Christchurch Venue Map

Note: This is a work in progress and will have additional content added both in the Map (i.e. venue images) or in the body of this post (i.e. a list of the venues in questioned, grouped by status etc).

Feel free to comment, give suggestions etc – this was put together as part of thebigcity’s on-going Venues archive.

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Christchurch Venues Post February Earthquake

The February 22nd earthquake had a hugely detrimental effect on many of Christchurch’s music, art and performance spaces. As a lot of these venues are center either within the badly damaged and inaccessible red-zone of the CBD, or in the earthquake epicenter of Lyttelton.

I’m attempting to put together a run down of any information available on each venue – if you have any information to add, stories to post or pictures to share please comment/contact me.

So far I’ve been able to collect the following pieces of info:

The Dux de Lux – Arts Center, 41 Hereford Street

(march 1st)

Richard Sinke, the director of Dux de Lux – a restaurant, bar and brewery on the corner of Christchurch’s Hereford St and Montreal St – said engineers were moving through the premises last night. “Fortunately, the Arts Centre [where Dux de Lux is located] seems to have got through okay,” said Sinke, who has been involved with the business for 32 years.

Scores of Christchurch residents with affection for Dux de Lux in Christchurch, including the band Opshop, were stopping by Dux de Lux in Queenstown, duty manager Vanessa Hartnell said yesterday.

http://www.stuff.co.nz/national/christchurch-earthquake/4768246/Rebuilding-Christchurch-Arts-Centre-may-take-years-cost-100m (march 14th)

Dux de Lux owner Richard Sinke said he wanted to reopen his bar “as soon as possible”.The damaged building could reopen before repairs were completed on the rest of the Arts Centre site, he said.”The Dux is the centre of hospitality in Christchurch and is the kind of place people will need when the city starts to reopen,” he said.

http://www.stuff.co.nz/national/christchurch-earthquake/4802841/Christchurch-Arts-Centre-evicts-tenants-lays-off-staff (march 24th)

Dux de Lux owner Richard Sinke said he had not been told his tenancy would be terminated.”As a tenant of 33 years, I thought I might be informed before the media. I haven’t heard anything,” he said.

El Santo Porteno – 6 Norwich Quay, Lyttelton

No published stories. Talked to Oscar who said the building is red stickered but is up in the air whether it will be demolished. He said only the roof and parapets are damaged.

Goodbye Blue Monday

“It is with much sadness that I wish to announce that Goodbye Blue Monday is over. It is strange that something that I put my heart-and-soul into over two years has suddenly ceased to be. I think the building is still there – standing sadly with rain getting in and ruining those toilet walls I fought to keep clean and graffiti free – but the business is buggered… We created something that didn’t exist before we made it and now its over. We have started talking about Goodbye Blue Monday in the past tense.”

http://www.stuff.co.nz/the-press/news/christchurch-earthquake-2011/4777129/Huge-setback-for-hospitality-staff (march 17th)

Former Christchurch mayor and business owner Gary Moore said his family bar, Goodbye Blue Monday, in Poplar Lane, had been “destroyed” in the earthquake.

“The building is all red-stickered and we cannot get in there at all.”

Moore and son Johnny said they remained committed to the “revival” of Christchurch. “We believe that the city will rise phoenix-like from the ashes.”

High Street Project – First Floor, 84 Lichfield Street

Video footage of Lichfield Street seems to show the building intact, but with badly damaged roofing. This is a very old building and I’d imagine it will probably be red…

The New Media Club – 195 Armagh St

http://www.scoop.co.nz/stories/ED1103/S00045/mainz-christchurch-turns-to-technology-to-continue-teaching.htm (march 8th)

‘Badly Damaged’

Physics Room – 209 Tuam Street

No published stories, but the adjoining Alice in Videoland had this:

http://www.stuff.co.nz/the-press/news/christchurch-earthquake-2011/4781976/Red-zone-woes-hit-popular-central-city-video-collection (March 18th)

‘The store’s High St premises are relatively undamaged. However, the site is one block inside the red zone.’

The Provincial Hotel– Corner of Cashel and Barbadoes Streets

http://www.stuff.co.nz/the-press/news/christchurch-earthquake-2011/4760294/Christchurchs-Provincial-Hotel-destroyed-in-seconds (March 12th)

Stephen Cohen spent four years restoring the historic Provincial Hotel, but it took only seconds to reduce it to rubble.

