After several false starts as a founding member of (get this) the Clean, the Chills and then the Great Unwashed, Peter Gutteridge was struggling to find an outlet for the sounds pent up inside him. Recording at home with a 4-track recording unit, he formed a new sound quite removed from the loose acoustic ramble of the Great Unwashed.
These recordings were created primarily solo, but with the occassional assitance of Alan Haig (Drums) and Ex-Bird Nest Roy Dominic Stones (Guitar) – culminating in a live support show for the Delawares featuring Gutteridge on Keyboards. Delawares guitarist Christine Voice was impressed and soon replaced Gutteridge on keyboards (and backing vocals), leaving Gutteridge free to lead the band (now officially named Snapper) on guitar.
The sound of Snapper grew and grew – Gutteridge began experimenting heavily with distortion and layering voices keyboard, adding thick, dense drones to their live and recorded sound. the debut self-titled ep was released and garnished critical acclaim, as the outside world was by now discovering the delights of the new zealand underground. the concept for their releases were to treat each instrumental passage as a layer of sound, songs rolled on and coalesced into a continious amalgam of sound. this continued on 1992’s Shotgun Blossom – the bands first full-length release (after the best part of 5 years).
With the band taking their time between releases they eventually lost Haig (to be replaced by former Toy Love Drummer Mike Dooley) and Stones (who went on to form the 3Ds) in the process. ADM finally surfaced in 1996 to pretty much universal adoration – whilst some critics compared them to the departed art-punk (and synth pioneers) duo Suicide, others cited them as the inspiration for the new wave of drone-popsters such as Stereolab.
ADM was recorded with something of a revolving support line-up – Stones was replaced by Gutteridge’s old pal David Kilgour, whilst a young Demarnia Lloyd (yet to make her name with Mink or Cloudboy), Celia Pavlova (Aka Mancini – of King Loser) and Voice provided backing vocals, with Dooley staying on as drummer.
Since then, not much has been heard from Gutteridge – despite Snappers reputation growing in retrospect. In the late 90’s he played tribute to his old band the Clean, playing guitar on High Dependency Unit‘s excellent cover of the Gutteridge-penned Clean classic ‘Point That Thing Somewhere Else’, and occasionally ventured out with some live performances, now reportedly focusing on keyboard based songs.
- Peter Gutteridge (Guitar/Vocals/Keyboards, 1985? – 2014)
- Christine Voice (Keyboards/Guitar/Vocals, 1985? – 2000?)
- Alan Haig (Drums, 1985? – 1992)
- Dominic Stones (Guitar/Vocals, 1985? – 1992)
- David Kilgour (Guitar, 1992 – 1993?)
- Mike Dooley (Drums, 1992 – 2000?)
- Martin Phillips (1992)
- Chris Heazlewood (Guitar, 1993?)
- Celia Patel (Keyboards/Vocals, 1993? – 1995?)
- Maxine Funk (2000?)
- Demarnia Lloyd (Vocals, 1996)
- Thomas Bell (2000?)
- Roddy Pain (Guitar, 1997?)
- Tristan Dingermans (1997?)
- Danny Brady (Keyboards, 2012? – 2014)
- Hope Robertson (Drums, 2012? – 2014)
- Jack Reid (Guitar, 2012? – 2014)
- Snapper EP (1988, Flying Nun Records, FN110)
- Dark Sensation 7″ Single (1990, Avalanche, AGAP010)
- Shotgun Blossom (1992, Flying Nun Records, FN216)
- Vadar 7″ Single (1993, Flying Nun Records, FN264)
- ADM (1996, Flying Nun Records, FN294)
- Hammerhead Live 7″ Single (2002, Crawlspace, SPACE010)
One of the few kiwi bands that have actually retained a somewhat consistent line-up over the years (though the three d’s in the band’s did expanded to four), they were formed in 1988 by Dominic Stones (Drums – Bird Nest Roys), Denise Roughan (Bass, Vocals – Look Blue Go Purple), and David Saunders (Gat, Vocals), with Dave Mitchell (Guitar, Vocals – Goblin Mix) joining soon after.
With each member having experience in other well known kiwi bands, they immediately set out creating a large catelogue of fun and hugely varied songs. Deviating from manic guitar distortion and yelped vocals (which have been compared to the pixies), to carefree sing-song mellow numbers (due to the wonderful naivete in Denise Roughans’ voice, and Mitchell’s more precious numbers) with the following song.. All three 3Ds albums (along with with their 2 EPs and various singles) have been student radio favorites over the years. Singles such as ‘Outer Space’ from the stunning debut Hellzapoppin were released with ingenious no-budget videos, created by the band themselves (Mitchell also sidelines as a graphic artist, and is responsible for the bands brilliant record sleeves and poster designs, as well as being a creative force behind their videos).
