The Cartilage Family were a short-lived Dunedin group featuring Peter Gutteridge (and a bunch of his best early songs), Shayne Carter, Lesley Paris and Francisca Griffin. No official recordings exist and they only performed live twice; but the Cartilage Family were an important stepping stone for New Zealand Music.
Indie pop-rock out of Christchurch based around Joe Sampson (guitar / vocals / keys / bass etc) with James Sullivan (drums) and Ben Ordering (bass) on most of their recordings.
Strong on melody with big chiming guitar and unfussy rhythmic backing, their songs have a timeless quality to them – sometimes jangling, sometimes driving, and with Sampson’s powerful guitar playing always ready to attack.
Electric Blood was the formative group of Robert Scott; forming the group with his brother in 1978, and featuring any number of local friends and family members on extremely lo-fi DIY recordings.
A bizarre cassette release from Robert Scott and Andrew Strang; providing incidental sound and commentary of the long drive (in a Bedford van) from Christchurch to Dunedin.
The key group of New Zealand underground legend Peter Gutteridge (despite being a founding member of BOTH the Clean and the Chills). Snapper made driving, droning guitars-infused with synths post-punk throughout the 1980s and 1990s before Gutteridge disappeared from the public eye.
FLASHBACK TO 29 March 2012 with Peter Gutteridge and Brother Love at Darkroom. One of the Christchurch musician’s later live performances, captured in a review originally published in the Christchurch Press on 5 April 2012.
Before Dimmer, before Straitjacket Fits, before even the Doublehappys, Shayne Carter was in a Flying Nun Records-type punk band called Bored Games, who opened for the likes of the Clean and Toy Love before the lads had even left high school.
One off x-mas theme side-project (joke release?) from Toy Love’s Chris Knox and his soundman cohort Doug Hood (who both lived in Jessel Street in Grey Lynn, Auckland) featuring their partners Barbara Ward and Carol Hood. Sometimes credited to David Kilgour and Martin Phillips too.
The And Band were an outgrowth of influential but undiscovered Wellington punk-oddities The Spies. When feed up with the limitations of the Wellington scene, the band, along with several of their friends relocated to a small Christchurch flat, sharing a recording space (and the actual 4-track) with Perfect Strangers.
The Renderers played Christchurch on Friday April 23rd, 2004 at Creation along with the Terminals and an acoustic performance from Hamish Kilgour (The Clean / Magick Heads etc). I conducted this interview with Brian and Maryrose Crook in the lead-up to the show.
The Clean have left a giant stamp on New Zealand Independent Music. The group that came to define ‘The Dunedin Sound’ had a terrific topsy-turvy career that spanned 5 albums and a number of EPs, singles, compilations and live releases over a 31 year time-span.
Jangly indie-rock 4 piece from early 1980’s Christchurch. During their life they put out a well-received 7″ single on Flying Nun before going their separate ways. Failsafe Records released a retrospective compilation of their recordings in 2021.
One of Rob Scott’s many one-off bands – this time with R. Dejoux and Sarah Robin. They put out the Ground Level cassette on Scotts’ own Every Secret Thing label in 1985. Scott reissued the Ground Level cassette as a CDr in 2022.
General craziness in musical form at the hand of Michael Weston and his troops Bruce Mahalski, Eric Neuman and Nathan McConnell.
The Dunedin music compilation But I Can Write Songs OK includes their brilliant stars-on-45 take on Flying Nun bands ‘Dunedin sound on 45’, and even featured guest appearances from some of the targets – David Kilgour and Martin Phillips.
My review of ‘Compilation’, the original retrospective of The Clean’s first phase releases. 2 singles and 2 EPs crammed into a brilliant album.