Say Yes To Apes were a loose, noisy, often sloppy and usually creative Dunedin-then-Christchurch-based underground rock outfit formed by frontman Kevin Smith (several years before his acting career took off), drummer Pat Faigan (aka Duane Zarakov of Space Dust, King Loserand multi-instrumentalist Steve Watson, born out of the earlier Picnic Boys.
Hyphen-Ears was an underground group formed by South Island-based duo Kevin Smith (aka Hyphen-Smythe) and Steve Watson (aka Legacy of Ears) as a sideline to their Dunedin-based group Say Yes to Apes – which itself was an outgrowth of the The Picnic Boys recording collective).
The two Hyphen-Ears releases were some of the last by the TV Eye collective – vocalist Kevin Smith was soon channelling his creativity into acting…
#nzmusic #hyphenears #tveye
The Picnic Boys was a loose collective formed around the core trio of Kevin Smith, Patrick Faigan and Steve Watson (who later became Say Yes to Apes). At Faigan’s behest the various members recorded their own take on ‘experimental’ music to tape, which was later compiled into a handful of cassette releases on the groups TV Eye label in the early 1980s.
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Straitjacket Fits were a corner stone in New Zealand independent rock from their formation in 1986 till their inevitable break-up in February 1994. Though predominantly a kiwi indie-rock group, they were at times dissonant (and incredibly loud), hiding their delicate… Read More »Straitjacket Fits
Marginal Era were a synth and based-driven pop act formed in 1981 by song-writer Warwick Paul Agar (ex Vivid Militia).
Probably best known for ‘This Heaven’, originally an instrumental track that would later become the theme to the popular ‘Radio with Pictures’ television show.
Extremely wild Dunedin old-school rock’n’roll from a handful of underground experimental or lo-fi musicians. I managed to catch them once at the Provincial Lounge in Christchurch and was blown away by their stage antics; which included jumping on the Prov’s bar, kicking over drinks.
Fuzzy guitar-rock with surf-trash overtones from Stink Magnetic one-man band (and purveyor of classic New Zealand guitars) Aidan Moody; formerly of super-group The Dallas Pro-Drag Allstars. Moody started out in the Manawatu region but moved to Christchurch around 2006.
Expanded to a 3-piece for a handful of shows with support from ‘The Dirty Germs’, a pickup group featuring the likes of his Grand Chancellors bandmate Luke Wood (drums) Violet French (bass) and others.
#nzmusic #badevil #stinkmagnetic
3-piece indie-rock group formed by the Melted Ice Cream label’s Brian Feary in August 2009. Though connected to the label the trio never recorded and released any material, with Feary playing in a whole swag of other groups.
Dunedin based avant-indie trio featuring Mike Dooley (Toy Love and Snapper – Drums) his step-daughter Maxine Funke (Guitar) and Brett Moodie (Guitar), that formed out of the Dooley / Funke duo The Beaters.
Their debut EP was a meditative production guided by Arc Life engineer (and member of David Kilgour’s Heavy Eights) Tom Bell, whilst their follow-up Dance The Dervish is closer to a live recording, though still capturing their eclectic strengths – both released on the bands own Horrible Records (the name, not the quality) label.
A well-liked melodic indie-rock group that emerged from Palmerston North in the early 1990s, self-recorded a cassette before being picked up by Rob Mayes Failsafe Records label for their discography highlight; 1992’s ‘Etch’ EP.
#nzmusic #feastofstevens #failsaferecords
Palmerston North indie-rock 3-piece featuring ex-members of Foisemaster, Feast of Stevens and Shoeshine. Appeared on ‘Swamp MUSAK’, a compilation of local groups compiled and distributed by Radio Control 99.4 (Massey University’s student radio station).
Ross Harkness passed away in May 2020.
Christchurch free-noise group featuring future Breathing Cage bandmates Greg Malcolm and Michael Kime, plus Into the Void’s Paul Sutherland and the drums of John Kennedy.
A ‘dirty Palmy low-fi punk sludge band’ from the ever-talented Ross Harkness and a crew of The Stomach regulars. Released the majority of their material on their own DIY cassette and lathe cut imprint Lizard Mull Records. Their recordings have an endearing shambolic nature and some blistering guitar.
An early garage-rock turned punk group led by Christchurch music stalwart Al Park. Established Mollet Street Market – a communal venue that would become the centre of Christchurch’s punk and underground scenes in 1977-78.
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Christchurch-based indie-rock group that formed the Beat Atlas Records label, then relocated to London. 20 years later they resurfaced, contributing a couple of faithful covers to 2 distinct Galaxie 500 tribute albums.
#nzmusic #upperiscope #beatatlasrecords