The Ruling Elite

Biography

Originally formed as a regularly jamming group comprised of Palace of Wisdom‘s Andrew ‘Ox’ O’Connell (vocals), first-time musician David Branton (guitar) and Crimefront Studio’s Mike Boulden (drums), the group eventually took on a steady line-up with the addition of 2nd guitarist (and O’Connell’s Palace of Wisdom band-mate) Chris Andrews, plus talented free-form drummer Rory Dalley.

This 4-piece line-up quickly recorded the debut ‘Modern Beauty Standard’ with Boulden’s production, and continued to regularly produce new material through 2016 and 2017.

Members

  • Andrew ‘Ox’ O’Connell (Vocals, 2015-)
  • David Branton (Guitar, 2015-)
  • Michael Boulden (Drums, 2015)
  • Chris Andrews (Guitar, 2015-)
  • Rory Dalley (Drums, 2015-)

Discography

  • Modern Beauty Standard (2016, Self-Released)

Links

Pete Swanson (USA) with Gate and IRD

At the Physics Room, Friday August 10th 2012

IRD
IRD
The Physics Room has been at the forefront of Christchurch fringe culture since 1996 – providing a project space for installation artists and performers of various different mediums. Currently located at a temporary site on the corner of Sandyford and Colombo Streets, the space is divided into a light, open gallery and a dark, enclosed performance area with this particular event hosted by Auckland-based ‘Innovative Audio Culture’ organization Altmusic.

Christchurch-based multi-instrumentalist Rory Dalley (aka IRD) opened the evening, creating a clattering maelstrom of sound from broken audio equipment and an assortment of percussive objects. Bending and shaping cassette and turntable noises with traditional maori harakeke (i.e. flax) instruments into a fractured cacophony.

Gate
Gate
Legendary Dunedin underground figure Michael Morley was next – performing under his solo alias Gate. Known for significant New Zealand underground acts the Dead C, Wreck Small Speakers On Expensive Stereos and others, Morley is a huge figure in underground circles. A captive audience was enveloped by Morley’s guitar and effects orchestrations – creating a harmonic, slow moving drone that evolved at the speed of molasses.

Pete Swanson
Pete Swanson
Portland, Oregon’s group Yellow Swans were known for creating intriguing, improvised experimental noise built upon Pete Swanson and Gabriel Mindel Saloman’s electronics, guitar, drum machines and vocals. After seven years playing around the globe and releasing a huge catalogue of music, including several collaborative albums with brilliant Australian group Gray Daturas – the duo called it quits in 2008. In a solo capacity Swanson’s performance was heavy on the bassy rhythmic pulses, psychedelic and swirling sounds created a frequency overload in my head, rattled my teeth and even prompted a few audiences members to dance.

a million lights

Biography

The first (documented) recording alias of Chris Andrews – I.E. the creator of this website. In 2004 I compiled a 4-song EP of original recordings and got them pressed in the very limited capacity of 20 copies through Peter King, down in Mt. Somers (in a single day!, June 24th 2004), each with a unique cover and hand-numbered. The music contained within varies between low-key melodic tremblings on the a side, to caustic, but carefully controlled feedback-entrenched drones and shards of sound (extract with the help of cubase’s many distortion tools – from a bass guitar) on the b of an 8″ lathe-cut.

This highly limited 8″ lathe comes to us from the beautiful islands of New Zealand, a place known for it’s exquisite experimental music. These four short compositions by Chris Andrews heavily feature bass as a predominant instrument. Their minimalistic structures and instrumentation give the four tracks on “a million lights” an open-air feeling. It’s like soaring through the night sky, breathing ice cold air into your lungs. i love how sparse these pieces are. Both “Build 2” and “Thumping Around” show off a sense of melody. While these tracks are all instrumental, these two have a catchiness to them that will lodge itself firmly inside your skull
Brad Rose; Foxy Digitalis

This EP is actually an archival release, constructed from some of the most thematically aligned instrumental pieces in my recording archives, which date back to around 2000. playing primarily bass guitar, but also a little keyboard and rudimentary drumming, the ep is a work of studio-production, and differs quite markedly from my live band, the diana mckay led post-punk 4-piece Idols Of Eve.

The piece de resistance of “a million lights” is the opening to side b, “Error 404.” With shades of Roy Montgomery and Windy and Carl, this spacey guitar drone is mesmerizing. A heavy low-end gives this track depth, and Andrews’ melodic tendencies shine through again. It ascends and descends through the clouds like a soaring bird. It’s an excellent track and deserves repeated listens. He closes the album with “Rebel,” which is reminiscent of the previous track. It’s like a more stripped down, heavily processed version of it. It’s a solid ending to a very solid release. I hope to hear more of Andrews’ material in the future
Brad Rose; Foxy Digitalis

On January 14th, 2005 I made my live solo debut at the ‘Southern Oscillations’ festival at Castle Hill, Central Canterbury. I performed a 40 minute set comprised of material from my simultaneously released debut full-length cd-r, coming on after kRkRkRk artist / co-founder K-Mz Robinson (of NoTV / TMA-1).

The performance went well, playing to a small crowd on the opening night of the festival, drawing a good response and prompting a make-shift encore. Significant about the live performance was that I’ve now taken to playing guitar in a live capacity, just 3 weeks after purchasing my first (non-bass) guitar. using my PC for backing and live processing, the guitar is used primarily to spike the live sound with a higher register wave of sound, which can rise and fall between quite aggressive shards of noise to glacial waves.

After a single gig as a duo (with James Musgrave of A Flight To Blackout – we performed as 2 million lights) and a CD-r album release in 2006, plus a few further live solo performances, a million lights went on the back burner around 2007.

Still performing with Palace of Wisdom, I joined new ‘DIY Pop’ group The Ruling Elite in 2015, picking up guitar again for the first time since the solo performances. With free-form drummer Rory Dalley (otherwise known as IRD), I got the opportunity again to perform in an improvised manner – filling in for Dave Imlay in Dalley’s instrumental duo No Exit for a show at Space Academy in mid 2017, this lead to further performances with Dalley during The Ruling Elite‘s North Island tour in August 2017 (using the group name No No Exit).

Members

  • Chris Andrews (Bass/Guitar/Vocals/Production, 2004 – 2006)
  • James Musgrave (Keyboards, 2006)

Discography

  • a million lights EP [2004 Self-Released]
  • Album [2005 Self-Released]

Links