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Christchurch in the 80’s [By David Swift]

The Christchurch scene of 1980-82 is pretty legendary, and rightly so. This was most fertile period of rock’n’roll in the city since the beat-boom days of Chants R’n’B circa 1966.

There were some very good Christchurch punk bands (notably the Vauxhalls) in 1978/79 and a picky audience of 200 or so original-school three-chords hipsters, but it was only as the punk phenomenon flowered into post-punk that the number and quality of bands blossomed.

Think of it as the difference between The Enemy and Toy Love. It was cooler to say you had seen The Enemy in a small crowd, but Toy Love were a better band packing out 800-capacity bars.

Christchurch was second to Auckland in 1980 for the passion of its punk/new wave crowds. Toy Love, The Swingers, The Features would travel down and regularly pull 500-800 people at the DB Gladstone or the Hillsborough Tavern. Occasionally the Aranui Tavern on Brighton road [edit: Pages Road, on the way to Brighton] would also host these kind of bands.

The primo local groups in 1980-1982 were the Pin Group (because leader Roy Montgomery – now a Lo-Fi legend in the USA – was an essential cog in the city’s cool – he was manager of the EMI shop on Colombo St that was totally given over to NME-approved sounds….the company wasn’t that keen, but it was just about the most profitable EMI shop in NZ as a result), The Gordons, The Newtones, The Androidss, Scorched Earth Policy, Victor Dimisich Band, The Playthings, Kaza Portico / The Builders (Bill Direen‘s bands), The Volkswagens, 25c, Yeah, Mainly Spaniards were a bit popular too. I may have missed a few out….(at the same time there were kids in punk covers bands, pub rock bands, etc). But the above names were the central musical identities in a community fired by the Velvets/Stooges/Jonathan Richman/1960s USA Garage Punk/Pere Ubu/Wire – yet compelled to make their own music.

Roger began Flying Nun in early 1981 (I was the first journalist to write about the label, in The Press) because it seemed to him that if no one recorded these groups they would be lost to history.

At the same time, bands from Dunedin began forays to Christchurch where they knew that their original music would go down well with a knowing crowd that held no truck with punk covers bands. The Clean‘s first big gigs were at the Gladstone and their reputation sprang from there by word of mouth. Roger was so blown away by them he instantly marked them down for a 45 – Tally Ho.
The Verlaines, The Stones, The Chills and Sneaky Feelings also ploughed that furrow. At the time no one in Christchurch was in thrall to any ‘Dunedin scene’; in fact there wasn’t one as such. As far as we knew, there was just a few really good bands down there who had been blown away by The Enemy / Toy Love and wanted to make their own contribution. And to have it recognized in Christchurch as there wasn’t enough support for their originality down there.

Some ChCh bands quickly carved out a reputation in Auckland too. The Gordons are probably the best example. I saw their first ever gig at the Hillsborough Tavern in early 1980 (supporting Toy Love, or was it the Swingers, can’t recall exactly) and they had only been together a week and only had five songs but played them twice to rapturous acclaim from 600 people.

The Gordons did it different – offering a discordant wall-of-noise with some melodies years before Sonic Youth. Years later, in fact, SY professed huge admiration for the three, two of whom I went to school with at Ashburton College. I remember the Gordons doing three sell-out nights at the Gladstone in 1983 and just being excited at the sheer size of the Marshall stacks they had shoehorned onto and around the stage in that tiny pub. It was incredible the passions that a local band playing original music inspired – one of the great legacies of punk.

At the other end of the scale, Bill Direen was a huge talent, playing the rawest nuggets flavours in his bands The Vacuum / Kaza Portico / The Bilders yet he never made any commercial headway. The Bilders’ ‘Schwimmin In Der See’ EP (Flying Nun 1982) remains one of the label’s very best discs and the retrospective ‘Max Quitz Vol 1’ (1994 Flying Nun CD) is pretty essential to understand all that was good about garden city garage rock in the early 1980’s.

In January 1986 i made my first trip back home after 18 months in the UK and was delighted to see that Sneaky Feelings were to play the Gladstone on a saturday night while i was home. But unlike four years earlier, the pub wasn’t full and i only knew three people in there. Sneakies were still great, but that was the end of the era for me.

