Old and dilapidated wooden villa on Madras Street that functioned as a rather excellent venue for house parties and all-age events for a few years prior to the Canterbury Earthquakes in 2010 / 2011.
Occupied by a variety of individuals connected to Christchurch live music, student radio (RDU) and all-ages (Red Panda) scenes, the house was opened up for day time shows on the front-lawn or in the living room.
The occupants lived through the 2010 / 2011 Canterbury Earthquakes, but eventually moved out – the owners then discovering how extensively damaged the building was – though the original building still stands as of 2017.
Former tenant, Red Panda member and RDU Sheep Technique DJ Eamonn Marra provided a (presumed) complete list of the acts that played the Log Cabin over the years:
Continuing our review of Camp A Low Hum 2012; a 3 day music venue set in the scenic natural reserve camping ground Camp Wainui; nestled in the hills of Wainuomata, Upper Hutt.
Parties tend to run all night at camp, so sleeping can be a bit tricky at times. However I arose fresh, but a little sweaty in a sun-drenched tent. The weather had improved markedly over night, so I enjoyed walking around the camp in the sun, putting together a make-shift camping breakfast, drinking (a lot of) water and planning my strategy for the next two days.
Strolling down to the lagoon I was welcomed by the lovely, reverb-laden voice of Whanganui’s Castlecliff Lights. A tremendous vocalist who entertained the crowd with her sultry voice, layers of acoustic guitar and even some tastefully utilized melodica. A nice way to start the day.
While eating breakfast I happened to meet a young Wellingtonian named Flo Wilson, who mentioned she was performing a renegade slot later that morning as Foxtrot. These shows pop up through-out the festival, with makeshift poster adverts placed around camp to entice the festival goers, along with word of mouth advertising. You often find the best parties at camp are these renegade shows! Flo performed a solo set of songs based on vocal manipulations. She utilized loops and even an old tape player to create a particularly unusual sound; including a surprising cover of the Velvet Underground’s ‘Waiting for my man’.
After a dash to the Wainui shops and back, I sprinted to the lagoon to witness what promised to be the classic pool party of the festival; the appropriately named Auckland pop duo Spring Break (James Dansey of the Sneaks and Ryan McPhun of the Ruby Suns). Spring Break are hilarious; hamming up their performances with skimping (and soon to be discarded) outfits, dancing and singing like a 1980’s era Prince covers act. With incredibly catchy songs with that get stuck in your head for days (‘No Tango Dinero’, ‘Do You Want Me?’), I can’t imagine anyone walking away from their performances without a smile on their face.
Brutal Melbourne rock act Dead revved up a sizable crowd gathered on the lawn. With just bass and drums the duo showed incredible chops, releasing a pulsating, distorted sonic attack on a crowd just barely waking up (at mid day!). It would be a hard act for Christchurch act Dance Asthmatics to follow in the noisy room, but the 4-piece led by Stephen Nouwens (also front-man of the rather more shambolic BnP) showed why they’ve become a bit of a crowd favourite back home; with drummer Brian Feary pulling out some slinky drum beats, and talented guitarist Joe Sampson letting his fingers do the talking.
I didn’t get to see a great deal of Adelaide act Terrible Truths at the lagoon, but Wellington musician Jon Lemmon (playing as a duo with supplementary vocalist Ben Bro) brought a smile to my face playing a set of dancey, blissful numbers in the forest. Dressed in all white and with long hair, Lemmon led the crowd through his songs like he was commanding his faithful (‘I love it when you sing along!’ he proclaimed). His recordings and also appearances with former Christchurch act Wet Wings, never cease to impress me.
After a more conventional minimalist dub performance from Melbourne’s Absolute Boys and a couple of songs from ‘Holy Fuck’ vocalist Brian Borcherdt, I made my way back to the forest to catch (ex-Christchurch) Wellington sorta-prog duo The Shocking and Stunning. With Sam now possibly New Zealand’s finest drummer, and involving, enveloping keyboards from Jack Hooker they really do live up to their name.
Sydney downbeat R’n’B producer Guerre was next on the lawn, with some tasty, smooth songs with a real understated quality. Understated is something that popular auckland rock group Rackets are not – their songs are full of big, catchy verses and punky bravado, but I was surprised at just how pop and accessible they’ve become recently – they could very well be New Zealand’s next big thing, and if the attention they’ve been getting of late is anything to go by they’re well on their way.
The Phoenix Foundation we’re probably the most prominent name on the festival’s bill; making their first appearance at the festival since 2008 to a large audience on the big stage – which included their children in the front-row. The group ran through a familiar set of songs, stopping only for some somewhat awkward between song banter. I got a little tired and wandered off for some food, stopping off at the ‘Karaoke Dick’ van; a rolling Karaoke machine set up near the camp kitchen. Witnessing Teen Wolf’s Bradley Artesque run through his own take on Biggie Small’s ‘Juicy’ was a delight!
Things got very very fun from this point on; I was glad to have stuck to all water! Melbourne dance-duo Forces absolutely tore up the forest with their authentic retro house tracks; I swear for a period I was witnessing Bomb the Bass the beats and bass were so catchy. With my eyes wide open and my heart racing I was enticed into the noisy room where an intriguing trio had set themselves up in the middle of the room. With Alphabeathead adding colour on the turntables, All Seeing Hand are based around bombastic drumming and truly absurd vocals, the crowd simply lapped it up.