Hellzapoppin bought the band a great deal of exposure that was rewarded with successive support slots for many touring major-label bands, including Nirvana, the Buzzcocks and Pavement – which was a big deal for a minor-label artist in the early 90s.
The band really hit their stride though with the sophomoric album The Venus Trail. The album extended the debuts’ vivid audio palette to the absolute extremes. Opening track ‘Hey Suess’ gets the ball rolling with flourishes of guitar-buzz and manic screamed vocals, while still effortlessly retaining the 3Ds pop-dynamic, i know of no other band that can sound so abrasive yet still carry so much pop appeal as the 3Ds can. The album is quite aptly summed up by the mid-album one-two punch of the whimsical ‘Beautiful Things’ followed by the turbulent ‘Man On The Verge Of A Nervous Breakdown’, a keen reflection of the albums’ style.
Third album Strange News From The Angels saw the band fleshing out their sound to a more matured, nurtured sound – though the chaotic vibe of their earlier recordings is still present (like in opener ‘Dust’ or mid-album number ‘The Fiery Angel’). Sadly this is the end of what we’ve heard from the 3Ds, so tracks such as the elegant single ‘Animal’ may be the last we hear from one of Dunedin’s finest exports. Thankfully though, Mitchell and Roughan resurfaced in 2001 with the first album from their new outfit Ghost Club – the uniformly brilliant Ghostclubbing, with ex-pat Jim Abbot completing their new London-based line-up.
Discography (picks in bold)
- Fish Tales 12″ Ep [1990 Flying Nun FN150]
- Swarthy Songs For Swabs 12″ Ep [1990 Flying Nun FN167]
- Fish Tales / Swarthy Songs For Swabs [Compilation 1991 Flying Nun FNmc187]
- Hellzapoppin [1992 Flying Nun FN225]
- ‘Outer Space’/’Babys On Fire’ 7″ Single [1992 Flying Nun FN241]
- ‘Beautiful Things’/’Summer Stone’/’Song For The Whole World’ Cd Single [1994 2/ FN297 Flying Nun FN262]
- ‘Hey Seuss’/’Man On The Verge Of A Nervous Breakdown’/’River Burial’ Cd Single [1994 W/ FN262Flying Nun FN297]
- The Venus Trail [1994 Flying Nun FN281]
- ‘Hey Seuss’/’River Burial’ 7″ Single [1994 Flying Nun FN297]
- Caterwauling Cd Ep [1995 Flying Nun FN318]
- Strange News From The Angels [1997 Flying Nun FN351]
- ‘Dust’/’Animal’/’Fallen Angel’/’Strange News From The Angels’ Cd Single [1997 Flying Nun FN361]
- ‘Dust’/’Fallen Angel’ 7″ Single [1997 Flying Nun FN361]
Another in the long line of jangle pop outfits that optimized the Dunedin sound (though they originated from Auckland).
They never quite hit the big time, though both the EP and their self-titled LP are well worth tracking down.
A little bit quirkier than their contemporaries, they eventually split up soon after the debut full-length (which is now quite hard to find), Dominic Stones went on to find success as the drummer for the brilliant 3Ds.
- Debberly Roy (Bass, 1985 – 1987)
- Peter Moerenhout (Drums, 1985 – 1987)
- Domonic Stones (Guitar, 1985 – 1987)
- Ross Williams (Vocals/Guitar, 1985 – 1987)
- Warwick Wakefield (Vocals/Tambourine, 1985 – 1987)
- Ross Hollands (Vocals, 1985 – 1987)
- Whack It Down EP (1985, Flying Nun Records, FN044 – Listed As FN004)
- Jaffa Boy 7″ Single (1986, Flying Nun Records, FN067)
- Bird Nest Roys (1987, Flying Nun Records, FN065)
- Me Want Me Get Me Need Me Have Me Love (2013 Compilation, Flying Nun Records, FNLP530)
Matthew Bannisters’ post-Sneaky Feelings band, along with Alice Bulmer, Alan Gregg, and Ross Burge.
They later shortened the name to just the Dribbling Darts, and released 2 albums and 3 EPs – all on Flying Nun from 1990 through 1993.
Notable for their hugely catchy single ‘Hey Judith’.
- Matthew Bannister (Guitar/Vocals, 1989 – 1993)
- Alice Bulmer (Violin/Vocals/Keyboards, 1989 – 1993)
- Alan Gregg (Bass/Vocals, 1989 – 1993)
- Ross Burge (Drums, 1993)
- Richard Foulkes Jr (Drums, 1989 – 1991)
- Shoot 12″ EP [1990, Flying Nun, FN161]
- Florid Dabblers Voting 12″ Ep [1991, Flying Nun, FN197]
- Dribbling Darts Of Love [1991 Compilation, Flying Nun, FN213]
- Present Perfect [1993, Flying Nun, FN247]
- ‘Hey Judith CD Single [1993, Flying Nun, FN273]