Wreck Small Speakers On Expensive Stereos

Biography

Wreck Small Speakers On Expensive Stereos were a Dunedin-based duo consisting of Michael Morley (Guitar/Organ/Vocals – before forming the Dead C, 2 Foot Flame, Angelhead, Tanaka-Nixon Meeting, The Weeds) and Richard Ram (Bass/Guitar/Vocals) – though in an early video recording Morley states the group had formed ‘Up North’ before heading to Dunedin. The duo released a handful of handmade cassettes and had an affiliation with Bob Scott’s Every Secret Thing label, with both album releases and compilation appearances. Their most well known material is the River Falling Love EP which was released on Flying Nun in 1986 before being expanded and re-released by US label Ajax in 1993. Morley formed the Dead C in 1987, effectively bring an end to Wreck Small Speakers.

Featuring performances from other Dunedin musicians: Denise Roughan (Recorder/Vocals – Look Blue Go Purple, The 3Ds, Ghost Club), Ivan Purvis (Guitar – Love In A Gas Oven, Alpaca Brothers), Lesley Paris (Drums – Look Blue Go Purple, The Puddle, Olla), Bruce Blucher (Drums – Cyclops, Trash, Fats Thompson, Brown Velvet Couch, Alpaca Brothers) and Martin Kean (The Chills, Doublehappys, Fats Thompson, Stereolab). The groups recordings are based around strong rhythm tracks – usually plucked bass guitar and drum machine, with shout-sung vocals, fractured guitar riffs and organ squeels, with samples and other sound manipulations added into the mix. Though experimental, Wreck Small Speakers retained a high level of musicality and accessibility.

Both their creative genius and the quality of their songs really shines through on the groups lo-fi cassette recordings. The slinky, funky bass and proto-rap vocals on ‘Over My Skull’, the low-key beauty of River Falling Love highlight ‘All Of This’, and Denise Roughan’s wonderful appearance on their most well-known song ‘Rain’. Small scraps of the bands fairly substantial discography have appeared in the digitally archived era, however if ever there was a Flying Nun associated act that could use an anthology release it would be Wreck Small Speakers – its been almost two decades since Morley’s Dead C band mate Bruce Russell released A Child’s Guide To Wreck Small Speakers on his own Xpressway label.

Members

  • Michael Morley (Guitar/Organ/Vocals, 198?-1987)
  • Richard Ram (Bass/Guitar/Vocals, 198?-1987)
  • Denise Roughan (Recorder/Vocals, 198?)
  • Lesley Paris (Drums, 198?)
  • Ivan Purvis (Guitar, 198?)
  • Bruce Blucher (Drums, 198?)
  • Martin Kean (198?)

Discography

  • My Blue Fairy Godmother [1983 Wrecked Music WRECK14]
  • 3.V.M. EP [1983 Wrecked Music WRECK20]
  • Over My Skull Cassette Single [1984 Every Secret Thing EST 06]
  • Cave Cassette [1984 Every Secret Thing EST 21]
  • Worlds Fall Apart cassette [1984 Every Secret Thing EST 24]
  • A Summer In Taradale Cassette [1985 self-released]
  • River Falling Love ep [1986 Flying Nun FN068]
  • A Child’s Guide To Wreck Small Speakers Cassette [1988 Xpressway XWAY03]
  • River Falling Love Reissue [1993 Ajax AJAX 029]

Links

Robert Scott

Bass player for the Clean and highly prolific singer-songwriter for the Bats (whom he formed while the Clean were on hiatus in the mid 80s), Rob Scott released his own solo album in 2000, and took the albums name (Creeping Unknown) as his moniker for subsequent tours around New Zealand, Europe and the United States.

However closely linked to the Bats, The Creeping Unknown was a darker album aimed at being an organic cross-pollunation type release (it encompassed a lot of electronically produced soundscapes and texture) than any of his Bats recordings. It faired pretty well, being a pretty clean progression towards a more modern sound (though not quite as effectively as say, Shayne Carters’ Dimmer project).

Scott made his start as an underground tape enthusiast, forming the Every Secret Thing cassette label in the late 70s, and releasing a handful of albums from his own projects (primarily Electric Blood) and many others by the likes of Michael Morley and Denise Roughan (including a very rare Wreck Small Speakers On Expensive Stereos release).

Since 2002 Scott has become increasingly prolific once more, with a variety of home-recorded releases appearing on the low-rent Powertools label, on more professional efforts on Flying Nun, and a couple of joint singles.

Discography (picks in bold)

  • Black Forest 7″ [w/ Alastair Galbraith 1998 Self-Released]
  • The Creeping Unknown [2000 Flying Nun FN447]
  • Tudor Gates EP [2002 Self-Released]
  • @Radio One CD-r EP [2003 Self-Released]
  • Songs of Otago’s Past CD-r [2004 Powertool Records]
  • Tascam Hits [2004 Powertool Records PT065]
  • Moonlighty Potato [w/ Ginna Rocco 2006 Powertool Records PT065]
  • Too Early 7″ Single [2010 A Small Number of Things]
  • Moonlight Potato [w/ Ginna Rocco 2006 Powertool Records PT044]
  • That’s What I Heard 7″ [w/ Adalita Srsen and the Puddle 2010 Fishrider Records]
  • Ends Run Together [2010 Flying Nun FN507]

See-Also

The Spies

Psych-influenced Wellington-based psuedo punk outfit that proved to be the starting point for legendary Puddle front-man George Henderson (Guitar / Vocals), along with Chris Plummer (Drums), Susan Ellis (Keys / Vocals) and Richard Sedger (Bass). With many song-writers in their line-up, and with addition of Mark Thomas as a second guitarist, the Spies had a unique and eclectic sound, with songs veering in many different directions.

Unfortunately the band was short-lived, only lasting 8 months through 1979 and putting out a solitary 7″ release from a band set-list that was almost all original – though with left-field covers of Pere Ubu’s classic Non-Alignment Pact and Thomas Leers’ ‘Private Plane’. Soon the majority of the band, plus additional friends and like-minded muso’s reconvened in Christchurch to establish a secluded band house where both the And Band and the even more eclectic Perfect Strangers lived, wrote, practised, and performed.

Discography (picks in bold)

  • ‘Give Me A Reason’/’Daddy Was A Dj’ 7″ Single [1980 Ripper Rip010]

See-Also

The And Band

Extremely discordant and unusual Christchurch-based 4-piece comprised of George Henderson, Susan Ellis, Richard Sedger and Mark Thomas. Put out a joint untitled and notoriously hard to find EP with Perfect Strangers in 1982, before Thomas left the band for their sister outfit, replaced by Lindsay Cooke.

The And Band – We Are Right (1982)

The And Band were an outgrowth of influential but undiscovered Wellington punk-oddities the Spies. When feed up with the limitations of the Wellington scene, the band, along with several of their friends relocated to a small Christchurch flat, sharing a recording space (and the actual 4-track) with the perfect strangers. The And Band and Perfect Strangers basically shut themselves inside for 6 months, working together to pool their resources and struggling to find any opportunities to play live (their and in particular Perfect Strangers free-form approach to playing was hardly a crowd-pleaser).

Both bands essentially split on the release of the EP, with members scattering across New Zealand. Henderson soon established the long-time underground favorites the Puddle and has achieved a bit of cult celebrity for his unusual approach to making music. The EP stands as an intriguing document of two notoriously outcast bands.

Discography
Picks in bold