Old and dilapidated wooden villa on Madras Street that functioned as a rather excellent venue for house parties and all-age events for a few years prior to the Canterbury Earthquakes in 2010 / 2011.
Occupied by a variety of individuals connected to Christchurch live music, student radio (RDU) and all-ages (Red Panda) scenes, the house was opened up for day time shows on the front-lawn or in the living room.
The occupants lived through the 2010 / 2011 Canterbury Earthquakes, but eventually moved out – the owners then discovering how extensively damaged the building was – though the original building still stands as of 2017.
Former tenant, Red Panda member and RDU Sheep Technique DJ Eamonn Marra provided a (presumed) complete list of the acts that played the Log Cabin over the years:
I started the evening checking out the newly opened and somewhat controversial ‘Smash Palace’ bar on the corner of Victoria and Bealey Avenue. Run by Johnny Moore (former proprietor of the red-zoned ‘Goodbye Blue Monday’), Smash Palace is an outdoor bar with a focus on the social environment. Those familiar with Moore’s previous bars will feel right at home at Smash Palace, with plenty of seating and a good selection of Beer and Wine.
Opening the show at Dux Live was the low-key 3-piece shoe-gaze band Miniatures. I’d recommend checking out their BandCamp recordings as they’re about to relocate to Melbourne. With shimmering, glacial guitar, simple electronic drumming, groove-heavy bass and ethereal vocals reminiscent of Scottish shoe-gaze cornerstones the Cocteau Twins – they are an immersive experience.
Dunedin 3-piece Brown took things in a more conventional direction, with poppy songs that focused on tight performances and snappy lyrics. Garnishing a good response from what was now a decent Dux Live crowd, they set the scene for Tono, who was up next.
After recently hitting the New Zealand album charts with their terrific album ‘Up here for Dancing’, Tono and the Finance Company have been on the up and up, and it’s easy to see why. With songs full of catchy melodies and deadpan lyrical platitudes, the group relive the prime pop groups of the britpop era – the influence of Morrissey is particularly prominent in the style of Tono’s vocals. With the support of a top-notch touring band behind him, Tono commands the stage with the authority of a slick professional frontman.
The night concluded with bombastic 3-piece T54 – a common site at the Dux these days, the boys have been trying out new material and of course performing with as must gusto and technical skill as any local group.