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Chug

Biography

On paper chug sound like a bit of a super-band. Featuring the wonderful Norma O’Malley (formerly of criminally under-rated all-girl janglers Look Blue Go Purple) on vocals, along with Alf Danielson (Goblin Mix), Stephen Kilroy (Stephen and about a million other bands) and Alan Haig (Snapper, and for a while as drummer for the Verlaines).

This incarnation put out a self-released single before signing to Flying Nun, but soon after releasing their follow-up single, both Haig and Kilroy departed, making way for further luminaries Dave Mitchell (Goblin Mix, and of course the 3Ds and now Ghost Club) and Gary Sullivan (Jean-Paul Sartre Experience and then Solid Gold Hell) to fill the gaps. phew.

To me, their albums always seemed like potential wasted, particularly as Dave Mitchell seems to keep to his own devices, having more of a support role than a creative force. However, for power-pop fans – their 1997 sophomore effort Metalon is a pretty fine album in its own right.

After extensive problems with American label Alias Records, they called it quits in 1998 – with Mitchell moving to London and the other members returning to their subsequent other bands.

Members

  • Norma O’Malley (Organ/Guitar/Vocals/Harmonica, 1991? – 1997?)
  • Alf Donaldson (Bass/Vocals/Guitar, 1991? – 1997?)
  • Stephen Kilroy (Guitar, 1991? – 1992?)
  • Alan Haig (Drums, 1992?)
  • Dave Mitchell (Guitar/Percussion, 1994? – 1997?)
  • Gary Sullivan (Drums, 1994?)
  • Shaun O’Reilly (Harmonica, 1994?)
  • Shaun Broadley (Drums, 1994 – 1997?)

Discography

  • ‘Flowers’/’Gunnera’ 7″ Single [1992, Flying Nun, FN248]
  • Kisser Cd Ep [1993, Flying Nun, FN263]
  • Sassafras [1994, Flying Nun, Fn300]
  • ‘Golden Mile’/’Concord’/’Cosmos’ Cd Single [1994, Flying Nun, Fn305]
  • ‘Golden Mile’/’Concord’ 7″ Single [1994, Flying Nun, FN305]
  • ‘Queen Bee’/’Dennis Potter’/’Metalon’/’Seam’ Cd Single [1996, Flying Nun, FN365]
  • ‘Queen Bee’/’Dennis Potter’ 7″ Single [1996, Flying Nun, FN365]
  • Metalon [1997, Alias, A117]

Links

 

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Jay Clarkson

Biography

Strong female vocalist and the front-woman of a number of dependable (if never successful) kiwi acts (They Were Expendable aka The Expendables, and the Rheineck award winning Breathing Cage), stretching right back to the mid 80’s. She’s since gone solo, producing a well liked album (‘kindle’) on Dunedin community-label Arc Life.

 

Discography

  • Jay Clarkson Mini-Lp [1986, Flying Nun, Fn054]
  • Packet [1991, W/ Kaye Woodward, Flying Nun, Fn202]
  • Kindle [1999, Arc Life, Arclife006]

Links

 

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c artists

The Clean

Biography

Formed in 1978 by David Kilgour (gat/vox) and Peter Gutteridge (bass / vox), and eventually settled on Hamish Kilgour (drums / vox) as the permanent 3rd member after an assortment on configurations came and went (Doug Hood enjoyed a short tenure as vocalist, before leaving town as Toy Love‘s sound man, and Lindsay Hooke featured in several configurations).

Gutteridge was a major force in the band until artistic differences saw him leave (later forming Snapper), to eventually be permanently replaced by Rob Scott in 1980. They were at their prime when touring in the early 80’s, and the compendium of these years (entitled Compilation) documents this period beautifully.

The Clean developed what was dubbed the Dunedin Sound. A somewhat dark take on noise rock that incorporated elements of classic pop, driving rock’n’roll. Sardonic and almost creepy take on lyrics, with vocals to match. David Kilgour employed open guitar tunings and Rob Scott produced rhythmic, repetitive bass lines, that Hamish Kilgour would compliment with pummeling, primal drum rhythms (though role changes were common, all 3 members sung and played guitar) – all tinted by the Kilgour brothers penchant for psychedelic and scratchy lo-fi.

