Rock’n’Roll Party

Excellent Rock’n’Roll party at Cumnor terrace, capped off by an epic set from the Klap, this indoor MTB-Track warehouse show saw new group Weaponised making nasty metal, Palace of Wisdom in our slimmed down 3-man lineup, the high-speed Transistors, and the ever-popular Hit-Machine. BBQ, drinking and good times.

Click here for the Photoset.

Sheep Technique [01/07/2008]

My very last Sheep Technique (kiwi music show on student radio station RDU); with Paul, and with an aborted interview with Cindy (previously known as Sandra) from former Flying Nun single band 25c.

Bible Black – Hell of a Woman
The Renderers – Low to the Ground
The Clean – Point that Thing Somewhere Else
25c – The Witch
Front Lawn – A Man and a Woman
25c – Don’t deceive me
The Good Housewives – Concerto in D Minor
The Stones – See Red
Spacedust – Too Much Action
3Ds – Outer Space
Steffan Van Soest Hit-Machine – Woman By My Side (Mexican Man)
Ticket – Mr. Music
Shaft – The Downhill Racer
Scorched Earth Policy – Sunset on the Loading Zone
Scavengers – Mysterex
Toy Love – Bride of Frankenstein
Reduction Agents – Urban Yard
Blam Blam Blam – There is No Depression in New Zealand
Pop Art Toasters – What Am I Going to Do
Tomorrows Love – 7 and 7 Is
King Loser – 76 Comeback
Straitjacket Fits – Life in One Chord
Palace of Wisdom – Found and Lost
Wreck Small Speakers on Expensive Stereos – All of This
the Bats – Block of Wood
Snapper – Snapper and the Ocean
Bitch – Wildcat
Die! Die! Die! – Sideways Here We Come
The Androidss – Auckland Tonight
Lawrence Arabia – Half the Right Size

a million lights

Biography

The first (documented) recording alias of Chris Andrews – I.E. the creator of this website. In 2004 I compiled a 4-song EP of original recordings and got them pressed in the very limited capacity of 20 copies through Peter King, down in Mt. Somers (in a single day!, June 24th 2004), each with a unique cover and hand-numbered. The music contained within varies between low-key melodic tremblings on the a side, to caustic, but carefully controlled feedback-entrenched drones and shards of sound (extract with the help of cubase’s many distortion tools – from a bass guitar) on the b of an 8″ lathe-cut.

This highly limited 8″ lathe comes to us from the beautiful islands of New Zealand, a place known for it’s exquisite experimental music. These four short compositions by Chris Andrews heavily feature bass as a predominant instrument. Their minimalistic structures and instrumentation give the four tracks on “a million lights” an open-air feeling. It’s like soaring through the night sky, breathing ice cold air into your lungs. i love how sparse these pieces are. Both “Build 2” and “Thumping Around” show off a sense of melody. While these tracks are all instrumental, these two have a catchiness to them that will lodge itself firmly inside your skull
Brad Rose; Foxy Digitalis

This EP is actually an archival release, constructed from some of the most thematically aligned instrumental pieces in my recording archives, which date back to around 2000. playing primarily bass guitar, but also a little keyboard and rudimentary drumming, the ep is a work of studio-production, and differs quite markedly from my live band, the diana mckay led post-punk 4-piece Idols Of Eve.

The piece de resistance of “a million lights” is the opening to side b, “Error 404.” With shades of Roy Montgomery and Windy and Carl, this spacey guitar drone is mesmerizing. A heavy low-end gives this track depth, and Andrews’ melodic tendencies shine through again. It ascends and descends through the clouds like a soaring bird. It’s an excellent track and deserves repeated listens. He closes the album with “Rebel,” which is reminiscent of the previous track. It’s like a more stripped down, heavily processed version of it. It’s a solid ending to a very solid release. I hope to hear more of Andrews’ material in the future
Brad Rose; Foxy Digitalis

On January 14th, 2005 I made my live solo debut at the ‘Southern Oscillations’ festival at Castle Hill, Central Canterbury. I performed a 40 minute set comprised of material from my simultaneously released debut full-length cd-r, coming on after kRkRkRk artist / co-founder K-Mz Robinson (of NoTV / TMA-1).

