Teen X-Ray

Gfrenzy and Pumice‘s Steffan ‘Level’ Neville started Teen X-Ray in Hamilton back in 1993. Over the years they’ve managed to put out a few releases despite being scattered across the country (and even the world), though the band finally relocated together in 2001, setting up shop in Auckland, along with new bass player (the cryptically dubbed) Mr Magic Reggae Magic.

Discography (picks in bold)

  • Ballad Of Vince Neil Cassette [1994 Plop]
  • Reckless Cassette [1994 Plop]
  • Steves Recipe Cassette [1994 Plop]
  • Angst Cassette [1995 Plop]
  • Joys Of Pig Hunting Double Cassette [1995 Plop]
  • Jelly Cassette [1996 M60 / A Stabbies And The Rocket Recording]
  • ‘The 1st Song Off Angst’/’Long Gone’ Lathe Cut 7″ [1996 A Stabbies And The Rocket Recording]
  • Man Planned Speilburg Rape Cassette [1997 Root Don Lonie For Cash Rdl044]
  • Skullmobile Cassette / Lathe Cut[1997 A Stabbies And The Rocket Recording]

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Alec Bathgate [November 2004]

Alec Bathgate isn’t a household name in new zealand. Though his most famous group (the tall dwarfs) and his subsequent partner-in-crime (Chris Knox) may have achieved a level of recognition slightly beyond the typical indie-rock crowd, bathgate remains one of new zealand’s best and lowest profile song-writers. I spoke with Alec on the eve of releasing just his 2nd solo lp, the Indifferent Velvet Void, due to be released in november 2004.

So it’s been a clear 8 years since [debut solo release] Gold Lame came out. Have you gotten sick and tired of people telling you to release another album yet?

Well, actually, not many people have been hanging out for another album! I occasionally have someone tell me how much they like gold lame, which is nice, but not many people seem to have discovered it.

What was the inspiration for the Indifferent Velvet Void?

Lyrically there seem to be some deep issues being thrown around.

There’s a few themes that run through the songs on the album (death, loss, self-doubt, confusion… All that good stuff). So, yeah, it’s a bit dark, but quite poppy as well, which hopefully offsets what the lyrics are saying.

Is your writing and recording methodology different from the way the tall dwarfs work? Has much changed from the early days of Chris’s 4-track?

Tall Dwarf songs are recorded pretty quickly as we don’t normally have long together. The songs tend to then evolve over a period of time (whenever we can get together to do further work on them). Generally we don’t know when we begin how they will end up. With the solo album i would completely write a song before recording it and would have a fairly clear idea of how i wanted the final track to sound. My album was recorded on computer which has sort of replaced the 4-track as the preferred recording medium for the home recordist (even though tape is still better). Having 24 tracks is pretty insane after years of struggling away with a 4 track, plus there’s lots of effects built into pro-tools that you couldn’t possibly afford to buy as outboard gear.

The album is coming out on Auckland label Lil’ Chief. How did you connect with them? Do you still feel part of the Flying Nun roster?

Chris Knox gave them a cd-r of the album late last year (after Flying Nun had turned it down). I really liked the records they had put out and their enthusiasm for what they were doing, so was really happy that they wanted to release it. I’m still signed to F.Nun for Tall Dwarf releases and they’re reissuing the Toy Love album (early next year i believe).

Scott Mannion from Lil’ Chief / the Tokey Tones appeared as a Tall Dwarf [along with Pumice’s Stefan Neville] for a recent Helen Young Studios session. Are there any plans to release the material?

I was impressed by the re-takes of ‘The Brain That Wouldn’t Die’ and ‘Nothings Going To Happen’. We were really happy with how the Helen Young session worked out, particularly as we only had a short time to learn the songs with the other people (we hadn’t played with any of them before and only had two days to practice). We’ll possibly do a short-run pressing of them sometime in the future to sell at gigs.
What’s your most proud moment on the album?, i guess your aware i’ve been thrashing ‘Should I Wake Up?’

Most people who hear the album seem to mention ‘Should I Wake Up?’ ‘Slow Fuzz’ and ‘Broken Cup’ are probably my favorite songs on the album.

Are you a picky song-writing?, do you think taking such a long-time between releases has worked well for your albums?

I never intended to do another solo album. It just requires soooo much work, so i guess it took 8 years to muster up the enthusiasm to go through it again (plus we did three tall dwarf albums in that time)…All the songs were written over the 18 months i was making the album, i didn’t have any songs hoarded away, and in the year since i finished it i haven’t written anything. I think it’s good to have a break from writing (and playing music) to keep it interesting and enjoyable.

Any plans on any live performances or videos for the album?

I did the wunderbar gig in lyttelton a few weeks back and also did two shows with pine in auckland last weekend. I’ve always been reluctant to play solo, but i’ve actually been enjoying it! I ‘d actually really like to play some more.Rnas for videos there’s a plan to do a video for ‘Slow Fuzz’, so hoping that works out.

Stefan Neville

Stefan Neville, The Man Behind Pumice And Stabbies And The Rocket Recordings Released An Unusually Titled Cd-R Under His Own Name In 2003.
You’re not welcome cd-r

Stefan Neville is the incredibly talented musician behind Pumice, as well as being the drummer for excellent Auckland punk group the Coolies, playing alongside Chris Knox in the Nothing and releasing material under his own name.

Discography (picks in bold)

  • The Day Tape Challenge Triple Cassette [1997 W/ Sugarjon And Ee Monk A Stabbies And The Rocket Recording]

  • Do Not Destroy/Destroy Only After 10 Years / Can Be Destroyed By Cd-R [2003 A Stabbies And The Rocket Recording]

  • Lathe-Cut 8″ [2005 W/ Richard Francis, Howard Stelzer, Clinton Watkins Cmr Cmr9]

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Ohm

Ohm is a quartet that includes Campbell Kneale as well as Stefan Neville of Pumice. Their Live at the Crown, packaged within a hilarious upside-down variation on the Who’s Maximum R’n’B logo, is one of the most beautiful albums i’ve heard this year. With live drone and drum improv of the highest order, ohm create a wistfully psychedelic feel. there’s an astonishing chemistry and compositional sensibility within their improvisational method. Nicely recorded and beautifully played, Ohm show extraordinary mastery over their instruments with brilliant drumming patterns. their overall sound rivals the best of the Dead C and Thela‘s improv work.
Dan Vallor: muckraker #9

Discography (picks in bold)

  • ‘as sure as moons is cheese’/’egg jelly up’ 8″ lathe-cut [dirtlove]
  • ou cassette [1996 a stabbies and the rocket recordings]
  • jones cassette [1997 a stabbies and the rocket recordings]
  • live at the crowd cd-r [1997? last visible dogLVD008]
  • re:moon cassette [celebrate psi phenomenon]

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Chris Knox and the Nothing

After the abstract computer-orientated Friend project, Chris Knox (guitar and vocals) got back to business as a live performer by forming the Nothing with the very talented Stefan Neville (Pumice) on drums, and Jol Mulholland (Gasoline Cowboy on guitar. The trio record their self-titled debut in a real studio – the first time Knox had done so since his days in Toy Love.

Discography (picks in bold)

  • Chris Knox and the Nothing [2005 a major label]

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