outfits to incorporate multimedia elements into their shows and actually classified themselves as a production, creating art shows and (eventually) computer based presentation that encompassed both visual and audible elements.