The performance went well, playing to a small crowd on the opening night of the festival, drawing a good response and prompting a make-shift encore. Significant about the live performance was that I’ve now taken to playing guitar in a live capacity, just 3 weeks after purchasing my first (non-bass) guitar. using my PC for backing and live processing, the guitar is used primarily to spike the live sound with a higher register wave of sound, which can rise and fall between quite aggressive shards of noise to glacial waves.

After a single gig as a duo (with James Musgrave of A Flight To Blackout – we performed as 2 million lights) and a CD-r album release in 2006, plus a few further live solo performances, a million lights went on the back burner around 2007.

Still performing with Palace of Wisdom, I joined new ‘DIY Pop’ group The Ruling Elite in 2015, picking up guitar again for the first time since the solo performances. With free-form drummer Rory Dalley (otherwise known as IRD), I got the opportunity again to perform in an improvised manner – filling in for Dave Imlay in Dalley’s instrumental duo No Exit for a show at Space Academy in mid 2017, this lead to further performances with Dalley during The Ruling Elite‘s North Island tour in August 2017 (using the group name No No Exit).

Members

  • Chris Andrews (Bass/Guitar/Vocals/Production, 2004 – 2006)
  • James Musgrave (Keyboards, 2006)

Discography

  • a million lights EP [2004 Self-Released]
  • Album [2005 Self-Released]

Links

 

Bad Evil

fuzzy guitar-rock from a stink magnetic one-man band. evil toured as part of the labels one-man band tour in 2006 finding fans of old-fashioned reverby and fuzzed out guitar rock up and down the country.
discography
picks in bold

  • no releasesrn

Drowning Is Easy

Biography

Formative and short-lived Christchurch post-punk band featuring Ian Blenkinsop (Scorched Earth Policy, The McGoohans, Gas) and Mick Elborado (Scorched Earth Policy, The Terminals, King Loser, Palace of Wisdom etc) along with Craig Davison and Andrew Vallance.

Formed in early 1981, and split in late march 1982, originally leaving behind only a split 7″ EP left to document their brief existence.

However in 2014 German label Unwucht (who have also released recordings from the likes of Bill Direen and Ritchie Venus) put together a retrospective 7″ EP release compiling their 2 Tandem Studio recordings alongside 2 songs taken from a live at the Star and Garter pub in Christchurch, 1982.

Members

  • Ian Blenkinsop (Guitar/Vocals, 1981 – 1982)
  • Mick Elborado (Bass/Vocals, 1981 – 1982)
  • Craig Davison (Drums/Vocals, 1981 – 1982)
  • Andrew Vallance (Keyboards, 1981 – 1982)

Discography

  • You Explode Me! Woman 7″ Split EP (1982, w/ Erich Zann and The Zeds, Tandem PR2012A)
  • Drowning Is Easy (2014, Unwucht, UN022)

Links

 

 

The Hi-Tone Destroyers

Biography

During the mid 90’s, no man represented the Christchurch underground rock movement more than Matt Alien (aka Matt Johnstone).

As the leader of blue-revivalists The Black Panthers and his long-surviving scuzz-rockers The Hi-Tone Destroyers Matt was the equivalent of Iggy Pop to Detroit, Jim Morrison to California or (perhaps) Chris Knox to Auckland.

He managed to combine a little bit of each into his stage-performer, a drug-fueled, leather-pant wearing masochist who would bait his audience, sing lewd lyrics and absolutely roar on the guitar – totally encapsulating rock’n’roll at its dirtiest.

The Hi-Tone Destroyers were a little less raunchy than their Black Panther brothers – despite sharing half the same members, but had the swagger of the MC5 at full-force and could deliver the goods at any moment – usually at a punishing volume.