Over the course of the next 20 years, the band would go on long breaks and split a number of times for the members to form their own bands (most notably Rob Scotts’ the Bats and David Kilgour‘s solo outfits). After original single Tally Ho shot up the New Zealand chart in 1981 – simultaneously establishing The Clean and the Flying Nun label that had formed around them, The Clean released the pinnacle of their recorded out – the hugely influential Boodle Boodle Boodle ep. The EP managed to actually better the singles success, eventually reaching number 5 in the New Zealand singles chart (astounding for an independent release in the early 80s) and remaining in the charts for a full 6 months, easily reaching gold status.

The follow up EP ‘Great sounds great, Good sounds good..’ was another success, but by now the band were tiring of their new found fame, and worried about the effect success would have on their music. Needless to say The Clean disbanded at the top of their game in 1982 with the release of the momentous Getting Older single (a genuine perfect pop song). It wasn’t long though before the original clean line-up (with a returning peter gutteridge) reformed as the Great Unwashed – a poppier and more acoustically based approach than their early recordings. The Great Unwashed never quite reached the peaks of The Clean and again they disbanded (after a mere 2 EP’s yet again), with each member going back to their subsequent side-projects.

Thankfully, throughout the later 80s and into the 90s, The Clean never really stayed apart for too long, and after a while the (now cemented) trio of Kilgour, Kilgour and Scott were back to a more permanent existence (or at least productive between variable lengthed hiatus). Their first album proper Vehicle was a well rounded example for the band, if lacking a bit of the spark from their early eps. After establishing a reputation on the us college scene in the early 90s – yet another reunion album was planned. Modern Rock came out in 1994, and was a fairly wild departure from The Clean’s signature sound, being somewhat fragmented and often unfocused. It did however show that The Clean were capable of a wider scope, with strong pop elements and less heavy-handed lyrics than its predecessor’s.

Unknown Country – which could probably be considered their first comeback album seems to divide their fans more than any of the other albums. Its poppy where their previous albums were rocky, and quirky where they had been driving and somewhat chilling. I like the change in direction, but i know a lot of other people see the album as a band caught in two minds (usually attributed to their on again / off again history).

In 1996 Flying Nun started work on a tribute album to The Clean as part of their own 15th anniversary celebrations, gathering together a number of the musicians that define the New Zealand music scene, as well as those that have been influenced by The Clean with their own work. Overseas artists Pavement, Guided by Voices and Barbara Manning added their own tributes along side those from not only Flying Nun acts, but also the likes of a number of current electronic acts and other significant kiwi artists and bands. The album (titled God Save The Clean) was a success, and the release culminated in a gigantic gig in Auckland where The Clean were joined by a great deal of the artists who paid tribute – making a great night all round, and putting The Clean back into the limelight on the New Zealand scene.

This rekindled interest may have been a wake-up call to the boys, as they quickly became a semi-regularly touring band, and eventually began focused recording again. The result – Getaway is something of a triumph, a successful reformation by all counts and an excellent taster of The Clean’s current sound, check out the full review for more detail. The trio followed up their positive press in the United States (The Clean’s releases are now tied to David Kilgour’s US home – Merge Records) with Anthology, another document highlighting The Clean’s seminal earlier material on the first disc, but now accompanied by a well-constructed summary of their subsequent release on a 2nd disc.

Currently the band still remain mostly in hiatus. Hamish firmly resident in New York (with the Mad Scene and his own solo career), David seems to be forever gaining in stature as a solo musician in Dunedin – the Nashville recorded Frozen Orange album being a particular success. Rob Scott has always been a bedroom musician back in Dunedin (outside of the mostly-Christchurch based The Bats), though its taken Powertool Records till just recently to finally put one of his home releases out in to the market, with Tudor Gates arriving in 2004.

