Hugely popular Christchurch hard-rock all-girl group with a very 90’s riotgrrrl sound and a line-up that changed quite a bit over time. Members have included: Reta Le Quesne, twins Joanne and Sharon Billesdon, Lisa Preston, Fleur Walden Ninakaye Taane-Tinorau and Carla Rotta .
They recorded 2 singles, then had an album and a music video held back by Festival Records in nefarious circumstances.
#nzmusic #snort
Trillionaires were a Christchurch institution through the late 1990s and 2000s. A covers band formed as a super-group of local musicians with the twin vocals of Ross Humphries and Nicole Moffat.
The group were known for their eclectic covers, with each song reinterpreted in their own unique style, usually as a rollicking garage rock’n’roll number, driven by the killer guitar of Mick Elborado and the rhythm section of John Christoffels (bass) and Malcolm Grant (drums).
#nzmusic #trillionaires
Celia Mancini’s ‘lounge band in the ’80s.’ A Christchurch-based group that played a variety of upmarket events with Mancini fronting a killer backing band. Unknown for many years, a recording of Bobby Hebb’s ‘Sonny’ on the excellent ‘The Celia Mancini Tapes’ posthumous release in 2018.
#nzmusic #celiamancini #theafterdinnermints
Presumably named after a song by notorious cult leading serial killer (and Beach Boys collaborator) Charles Manson. One of Duane Zarakov, Celia Mancini and Brother Love’s many psychedelic rock acts – this time a Christchurch-based group who were around during 1991 (after the demise of The Axel Grinders, but before Space Dust and King Loser) and recorded a single cassette EP.
#nzmusic #undergroundmusic #ceasetoexist #theaxelgrinders #kingloser #spacedust
The Axel Grinders were a hard-edged rock’n’roll group with touch of humour, formed by future King Loser members Celia Patel (aka Celia Mancini), Pat Faigan (Duane Zarakov) and Martin Henderson (Brother Love), with John Markie (John Segovia) and Phil Ascott. Their recordings were finally made freely available in 2014.
#nzmusic #theaxelgrinders #kingloser
Constant Pain were a sadly under-recorded group featuring brilliant underground noisy guitar legends Cameron Bain and Roddy Pain, along with a revolving drummers seat of some of New Zealand’s finest drummers. Walls of wailing feedback and rolling rhythm drive some immense tunes. Both guitarists passed away in the 2010’s.
#nzmusic #constantpain #undergroundmusic #crawlspacereocrds
Noisy Dunedin rock group formed by Ex-Alpaca Brothers Bruce Blucher and Paul Cahill. Robbie Yeats was their primary drummer, but their recordings feature contributions from a number of well-known underground performers. Released 3 albums and a couple 7″ singles.
Victor Dimisich Band was formed in 1980 by the song-writing duo of Peter Stapleton and Stephen Cogle while both were members of Vacuum Blue Ladder.
Though only around for 18 months and with scant recorded output – they got the ball rolling for successive bands such as Scorched Earth Policy and the Terminals.
The key group of New Zealand underground legend Peter Gutteridge (despite being a founding member of BOTH the Clean and the Chills). Snapper made driving, droning guitars-infused with synths post-punk throughout the 1980s and 1990s before Gutteridge disappeared from the public eye.
Shaft is the long-standing vehicle of prominent song-writer Bob Cardy (aka Bob Brannigan), guitarist for the Axemen and a stalwart of the New Zealand underground scene. With a rotating cast of musicians backing him, Shaft always sounds like Shaft; a terrific band brimming with brilliant, dynamic and catchy songs.
The Renderers played Christchurch on Friday April 23rd, 2004 at Creation along with the Terminals and an acoustic performance from Hamish Kilgour (The Clean / Magick Heads etc). I conducted this interview with Brian and Maryrose Crook in the lead-up to the show.
Excellent multi-use space established by the Therapeutic Arts Trust in 2000 – Ciaran Fox was originally involved before Adam Hayward joined the board in 2001 and took over directorship in 2002.
Dunedin mid-90s experimental trio with a handful of impossible to find releases, including a lathe on Crawlspace, and 2 releases on drummer Stefan Neville’s own ‘A Stabbies and the Rocket Recording’ label.
One of the longest running mythic underground figures of New Zealand rock who has worked (and commanded) such significant figures in the New Zealand music scene as Chris Knox, Peter Stapleton, Maryrose Crook, Dave Mitchell, Malcolm Grant – the list goes on.
The Harbour Light Theatre was thought to have been designed by J.S. and M. J. Guthrie and purpose-built as a picture house and theatre for the Lyttelton Picture Company. It could seat 550 people in both stalls and circle. The front of the building was two storeys high, with a mezzanine floor, and two decorative brick towers topped with spherical domes on either side. The entry was framed by large Tuscan columns, with quoin stones on the corners of the building. The material of the building was mostly brick with a stucco finish on the facade painted white in the “California style”. The entrance featured an art nouveau style etching of a pattern above the verandah roof.