Kim Pieters is a multi-talented artist based in Dunedin who has made significant contributions to music and visual arts since the 1980s. Pieters is known for her involvement in bands like Dadamah, and her long partnership with Peter Stapleton – with whom she co-founded Dunedin’s Lines of Flight festival.
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Mid 1990’s free-noise duo made up of Danny Butt (Flies Inside The Sun) and Michael Morley (The Dead C etc). Released three ultra-rare Peter King 8″ lathes on Morley’s Precious Metal imprint, along with 2 albums and a single. Went from noise, scrapes and drones to releasing their own take on electronic dance music with 1998’s ‘Twelve Inches Heaven’.
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The very first group to record on Flying Nun Records, fronted by legendary experimental guitarist Roy Montgomery. Dark and Gloomy, evocative recordings – suitably earning the nickname ‘Roy Division’.
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The mostly-solo recordings of The Dead C’s Michael Morley. From noise, destructive guitar in the late 1980’s and 1990’s through sampling diversions and drones in the 2020’s, Morley has been a particularly creative force.
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Legendary New Zealand underground musician Alastair Galbraith’s first band. Flanked by Robbie Muir and Jeff Harford they put out 2 extremely hard to find EP’s in the mid 80s that show-case Galbraith’s brilliant talent for song-writing at an early age, particularly on their second EP – ‘Stormed Port’.
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Noisy Dunedin rock group formed by Ex-Alpaca Brothers Bruce Blucher and Paul Cahill. Robbie Yeats was their primary drummer, but their recordings feature contributions from a number of well-known underground performers. Released 3 albums and a couple 7″ singles.
Victor Dimisich Band was formed in 1980 by the song-writing duo of Peter Stapleton and Stephen Cogle while both were members of Vacuum Blue Ladder.
Though only around for 18 months and with scant recorded output – they got the ball rolling for successive bands such as Scorched Earth Policy and the Terminals.
Excellent early Flying Nun band from Christchurch featuring 3 future Terminals (Stapleton, Elborado and Crook).
Some terrific songs that build suspense and tension with galloping drums, rumbling bass and a cacophony of guitar, organ and violin.
One of Bruce Russell’s (Dead C) and Alastair Galbraith’s darkest outfits, often dealing with distinct imagery and motif’s in their music and especially pronounced in their liner notes (most of which are distributed through Russell’s Corpus Hermeticum label).
Formed by the duo in Dunedin in 1984, and primarily a free noise group. Though primarily a duo, Peter Stapleton had been a regular contributor from 1993 until his passing in March 2020.
A formative group for 2 significant groups in New Zealand music – The Terminals song-writing duo of Peter Stapleton and Stephen Cogle, and Bilders duo Bill Direen and Allan Meek. Though a fairly significant group at the time, their recordings were sparse.
Wreck Small Speakers On Expensive Stereos were a Dunedin-based duo consisting of Michael Morley and Richard Ram.
The groups recordings are based around strong rhythm tracks – usually plucked bass guitar and drum machine, with shout-sung vocals, fractured guitar riffs and organ squeels, with samples and other sound manipulations added into the mix. Though experimental, Wreck Small Speakers retained a high level of musicality and accessibility.
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Peter Jefferies, Michael Morley and Jean Smith (American singer-songwriter behind Mecca Normal) project, who released a couple of dark, but unfortunately unfocused albums on high profile American indie label Matador in the mid 90s.
After a 12-year recorded absense, the Terminals finally return! One of Christchurch’s most-loved underground bands, the Terminal’s have laid dormant, playing one-off shows every year or so since their Flying Nun Records days, but with Brian Crook resurfacing back up… Read More »The Terminals