Members

  • David Kilgour (Guitar/Vocals, 1978 -)
  • Hamish Kilgour (Drums/Vocals, 1978 – )
  • Peter Gutteridge (Bass/Vocals, 1978 – 1979)
  • Doug Hood (Vocals, 1978)
  • Lindsay Hooke (Drums, 1979)
  • Debbie Shadbolt (Bass, 1979)
  • Jessica Walker (Bass, 1979)
  • Rob Scott (Bass/Vocals, 1980 -)

Discography

  • ‘Tally Ho!’/That Platypus’ 7″ Single [1981 Flying Nun Fn002 / Ying One]
  • Boodle Boodle Boodle 12″ EP [1981 Flying Nun Fn003]
  • Great Sounds Great, Good Sounds Good.. 12″ EP [1982 Flying Nun Fn Good001]
  • ‘Getting Older’/’Scrap Music/Whatever I Do It’S Right/Wrong’ 7″ Single [1982 Flying Nun Last1]
  • Odditties [1985 / 1995 Flying Nun / Cleano Productions Fn Odd One / Fn223]
  • Live Dead Clean 12″ EP [1985 Flying Nun Fn Ldc 001]
  • Odditties 2 [1987 W/ The Great Unwashed Flying Nun / Cleano Productions Fn Odd 2]
  • Compilation [1988/1990 Flying Nun Fn Comp001 / Fn154 / Fne03 / Fnuk03]
  • In A Live 12″ EP [1990 Flying Nun Fne29]
  • Vehicle [1990 Flying Nun Fn147]
  • Modern Rock [1994 Flying Nun Fn292]
  • Late Last Night 7″ Single [1994, Dark Beloved Cloud, DBC020]
  • ‘Trapped In Amber’/’Ludwig’ 7″ Flex-Disc [1994 Bonus With Fn292 Flying Nun Fn311]
  • Unknown Country [1996 Flying Nun Fn349]
  • Getaway [2001 Flying Nun Fn459]
  • Slush Fund Mini-Album [2001, Arc Life]
  • Anthology Double-Cd [2002 Flying Nun Fn468]
  • Cracks In The Sidewalk Ep [2002 Arc Life Arclife015]
  • Syd’s Pink Wiring System [2003 Cleano Cleano0001]
  • Mashed Compilation [2008, Arc Life, AHR033]
  • Mister Pop [2009, Arch Hill/MORR Music/Merge, AHR042/MM095/MRG325]

Links

 

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d artists

dead c

Biography

Dissonant, purposely Lo-Fi and exceedingly experimental Christchurch 3 piece built on Michael Morley and Bruce Russell’s guitar work and Robbie Yeats (The Renderers, Verlaines) pounding drumming.

Their initial recordings were exercises in tonal freak-outs – pushing the limits of how self-confessed non-musicians could make music, but their early masterpiece (the stunning Eusa Kills) is actually one of their most accessible releases.

All three members are exceedingly prolific musicians and scene figure-heads, with side projects such as A Handful of Dust, The Renderers and Gate keeping the trio busy.

Members

  • Michael Morley (Guitar/Vocals)
  • Bruce Russell (Guitar, Noise…)
  • Robbie Yeats (Drums)

