FLASHBACK TO 18 November 2006 with Die! Die! Die!, Tiger Tones and Not So Experimental at the Media Club. Dunedin noise-punk trio Die! Die! Die! headlined fresh from an international touring cycle behind their Steve Albini-recorded debut, supported by two newly formed Christchurch acts who would each make their mark on the local scene in the years ahead.
RDU 98.5FM is Christchurch's independent alternative radio station, founded on 23 February 1976 as Radio U under the University of Canterbury Students' Association. It became the first FM station in Christchurch in 1986 as UFM, and rebranded as RDU 98.5FM in 2002. Controversially privatised in 2006 when sold to James Meharry and Karyn South for $2, the station survived the 2011 Christchurch earthquakes by broadcasting from a converted horse truck, and moved to its permanent home in the Boxed Quarter in 2015. In 2026 RDU marks its 50th anniversary as a cornerstone of Christchurch's independent music culture.
Reb Fountain is an American-born New Zealand singer-songwriter raised in Christchurch, blending folk, country and pop-rock across a career that spans three decades, most notably winning the 2021 Taite Music Prize with her Flying Nun Records debut Reb Fountain.
George FM is a New Zealand dance and electronic music radio station founded in 1998 by brothers Thane and Richard Kirby from a spare bedroom in Grey Lynn, Auckland. Starting as a volunteer-run low-power FM station, it went city-wide in 2001 through a partnership with the Manukau Urban Māori Authority, became commercial in 2003, and was acquired by MediaWorks in 2009. Now broadcasting nationally — including on 95.3FM in Christchurch — George FM is New Zealand’s leading dance radio brand, drawing around 202,000 weekly listeners with a presenter-led format that gives DJs full control over their music selection.
C93FM was a Christchurch independent FM radio station that broadcast on 92.9MHz from 1986 to 2001. Founded as a classic rock station, it passed through several formats — 93FM Gold, Classic Hits, Adult Contemporary — before closing in April 2001. Its most significant contribution to New Zealand music was the 1988 Rockquest, a local band competition conceived by station employee Ron Kjestrup that grew, under new organizers, into the national Smokefreerockquest.
The Foundry is Canterbury University's live music venue, operating at 90 Ilam Road in Ilam since the 1970s. After the 2010 earthquakes closed the original student union building, The Foundry ran from a beloved carpark temporary venue for eight years — hosting acts including Savage, Hilltop Hoods, Machine Head, and Dead Kennedys — before settling into the new $27 million Haere-roa building in 2019.
The former Sydenham Fire Station at 293 Colombo Street had two lives as a music venue: Wayne Manor from 1979, hosting Christchurch's early punk and post-punk scene in a BYO cavernous station space, and The Firehouse Nightclub from 1985 — a more polished club that survived a bomb attack and a gunman before ironically being destroyed by fire around 1990.
The building at 124 Worcester Street was designed by Benjamin Woolfield Mountfort and opened in 1875 as Trinity Congregational Church, whose congregation included suffragist Kate Sheppard. Converted to the State Trinity Centre in 1975 — a theatre, bar and restaurant — it hosted The Axemen's landmark recording session for Three Virgins before earthquake damage in 2011 closed it for over a decade. It reopened in 2023 as The Church Brew Pub, retaining Mountfort's famous double barrel vault ceiling.
The Grosvenor Hotel opened in 1877 at the corner of Madras Street and Moorhouse Avenue, built to serve the railway workers and travelling public of Christchurch’s southern transport corridor. It operated for over a century before closing in 2001. After surviving the 2010–11 earthquakes, the building reopened in 2012 as The Monday Room — a cocktail bar and events space that hosted DJ nights and occasional live music. In 2018 The Monday Room relocated to High Street; the Moorhouse Avenue building is now NV Interactive.
The Isaac Theatre Royal at 145 Gloucester Street is the only surviving operational Edwardian theatre in New Zealand. Opened in February 1908 to the designs of architects Alfred and Sidney Luttrell, it has hosted everyone from Anna Pavlova and Louis Armstrong to the Rolling Stones, Split Enz, Crowded House, and Lorde. Heavily damaged in the 2011 earthquake, it reopened in November 2014 after a $40 million restoration and holds Heritage New Zealand Category I status.
Double Happy was an upscale bar and club at 182 Cashel Street in Christchurch, operating from December 2006 until the 2011 earthquakes. With a capacity of 420, it was one of the city's larger live music venues, booking local and international drum and bass, hip hop and electronic acts.
Churchill’s Tavern is a Sydenham live music pub operating on the site of the 1882 Club Hotel. One of the few live music rooms to survive the Canterbury earthquake sequence, it hosts international touring acts in rock, punk, and metal alongside local shows.
Flashback to October 6th, 2012 - Celebrating post-Earthquake venue The Darkroom's first birthday with a show featuring Bang! Bang! Eche, The Transistors and Brown Leaves.
#nzmusic #darkroom #bangbangeche #thetransistors $brownleaves
Excellent instrumentalist trio from the garden city formed by Matt Craw (guitar), James Musgrave (bass), and Jared Kelly (drums) in early 2005. Taking cues from a variety of informed directions, the group were prolific features of the local live scene, and attached themselves to both R18 and all-age crowds with varying success. Playing an involved instrumental sound heavy on dynamics.