Wellington metal crew Beast Wars showed that camp isn’t all about skinny indie kids. Dominating the big stage, vocalist Matt Hyde couldn’t resist joining the dozens of kids that flung themselves into the crowd. After watching a rather under-whelming Vice Cooler in the forest running through Hawnay Troof material I stopped by the noisy room and witnessed an odd site – Brooklyn duo Prince Rama leading a small crow through their own home-filmed Yoga excercise video!
Auckland group Poor You Poor Me advertised themselves around camp as containing ‘the least interest members from…’ a variety of New Zealand groups; but I really dug their very later performance at the lagoon. With violin and gang-vocal singing, they had a nice party vibe going to keep the late-night punters warm. I ended the night with a repeat performance from Spring Break – this time crammed into a sweaty noisy room. Things got a little dubious towards the end of their set as clothing went flying and the crowd hit the stage, all great fun though. What a terrific day!
Thankfully the FANTASTIC Old Loaves from Wellington were then playing in the Barn. Hot damn these guys are great. i described them at the time as kinda like the Gordons, but I guess maybe more straight forward and with a pretty brutal edge. Really really dug these guys, and they got a great crowd response from the fellow Christchurch lads in the crowd.Next up Wet Wings had a go at the full line-up, with Matt scobie joining Darian, Lucy and Jon in the Pool. there was even time for a little dancing this time around.
Saw a little of Mothers of Darkness – a pretty straight forward band; but headed off pretty early, I think this time around catching a renegade room double of No Aloha and new outfit Etiquette. Although No Aloha will be faimilar to Christchurch and Wellington audience (and features basically the Insurgents performing new songs). Etiquette are a brand new band with a few familiar faces; and I must admit I took a shine to this new band immediately. Mark turners a pretty great front-man, and with catchy call-and-response vocals I was an instant fan.
Teen Hygiene seem to have a gimmick – their drummer likes playing ‘high’; though not in the typicalsense; he’d stacked up a giant drum riser in the barn, and later better that by playing on the roof of the bike sheds (in scorching sunlight). Seem like a pretty straight ahead rock band out of Wellington.
I missed Alphabethead, though I believe I did later see him (along with James Dansey of the Sneaks) clean up in the 3-on-3 b-ball competition. Next band I didn’t catch were Lowtide – and Aussie shoegazey outfit notable for their use of twin bassists. Good stuff; with cool twin vocals too.
After a painfully sunny day though, the beast was to come once the sun came down…
Day 1 started with a series of laid back acts, Melbourne-based loop-pedallist Great Earthquakes the first official performer on a little embankment near the campus’s stagnant pond. Christchurch’s Wet Wings followed with their own beautiful, haunting songs. The core duo of Darian and Lucy were flanked by Jon Lemmon on keys, the trio giving a very stripped down and percussion free performance.
I missed quite a bit of the brunch slots (including Portland, Oregon’s The Ocean Floor) for the sake of acquiring more food, but I did make it back in time to see one of the highlights of the Festival – Melbourne Based Parking Lot Experiments. I’d describe them (at least live) as an incredibly upbeat Dodo’s; and a whole lot of fun.
Scul Hazzards played another brutal set before Liam Finn hit the main (assembly) stage, backed by his brother Elroy on drums. I felt this line-up change didn’t really suit Liam’s music; he seemed more drawn to playing in a drawn-out manner; and without the explosive effect of his loop-station performances. Ah well.
Auckland-based Kitsunegari were anything but drawn out, however they were a complete shambles; with a broke guitar half-way through their first song! The group are a new and young outfit comprised of at least one former Bandicoot.
The first pool act I got to see were the exceptionally cutesy James Duncan and Chelsea Jade (also of the Teacups), with lovely, wispy vocals by Chelsea and the occasional Suicide-style synthy bit from James.
Missed a few more acts as the day got hotter, venturing around Campus and exploring the likes of the Gym and the main camping area before I caught awesome duo Coasting in the barn. I was completely unaware former Coolies drummer Fiona Campbell has been drumming for the Vivian Girls, and here she was whipping up a storm with fellow Brooklynite Madison Farmer. Nice tight, surfy songs. Cool Cool.
Melbourne 4-piece Tantrums seemed a little more gothy than their recordings give on, but they seemed to have some nice, relaxed electronicky stuff.
Speaking of Electronic music; former garden city lad Pikachunes tore it up with great big anthems in the pool; I really dig the likes of video indie-hit Just a Boy, and found myself singing it most of the night.
Sharpie Crows are the opposite of an electronic band, though now their drummers gone their frontman Sam Bradford was behind a drum machine type thing while his bandmates wailed behind him. Holy heck how much does that guitar fella tremble?
I missed Wellington’s Secret Knives, the photogenic Perth act Pond were unmemorable, and I can’t say CTrix is my favourite chip-tune artist (despite using a trusty old Amiga for the majority of his sounds), but it was certainly shaping up to be a great night with High Places and Toro Y Moi (and others) to come…
Fantastic youthful Christchurch pop-rock trio from the mid 2000’s.
Forming at Cashmere High School, Darian Woods, Joseph Harper and Matt Scobie were a popular band within the All-Ages and eventually the indie-rock scene within Christchurch, releasing a terrific debut album (which subsequently became their swan-song) in 2007.
Woods would go on to form Wet Wings before relocating overseas to study, Joseph Harper is a stand-up comedian and writer now living in Auckland, whilst Matt Scobie has become a big part of the Christchurch live music scene, playing in a handful of popular local bands (The Undercurrents, T54, Planet of the Tapes etc).