Discography

  • The Dead See Perform M. Harris (1987, Diabolic Root)
  • 43 Sketch For A Poster ?(Cass, C30) (1987, Diabolic Root)
  • DR503 4 versions, (1988, Flying Nun Records)
  • The Live Dead See ?(Cass), (1988, Xpressway, X/WAY 1)
  • The Sun Stabbed 7″ EP (1988, Xpressway, XPRESSWAY VII)
  • Eusa Kills (1989, Flying Nun Records)
  • Perform DR503b (1989, Xpressway, X/WAY 12)
  • Runway (1989, Precious Metal, PM1)
  • Trapdoor Fucking Exit (1990, Precious Metal)
  • Helen Said This / Bury 12″ MiniAlbum (1990, Siltbreeze SB02)
  • Hell Is Now Love / Bone 7 (1991, Siltbreeze, SB06)
  • Mighty / Power / Peace 7″ EP (1991, Forced Exposure, FE-026)
  • Harsh 70’s Reality (1992, Siltbreeze)
  • Clyma Est Mort (1992, Siltbreeze/Xpressway)
  • The Operation Of The Sonne (1993, Siltbreeze, SB30)
  • The Dead C Vs Sebadoh 7″ (1993, Siltbreeze, SB25)
  • Metalheart EP (1994, Siltbreeze)
  • World Peace Hope Et Al. Compilation (1994, Shock, SX 027 CD)
  • The White House (1995, Siltbreeze)
  • Repent (1996, Siltbreeze, SB-66)
  • Tusk (1997, Siltbreeze, SB64)
  • Perform DR 503C Compilation (1999, Flying Nun Records, FNCD443)
  • The Dead C (2000, Language Recordings, Language Recordings 1 & 2)
  • Live U.S.A. 1995 (2000, No Frillz Records, NF015)
  • Stealth / The Factory 7″ (2000, Sub Pop)
  • Load (2001, MM, MM1)
  • New Electric Music (2002, Language Recordings, LR3)
  • The Damned (2003, Starlight Furniture Co., *21)
  • Konono No. 1* / The Dead C – Split Series #18 12″ EP (2005, FatCat Records, 12FAT050)
  • Hi God People* / The Dead C – Split LP (2006, Nervous Jerk, JERK002)
  • Relax Fallujah – Hell Has Come 7″ Single (2006, Ba Da Bing!, BING-049)
  • Vain, Erudite And Stupid (Selected Works: 1987-2005) Compilation (2006, Ba Da Bing!)
  • Future Artists (2007, Ba Da Bing!)
  • Secret Earth (2008, Ba Da Bing!)
  • Golden / Canine 12″ Single (2008, Ba Da Bing!, BING-065)
  • Patience (2010, Ba Da Bing!)
  • Armed Courage (2013, Ba Da Bing!)
  • The Dead C / Rangda – The Dead C Vs Rangda ?(2013, Ba Da Bing!, BING-081)
  • The Twelfth Spectacle (2014, Grapefruit Records (2))
  • Palisades 7″ EP (2015, I Dischi Del Barone, IDDB007)
  • Trouble (2016, Ba Da Bing!)

Links

 

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Dead Famous People

Biography

All-girl mid 80’s Flying Nun outfit featuring Wendy Kjestrup, Jenny Renals, Donna Savage, Robyn Tearle, Elizabeth Leyland and Gill Moon. I picked up the EP (their sole New Zealand release) recently and was surprised by the almost amateur approach of their musicianship.

Though full of songs, they seem to have had a loose, unfocused style of playing – which featured synth textures over top of the usual guitar and drums approach.

They eventually relocated to England and released a far more acclaimed, and apparently quite excellent follow up EP Arriving Late In Torn And Filthy Jeans and the 1990 album All Hail The Daffodil.

Members

  • Donna Savage (Vocals, 1986 -1994)
  • Wendy Kjestrup (Guitar/Vocals, 1986 – 1994)
  • Jenny Renals (Bass, 1986 -1994)
  • Robyn Tearle (Drums, 1986 -1994)
  • Elizabeth Leyland (Keyboards/Vocals, 1986 -1987)
  • Gill Moon (Drums, 1988 – 1994)

Discography

  • Lost Persons Area 12″ EP (1987, Flying Nun, FN073)
  • Drive Away Split 7″ Single w/ Screeming Custard (1987, Craft)
  • Arriving Late In Torn And Filthy Jeans (1989, Utility, Util7)
  • All Hail The Daffodil (1991, La-Di-Da, Ldd016)
  • Secret Girls Business (2001, Global Routes)

Links

 

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Die! Die! Die!

Die! Die! Die! are a three-piece Auckland-based band formed by Andrew Wilson (guitar, vocals) and Michael Prain (drums), with Michael Logie (The Mint Chicks, F in Math, Opossum) their current bassist. Prain and Wilson have been playing in groups together since early attending Logan High School together in Dunedin – notably the Smoke-Free Rockquest winning Carriage H (with Tiddy Smith – who would go on to form Idiot Prayer), and then Wellington group Rawer (with Ricky French on Bass). Die! Die! Die! play a dynamic brand of Punk, with military-precise drumming, huge fuzzy bass and guitar that can vary from melodic to cathartic noise.

