Record Labels

Capital Recordings

wellington-based independent label with a broad range of musical styles, formed by brent gleave and jason harding (aka dj clinton smiley) in late 2001. though capital’s initial focus seemed to be geared toward electronic artists, with the back to back releases of jazz combo twinset’s it’s a summer feeling and the debut of flash harry (aka barnaby weir of popular reggae outfit the black seeds) capital recordings started to show some diversity, a positive step considering the label isn’t opposed to issuing vinyl releases.
they’ve since signed wellington rock outfit stylus77, the acclaimed phoenix foundation debut, and released the shayne carter produced dimmer-heavy for good soundtrack, along with a growing number of releases in the earwork electronic series and further electronic releases from the likes of datsun stereo, jet jaguar etc.
compilation discography
picks in bold

  • earwork002 [2002 CREC1001]
  • capital base [2002 CREC1002]
  • earwork003 [2002 CREC1003]
  • earwork004 [2002 CREC1004]
  • capitalrecordings artists – #05 [2003 CREC1005]
  • compilation [2004 CREC1015]
  • for good soundtrack [2004 shayne carter and others CREC1017]

contact details
if available

  • capital recordings website [official website]
  • capital recordings email [official email]
  • capitalrecordings ltdrn
  • po box 1395rn
  • wellingtonrn
  • new zealand [postal address]
Album Reviews

Disasteradio! – Visions

2007, A Low Hum, HUM032

You ever play Q-Bert? How about Paper-Boy? Ever seen the hilarious end sequence from the Monkey Island games? I tell you what; Disasteradio! (affectionately known as D-Rad by his friends and Luke Rowell by his mum) has. In fact hes just the kind of guy to shed a thousand expletives while describing the shear power of the Fairlight keyboard system, while flying through another round of your favorite 1980s videogame. His songs are a mix of upbeat, bleepy keyboard pieces in the style of old-school video-games, and some damn funky beats making quite a favorite on the dance-floor.

In fact D-Rad has been a bit of a super-star in the A Low Hum-centered New Zealand music underground for the past few years, and hes been continually promising the release of his first Real album (after 3 self-produced CD-R releases – all now available for free via The Internet Archive) for a while now, so its great to see Blink get this to us after previously dealings with Wellington label Capital Recordings never eventuated. Visions feels like the cumulative history of his songs; pretty much how they appear these days in his genius live shows.

His songs have grown in stature, production and even managed to become more poppy and addictive. Opener Awesome Feelings (one of the many highlights from Real Groove Magazines recent New Sound compilation) is a case in point. That familiar-to-live-show-veterans opening synth line is now followed by typical D-Rad vocoded lyricisms: 1-2-3 gone have some fun, were feeling awesome coz the day is done / Living in a city thats full of squares / but we are awesome and we dont care hes an enthusiastic, positive guy.

Another obvious highlight – Hotline has been a choice little number for a couple years now. Like the best hits from Man-Machine era Kraftwerk he portrays himself as a robot just out to have some fun, and what makes more sense than an ode to the automated Telephone Exchange System? In fact Kraftwerk is a pretty firm influence on D-Rads sound; with shuffling metallic rhythm (the long-running influential German group are quite obsessed with Trains) and genuinely retro keyboard bleeps.

However, Disasteradio! is no one-trick pony. Take Back the Rave brings things forward another decade or so to the early 90s euro-rave sound, with a funky rhythm and a choice mid-song breakdown. Digital Pop marks the first appearance of Lukes vocals sans computer-vocoding (i keep thinking of Trans-Am circa Red Line), Stairdancer sounds like a mash-up of new-wave bands (with a pounding beat and swift synth line) whilst Believe in Yourself has a moody intro and ominous melody, like the soundtrack to some overcome-the-odds-type movie (and another killer breakdown thats also dead-funny).

Disasteradio! makes music for pop-music fans who like to have a little fun. Its all very positive, upbeat stuff, harkening back to younger days and whatnot, plus it makes for fine dance-floor-banger material. Great to see this finally get a full release I know Ive been looking forward to it immensely and I reckon the time spent fine-tuning and developing this mini pop-orchestras has been well worth it. A fine album.