Christchurch indie-pop trio formed in the early 2000s by three-quarters of The Bats, with guitarist Kaye Woodward stepping up as principal songwriter and vocalist. Rooted in the jangle-pop of the Dunedin Sound. Debut album Bounce Around (2008, Pocket Music); a follow-up album is mastered and awaiting release.
Christchurch-born singer-songwriter James Milne recording under the name Lawrence Arabia. Indie pop shaped by 1960s classicism, wry storytelling, and sophisticated arrangements. APRA Silver Scroll winner (2009, ‘Apple Pie Bed’) and inaugural Taite Music Prize recipient (2010, Chant Darling). Five solo albums on Lil Chief, Honorary Bedouin, Bella Union, and Flying Nun.
New Zealand composer, vocalist and pianist of Ghanaian descent. Studied at Victoria University Wellington and Princeton. Known for blending electropop, avant-classical, and singer-songwriter traditions. Now professor at NYU Steinhardt.
Alias of Dunedin’s Dianne Smith (Lucy Lurex, Lady Die). One-woman show using Casio keyboard with built-in tape deck. Also performed with International Telepaths, Murdering Monsters, and numerous other underground projects.
Dunedin destructo-rock outfit formed in 1995 by Matt Middleton (aka Crude). Trashy but sinister post-punk noise rock inspired by King Loser, Snapper, and the Dead C, with numerous lineup changes over three decades.
Wellington post-punk/ska band active 1981-1987, founded by Jon McLeary. Blended angular ska-punk with gothic-folk influences, releasing the celebrated ‘Fishing’ EP on Ripper Records. Their song ‘Your Body Stays’ became TV personality John Campbell’s all-time favorite NZ song.
Auckland post-punk band formed in late 1979 by Jed Town and James Pinker (ex-Superettes) with Karel Van Bergen and Chris Orange. Drawing from PIL, Wire, and no-wave, they provided the stylistic delineation between punk and post-punk in Auckland before disbanding in 1980.
Supergroove formed on New Year’s Eve 1989/90 in Auckland, New Zealand, when the members were still in high school. The band began as “The Lowdown Dirty Blues Band” before transitioning to their signature funk sound. The core lineup included Karl Steven (vocals, harmonica), Joe Lonie (bass), Nick Atkinson (saxophone, keyboards), Che Fu (vocals), Ben Sciascia (guitar), and Tim Stewart (trumpet).
Thee Ideal Gus is a sprawling experimental collective originating from Hamilton, New Zealand, in the early 1990s. Born from the same prolific underground “gene pool” that produced acts like Pumice, Armpit, and G.Frenzy, the group is characterized by a fluid, loosely defined membership and a steadfast commitment to lo-fi, improvised, and chance-based recording.
The noisy, lo-fi and experimental one-man band of prolific multi-instrumentalist Stefan Neville who has been releasing DIY punky folk masterpieces since the mid 1990s (and continues today).
Biography Palmerston North based jangly indie-pop group formed in 1985, featuring future member of The Mutton Birds bassist Alan Gregg, guitarist Greg Malcolm – who would have considerable success in underground circles as a solo artist, in collaboration with other… Read More »Three Leaning Men
Biography Formed while the trio were still students at Northcote College around 1983, the Auckland group embraced a poppy, jangly sound—a style far removed from the fiery intensity guitarist Dave Mitchell would soon become famous for in Goblin Mix and… Read More »Exploding Budgies
Biography ‘The Ghost Club‘ originally surfaced as the name of a 7″ single released by The 3D’s Dave Michell and Denise Roughan back in 1996 – a wonderful slice of melancholy that slipped under the radar on release. Within a… Read More »Ghost Club
After Nocturnal Projections went their seperate ways in the early 80s, the two Jefferies brothers formed This Kind Of Punishment, a group that expanded their song-writing capabilities, and added variety to the Joy Division-styled approach of their former group.
Biography Short-lived super-group who’s key line-up centred around guitarist, vocalist and song-writer Alastair Galbraith, with Peter Jefferies (Nocturnal Projections, This Kind Of Punishment) on drums, Dave Mitchell (The 3Ds, Goblin Mix, Ghost Club etc) on rip-roaring guitarm and Galbraith’s former… Read More »Plagal Grind