Black Albino was the name of a trio Hodgson fronted as guitarist for a single show in 2004.
The show reunited last-generation Incisions members Tim McDonald (Drums) and Karl Jensen (Bass) for a balls-to-the-wall explosion of noise – excellent stuff and an indication of what Hodgson can do given the context.
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Fine formerly Christchurch-based (their first release was a 7″ Lathe by Atonal Death in 1998), that released 18 experimental or ambient productions between 1998 and 2003, before label-head Peter Wright moved to London in 2003.
Ever-linked with the similarly-focused kRkRkRk label (who also release Wright’s material), Apoplexy has a less industrial focus, releasing artists such as Polio, Antony Milton, and with a back-catalog that includes material as varied as Atonal Death and Nick Hodgsons’ CM Ensemble material.
An experimental lo-fi/noise release from Lynton Denovan, recorded on a simple 4-track setup (with ‘Thanx tay Don Kebab fer ze teknickel assistance’ – presumably Donald Campbell of Thee Strapons) and released in a Peter King lathe cut 7″ format through Denovan’s one-off THE HITLIST label.
#nzmusic #experimentalmusic #satanspitbull #lyntondenovan
Matt Alien is the long-standing nom de plume of Matt Johnstone; a multi-instrumentalist born-frontman from the likes of Christchurch groups The Hitone Destroyers and The Black Panthers, Auckland group Slavetrader, and most recently Melbourne group Levitating Churches. Harnessing the swagger of early Aerosmith or AC/DC, but with a great deal more noise and the feeling that things might just fall apart at any moment.
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Richard Neave was an uncompromising noise artist and extreme audience provoker.
He spent years beating up his guitar either solo or flanked by musicians such as Nick Hodgson/Harte, Lee Noyes, Peter Wright etc.
Taking great pride in pushing the annoying, provocative nature of his playing he drove audiences away where-ever he played. Needless to say he was a legendary figure in the Christchurch underground music scene and those of us who knew Richard were very sad at his passing in 2010.
Nick ‘Harte’ Hodgson’s loud rock’n’roll outfit.
Started life as Tony Valens and the Incisions in the mid 90’s and were mostly concentrated on primal rhythms and harsh, noisy guitar flourishes – creating some absolutely brilliant sounds far outside the commercial scope of rock’n’roll.
Experimental music from Nick Hodgson (later known as Nick Harte), High Tension House’s Hamish Noonan and Tim McDonald. Scattered drums and treated guitars form a free-noise vibe that’s not entirely unpleasant
Underground rock’n’roll lifers from Christchurch fronted by enigmatic and sometimes confrontational front-man (and downhill Mountain Bike enthusiast) Andrew ‘Ox’ O’Connell. A long cast of supporting characters and a handful of rough-and-ready recordings – all self-released.
First off, describe your music in 10 words or less Antarcticish. Please substitute my use of the genre label ‘noise’, i’m not particularly fond of it myself.. Neither. ‘Noise’ is term usually used by Kylie fans to make generalizations about… Read More »Campbell Kneale [December 2002]
Nick Hodgson’s lo-fi free-noise recordings from 1996-7, with a line-up that included percussionist Kurt Dyer (Hodgson’s bandmate in the Soul-Funk group Solaa), brother Lynton and Kyle Denovan, Ryan Condon and long-time off-sider Tim Macdonald.
Released at least 5 cassette’s including ‘Ininityland’ on the influential US independent Shrimper.
#nzmusic #montessouri #nickhodgson