In 2003 the core duo relocated to Auckland and brought in Kane Goulter (Xanadu) as their next bassist, finally settling on their current name. This line-up was known for playing incredibly rapid sets, touring up and down the country with the likes of the Mint Chicks and Batrider. During 2003 and 2004 the group’s reputation had grown to the point where they were now (rightfully) being dubbed the best live act in New Zealand. Nick Roughan (of the Skeptics) produced several songs with this line-up, which then appeared on various early A Low Hum samplers and other releases in early 2004.

Later in 2004 Goulter gave way bass duties to Henry Oliver, and the group then recorded their debut self-titled EP with Dale Cotton. In 2005 and 2006 they undertook their first of many US and European tours, recording their debut LP with Chicago-based producer Steve Albini (Big Black, The Pixies, Nirvana etc) and mastering the results at Abbey Road in England.

In 2006 Henry Oliver moved on to be replaced by the Australian-born Lachlan Anderson, signed to Tardus Music in New Zealand (their 3rd record label in as many releases), and released their follow-up ep ‘Locust Weeks’. Anderson had been playing in the Brisbane group the French Horns, who had toured with Die! Die! Die! and made a considerable impression on the group. Oliver eventually opened D.O.C. Bar in Auckland.

With Anderson on board the group put together the landmark album ‘Promises, Promises’, their finest collection of songs yet committed to vinyl – with Dunedin music legend Shayne Carter (Bored Games, Double Happys, Straitjacket Fits, Dimmer) producing and mixing the album. A complex, emotionally driven album it shows the group expanding their sound, and solidified their position as one of the best rock acts in New Zealand.

However, it would be over 2 years before the group released the follow-up album ‘Form’ – Nick Roughan returned to produce, and the album is the group’s sole release on the legendary Flying Nun label, which had just been re-established by original founder Roger Shepphard. With their previous album the group had developed a strong template, and although the new album didn’t expand on this you can still consider the album on the great New Zealand rock releases. A fine mix of explosive rhythm and guitar, and again highly emotive vocals.

Anderson eventually left the group in 2011, though he does appear on several tracks from their 4th album ‘Harmony’, to be released on the groups own ‘Record etcetc’ label and distributed via Rhythmethod. Michael Logie was eventually brought in for bass duties in 2012, appearing on several of the album’s songs and augmenting their live line-up.

Discography (picks in bold)

  • Die! Die! Die! Ep [2005 Unstable ApeUAR041]
  • Die! Die! Die! [2005 Capitol Recordings CREC1034, Pet Piranha Records PP020, SAF RecordsSAF15]
  • Locust Weeks Ep [2006 Targus MusicTAR010]
  • Promises, Promises [2007 Tardus Music / Etch and Sketch / SAF RecordsSAF20]
  • At the Echo Live EP [2007 Kufala RecordingsKUF0187]
  • Form [2010 Flying NunFN504]
  • Harmony [2012 Records Etcetera]

Music Videos

See-Also

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dimmer

Biography

Dynamic, flowing rock with electronic influences and dark musical overtones. basically the one-man project of former Doublehappys / Straightjacket Fits frontman Shayne Carter, Dimmer spent the best part of 5 years living off the expectations that their solitary debut EP Crystalator produced (as well as Carters’ impeccable previous track record).

In 2001, the catalyst of this seclusion was finally released – I Believe You Are A Star – and its a stunner.

Carter followed up in 2004 with You’ve Got To Hear The Music, expanding his sound with an all-star list of contributors (some even in the pop field) and toured the album with Ned Ngatae on guitar, Mike Hall (Pluto/Sola Rosa) on bass, Andy Morton on keys, Willy Scott (King Kapisi / Sola Rosa) on drums, and Anika Moa on backing vocals.