They spent a good decade playing parties and self-releasing scuzzy, amateur recordings, until the rock’n’roll revival hit full swing in 2002, resulting in Matt’s abandonment for Auckland (and warmer shores) to chase success., forming the group Slavetrader.

Members

  • Matt Johnstone (Guitar/Vocals/Drums, 1995 – 2002)
  • Ben Johnstone (Bass/Vocals, 1995 – 2002)
  • Pat Faigan (Drums, 1995 – 1996?)
  • Don Campbell (Keyboards, 1995 – 1998?)
  • Simon Nunn (Drums, 1996? – 2001?)
  • Alan Cameron (Keyboards/Guitar, 1996? – 2001?)
  • Nick Hodgson (Drums, 1998?)

Discography

  • ‘Icepick’/’Motorcity Rumble’ 7″ Lathe-Cut Single [Solarphonic]
  • Play The Music Of The MC5 7″ Lathe-Cut Single [Solarphonic]
  • ‘I’ll Put A Spell On You’/’Sonic Reducer’/’Now I Wanna Be Your Dog’ 7″ Lathe-Cut Single [Solarphonic]
  • ‘Headache Head Headache’/’No Way Son’ 7″ Single [1996, Kato Kato2]
  • Born WithoutAn Off Switch [1996]
  • Enter The Lair Of The Black Flame Cassette [High Tension House HTH016]
  • Light Up Your Life [2001]
  • Modern Rock Can Kiss Our Ass Cassette [2001 Stink Magnetic]
  • Calling All Destroyers [2005 Archival Compilation, Kato]
  • Burn In The Fire Of… [2011 Archival Live Release from 2008 show at Venus Cafe]
  • Stay High! [2011 Archival Compilation]

Links

 

O’Lovely

Biography

O’Lovely began as a duo (originally named The O’Lovelys) consisting of Laura Lee Watson (Synth/Vox – also of Pop Hits City) and Brooke Singer (Keys – formerly of the Ragamuffin Children and now French for Rabbits). In 2007 the pair were joined by Matt Scobie (Drums – formerly of Black Market Art and now T54 etc) and Joe Sampson (guitar – formerly of Charlie Bones, now front T54).

Sampson left the group to be replaced by Lee Devinish, but with the groups impending tour of Europe in mid-2008 (where they would be performing as a 3-piece), the line-up was then reverted back to Sampson on guitar for their final few shows. The group were the focus of a lot of attention in late 2007 and 2008, and eventually released their debut self-titled album with distribution through Global Routes.

Around this time the group fractured, with Singer leaving to pursue different avenues, and Watson establishing more authority, quickly building a new line-up. At the same time Watson had been playing in Pop Hits City with Ross Heath (formerly of Bang! Bang! Eche!), Will MacFarlane, Chris Andrews (Bass – Palace of Wisdom) and Tim Woods (Drums). The new O’Lovelys took the rhythm section of Woods and Andrews, and added Perry Mahoney (also a former Bang! Bang! Eche! member) on guitar.

This line-up recorded the ‘Lost Love’ EP with Dale Cotton in Dunedin – songs that eventually made their way onto the groups 2nd album ‘Constellation’. However by the release of the album the group had relocated to Auckland, had cycled through a small handful of supplementary bassists and had been renamed ‘O’Lovely’.

Members

  • Laura-Lee Watson (Vocals/Keyboards, 2006 -)
  • Brooke Singer (Keyboards, 2006 – 2008?)
  • Matt Scobie (Drums, 2007 – 2008)
  • Joe Sampson (Guitar, 2007 – 2008)
  • Lee Devenish (Guitar, 2008)
  • Chris Andrews (Bass, 2009)
  • Tim Woods (Drums, 2009 – )
  • Perry Mahoney (Guitar, 2009 – 2011?)

Discography

  • The O’Lovelys [2008 Self-Released]
  • Lost Love [2009 Self-Released]
  • Constellation [2011 Self-Released]

Links