Yesterday, two diggers pushed over the 108-year-old building that suffered terminal damage in last month’s earthquake, collapsing the walls like a pack of cards.

Cohen bought the neglected building four years ago, spending a small fortune restoring and strengthening it, with the aim of reopening as a boutique hotel and bistro.

“We were trying to save it,” he said.

Wunderbar – London Street, Lyttelton

No published stories, reportedly fine

Alec Bathgate [November 2004]

Alec Bathgate isn’t a household name in New Zealand. Though his most famous group (Tall Dwarfs) and his subsequent partner-in-crime (Chris Knox) may have achieved a level of recognition slightly beyond the typical indie-rock crowd, Bathgate remains one of New Zealand’s best and lowest profile song-writers. I spoke with Alec on the eve of releasing just his 2nd solo LP, ‘The Indifferent Velvet Void‘, due to be released in November 2004.

So it’s been a clear 8 years since [debut solo release] Gold Lame came out. Have you gotten sick and tired of people telling you to release another album yet?

Well, actually, not many people have been hanging out for another album! I occasionally have someone tell me how much they like gold lame, which is nice, but not many people seem to have discovered it.

What was the inspiration for the Indifferent Velvet Void?

Lyrically there seem to be some deep issues being thrown around.

There’s a few themes that run through the songs on the album (death, loss, self-doubt, confusion… All that good stuff). So, yeah, it’s a bit dark, but quite poppy as well, which hopefully offsets what the lyrics are saying.

Is your writing and recording methodology different from the way the tall dwarfs work? Has much changed from the early days of Chris’s 4-track?

Tall Dwarf songs are recorded pretty quickly as we don’t normally have long together. The songs tend to then evolve over a period of time (whenever we can get together to do further work on them). Generally we don’t know when we begin how they will end up. With the solo album i would completely write a song before recording it and would have a fairly clear idea of how i wanted the final track to sound. My album was recorded on computer which has sort of replaced the 4-track as the preferred recording medium for the home recordist (even though tape is still better). Having 24 tracks is pretty insane after years of struggling away with a 4 track, plus there’s lots of effects built into pro-tools that you couldn’t possibly afford to buy as outboard gear.

The album is coming out on Auckland label Lil’ Chief. How did you connect with them? Do you still feel part of the Flying Nun roster?

Chris Knox gave them a CDr of the album late last year (after Flying Nun had turned it down). I really liked the records they had put out and their enthusiasm for what they were doing, so was really happy that they wanted to release it. I’m still signed to F.Nun for Tall Dwarf releases and they’re reissuing the Toy Love album (early next year i believe).

Scott Mannion from Lil’ Chief / the Tokey Tones appeared as a Tall Dwarf [along with Pumice‘s Stefan Neville] for a recent Helen Young Studios session. Are there any plans to release the material?

I was impressed by the re-takes of ‘The Brain That Wouldn’t Die’ and ‘Nothings Going To Happen’. We were really happy with how the Helen Young session worked out, particularly as we only had a short time to learn the songs with the other people (we hadn’t played with any of them before and only had two days to practice). We’ll possibly do a short-run pressing of them sometime in the future to sell at gigs.

What’s your most proud moment on the album?, I guess your aware I’ve been thrashing ‘Should I Wake Up?’

Most people who hear the album seem to mention ‘Should I Wake Up?’ ‘Slow Fuzz’ and ‘Broken Cup’ are probably my favorite songs on the album.

Are you a picky song-writing?, do you think taking such a long-time between releases has worked well for your albums?

I never intended to do another solo album. It just requires soooo much work, so i guess it took 8 years to muster up the enthusiasm to go through it again (plus we did three tall dwarf albums in that time)…All the songs were written over the 18 months i was making the album, i didn’t have any songs hoarded away, and in the year since i finished it i haven’t written anything. I think it’s good to have a break from writing (and playing music) to keep it interesting and enjoyable.

Any plans on any live performances or videos for the album?

I did the Wunderbar gig in Lyttelton a few weeks back and also did two shows with Pine in Auckland last weekend. I’ve always been reluctant to play solo, but I’ve actually been enjoying it! I ‘d actually really like to play some more. As for videos there’s a plan to do a video for ‘Slow Fuzz’, so hoping that works out.