Other guests on the album include, SJD who added production wizardry on ‘case’, Graeme Downes of the Verlaines, who arranged and conducted strings on ‘Only One That Matters’, Nick Roughan and Andy ‘Submariner’ Morton kept things appropriately phat in the beat and production department, while Dimmer tickman and animated video genius, Gary Sullivan, added his own trademark sly touch. Anika Moa appears on a number of tracks bringing a new dimension to Carter’s voice, and teams up on ‘Happening’ with Bic Runga with a spine-tingling effect.

From Festival Mushroom’s promotional blurb

Members

  • Shayne Carter (Vocals/Guitar/Bass, 1995 -)
  • Peter Jefferies (Drums, 1995)
  • Lou Allison (Bass, 1995)
  • Gary Sullivan (Drums, 1999 – 2009)
  • Nick Roughan (Guitar/Bass/Drum Programming, 2001 – 2006?)
  • Andy Morton (Keyboards/Drum Programming, 2001 – 2006?)
  • Ned Ngatae (Guitar, 2003?)
  • Anika Moa (Vocals, 2004)
  • Bic Runga (Vocals, 2004)
  • James Duncan (Guitar/Bass/Keyboards, 2009)
  • Kelly Steven (Bass/Flute/Vocals, 2009)
  • Dino Karlis (Drums/Percussion, 2009)
  • Michael Prain (Drums, 2009)

Discography

  • Crystalator ‎(7″) (1995, Sub Pop/Flying Nun Records, SP326/FN310)
  • Don’t Make Me Buy Out Your Silence Single (1996, Flying Nun Records)
  • Evolution Single (1999, Columbia, 668560)
  • I Believe You Are A Star ‎(2001, Columbia, 5024222000)
  • Getting What You Give Mini-Album (2003, Columbia)
  • You’ve Got To Hear The Music (2004, Festival Mushroom Records)
  • There My Dear (2006, Warner Music)
  • Degrees Of Existence ‎(2009, Warner Music, 5186551402)

Links

 

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Doublehappys

Biography

A phenomenal band with an excruciatingly short discography, the Doublehappys were the reunion outfit of high school chums (and both former Bored Games members) Shayne Carter and Wayne Elsey, along with their temperamental drum machine Herbie Fuckface.

They toured the best part of continually through-out 1984 and early 1985 – recruiting John Collie to take over on the kit, releasing just a duo of EP’s before (former leader of the brilliant, faultless Stones) Wayne Elsey was tragically killed in a freak accident on a train.

Collie and Carter soon formed the Straitjacket Fits and the rest is history. Flying Nun later compiled all their recorded material along with live documents of their other songs on the fantastic Nerves CD – which is highly recommended.

Members

  • Shayne Carter (Vocals/Guitar, 1983 – 1985)
  • Wayne Elsey (Guitar/Vocals, 1983 – 1985)
  • John Collie (Drums, 1984 – 1985)

Discography

  • Double B-Side 7″ Single [1984 Flying Nun FN026]
  • Cut It Out 12″ EP [1985 Flying Nun DH002]
  • How Much Time Left, Please? EP [1991, Avalanche, ONLYMLP012]
  • Nerves Compilation [1992, Flying Nun, FNCD196]

Links

 

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Dribbling Darts (of Love)

Biography

Matthew Bannisters’ post-Sneaky Feelings band, along with Alice Bulmer, Alan Gregg, and Ross Burge.

They later shortened the name to just the Dribbling Darts, and released 2 albums and 3 EPs – all on Flying Nun from 1990 through 1993.

Notable for their hugely catchy single ‘Hey Judith’.

Members

  • Matthew Bannister (Guitar/Vocals, 1989 – 1993)
  • Alice Bulmer (Violin/Vocals/Keyboards, 1989 – 1993)
  • Alan Gregg (Bass/Vocals, 1989 – 1993)
  • Ross Burge (Drums, 1993)
  • Richard Foulkes Jr (Drums, 1989  – 1991)

Discography

  • Shoot 12″ EP [1990, Flying Nun, FN161]
  • Florid Dabblers Voting 12″ Ep [1991, Flying Nun, FN197]
  • Dribbling Darts Of Love [1991 Compilation, Flying Nun, FN213]
  • Present Perfect [1993, Flying Nun, FN247]
  • ‘Hey Judith CD Single [1993, Flying Nun, FN273]

Links