Nightshift Studios is a recording studio at 27 Whittington Avenue, Woolston, Christchurch, founded and operated by Dutch-born engineer Arnie van Bussel and in continuous operation since approximately 1976. Built around a custom-built console in a converted outbuilding at the rear of van Bussel's home, Nightshift became one of the key spaces of the New Zealand independent music scene — capturing Flying Nun's debut release (The Pin Group's Ambivalence, 1981), The Clean's Tally Ho, and a string of Bats albums across three decades, while remaining open to every genre from death metal to choral music.
Tiny Ruins are an Auckland indie folk ensemble founded in 2009, evolving from a solo project by Hollie Fullbrook into an internationally touring four-piece whose 2014 album Brightly Painted One won Best Alternative Album at the New Zealand Music Awards and whose four studio albums have each been shortlisted for the Taite Music Prize.
The Great Unwashed were a quieter, folkier edition of The Clean, a contrast to their raucous earlier sound. Peter Gutteridge's contributions to their song-book should not be understated, with 'Born in the wrong time' an absolute classic.
#nzmusic #greatunwashed #theclean
Flashback to my 2002 review of The Clean's 'Anthology' (2002, Flying Nun Records, FN468, a double CD monster packed to the brim with material from The Clean's early and mid-period releases.
#nzmusic #theclean #anthology #flyingnun
The Gordons appeared out of (almost) nowhere in March 1980 to take the mantel of Christchurch's (and soon New Zealand's) loudest band; however they were more than just loud. It's the songs they created during their initial year and a half run that have fuelled the legend of the Gordons. Through blistering feedback and propulsive bass come visions of a dystopian future, and anti-regime anthems.
#nzmusic #thegordons #bailterspace
Flashback to the Flying Nun Records 30th Birthday show, November 26th, 2011 at the CPIT Students Association with The Clean, The Subliminals and T54.
#nzmusic #flyingnun #t54 #thesubliminals #theclean
The Cartilage Family were a short-lived Dunedin group featuring Peter Gutteridge (and a bunch of his best early songs), Shayne Carter, Lesley Paris and Francisca Griffin. No official recordings exist and they only performed live twice; but the Cartilage Family were an important stepping stone for New Zealand Music.
The Renderers played Christchurch on Friday April 23rd, 2004 at Creation along with the Terminals and an acoustic performance from Hamish Kilgour (The Clean / Magick Heads etc). I conducted this interview with Brian and Maryrose Crook in the lead-up to the show.
Excellent multi-use space established by the Therapeutic Arts Trust in 2000 - Ciaran Fox was originally involved before Adam Hayward joined the board in 2001 and took over directorship in 2002.
The Clean have left a giant stamp on New Zealand Independent Music. The group that came to define 'The Dunedin Sound' had a terrific topsy-turvy career that spanned 5 albums and a number of EPs, singles, compilations and live releases over a 31 year time-span.
Biography David Kilgour’s post 2nd break-up of the Clean band – a more laid-back attempt at West-Coast psychedelia-influenced pop-rock outfit. Joined by Flying Nun…
The independent label that put New Zealand Music on the map. From Roger Shephard's formation of the label in 1980 through to now, Flying Nun has been a mark of creative, quirky, inventive music with a distinct kiwi flavor.
