The Builders

Biography

The most recognized of Bill Direen’s many underground projects, The Builders recordings are as varied as they are numerous, and litter his discography (often with infuriating spelling variations –  The BildersBildirene, Die Bilder etc).

Check Direen’s Main Entry for more detail.

Members

  • Bill Direen (Guitar/Vocals, 1980 -)
  • Campbell McLay (Bass, 1982)
  • Malcolm Grant (Drums, 1982 – 1985)
  • Chris Knox (Vocals , 1982)
  • Mike Dooley (Drums, 1982)
  • Greg Bainbridge (Bass/Vocals/Percussion, 1985 – 1989)
  • Eddie Ohlson (Drums, 1985)
  • John McDermott (Drums, 1985 – 1989)
  • Stuart Page (Drums, 1985)
  • Tony Green (Drums, 1985)
  • Allen Meek (Guitar, 1985)
  • Karl Holdorf (Trombone/Vocals, 1985)
  • Chris Todd (Trumpet, 1985)
  • Jay Clarkson (Vocals, 1985)
  • John Christoffels (Bass, 1985)
  • Greg Bates (Drums, 1985)
  • Paul Logan (Guitar, 1985)
  • Paul Girl (Guitar, 1985)
  • Carol Direen (Vocals, 1985)
  • Maryrose Wilkinson (Vocals, 1985)
  • David Edmundson (Saxophone, 1989)
  • Tania Pekelharina (Vocals, 1989)
  • Rob Thorne (Guitar, 1994)
  • Steve Wolf (Saxophone, 1994)
  • Alastair Galbraith (Violin, 1994)
  • Victoria Singh (Vocals, 1994)
  • Stephen Kilroy (Piano, 1994)
  • Derek Champion (Drums, 1994)
  • Brett Cross (Bass, 2008 – 2010)
  • Andrew Maitai (Drums, 2008)
  • Andrew McCully (Keyboards, 2008)
  • Nikola Kapetanovic (Guitar/Loops, 2009 – 2010)
  • Richard Anderton (Percussion/Vocals, 2010)
  • Stu Porter (Drums, 2010)

Discography

  • Solomon’s Ball 7″ EP (1981, Self-Released)
  • High Thirties Piano 7″ EP (1982, Self-Released)
  • Schwimmin In Der See 7″ EP (1982 As Die Bilder, Flying Nun Records, FN006)
  • Beatin Hearts (1983, Flying Nun Records, JAN8)
  • Let’s Play (1985, South Indies, SINZ 11)
  • C0NCH3 (1985, South Indies, PRA2301)
  • Ginger Jar 7″ Single (1986, South Indies, SNGL001)
  • Cup 12″ Mini Album (1987, South Indies, SOIN5377)
  • Divina Comedia (1988 Compilation, South Indies, SOIN 477)
  • We Are The Coolest Cats in the World (1989, South Indies, SOIN BILT 5)
  • Alien 7″ Single (1991, Hecuba Records, HEX03)
  • Volume 1: Max Quitz (1993 Compilation, Flying Nun Records, FN274)
  • Cut (1994, IMD, IMDCD 10030)
  • Volume 2: Beatin Hearts (1993 Compilation, Flying Nun Records, FN275)
  • Volume 4: Pyx (1995 Compilation, Flying Nun Records, FN277)
  • Untitled 7″ Lathe (2012, OnceC Records, onec023)
  • The Utopians 7″ (2014, Smartguy Records, smart035)
  • Bilders Tour Europe (Live Tapes) (2017, Self-Released)

Links

Discogs Entry

 

Chameleon

Biography

Melodic pop four-piece Chameleon was formed by Jazz School students Leigh Franklin and Julian Marchant late in 1993. Drummer Bevan Davison and keyboardist turned bassist Mike completed the lineup. This was soon to change with Greig Bainbridge coming on board on bass (ex Bill Direen and the Builders) and Mark Kouvelis on drums, both of whom played in local jazz-funk band Eat My Shorts.

Their first gig was at the Dux de Lux alongside Atomic Blossom and Squirm following the release of their single Blue Soup, under Failsafe.

Early in 1995 the band won the NZ heats of the Next Big Thing competition along with Auckland Band Word, which led them to compete in Melbourne against International competition. This cemented their desire to return to Melbourne as soon as possible to take advantage of the thriving music scene there.

While there guitarist Julian contracted a mysterious illness which left the left side of his body numb and having to learn to play without feeling in his fingers. Chameleon then released a 5 track EP titled Gladwrap under Saint Records early 1996, which followed a Nationwide tour.

They moved to Melbourne March 1996 minus bass-player Greig, who had musical commitments in NZ. They then recorded 4 track EP Hot’n’tot, named after Greig’s dog Hotty.

Failsafe Records

Members

  • Julian Marchant (Guitar/Vocals, 1993 – 1997?)
  • Leigh Franklin (Guitar/Vocals, 1993 – 1997?)
  • Bevan Davison (Drums, 1993)
  • Mike (Keyboards/Bass, 1993)
  • Greig Bainbridge (Bass, 1993 – 1996)
  • Mark Kouvalis (Drums, 1993 -1997?)

Discography

  • Gladwrap EP (1996, Saint Records)

Links

 

Christchurch in the 80’s [By David Swift]

The Christchurch scene of 1980-82 is pretty legendary, and rightly so. This was most fertile period of rock’n’roll in the city since the beat-boom days of Chants R’n’B circa 1966.

There were some very good Christchurch punk bands (notably the Vauxhalls) in 1978/79 and a picky audience of 200 or so original-school three-chords hipsters, but it was only as the punk phenomenon flowered into post-punk that the number and quality of bands blossomed.

Think of it as the difference between The Enemy and Toy Love. It was cooler to say you had seen The Enemy in a small crowd, but Toy Love were a better band packing out 800-capacity bars.

Christchurch was second to Auckland in 1980 for the passion of its punk/new wave crowds. Toy Love, The Swingers, The Features would travel down and regularly pull 500-800 people at the DB Gladstone or the Hillsborough Tavern. Occasionally the Aranui Tavern on Brighton road [edit: Pages Road, on the way to Brighton] would also host these kind of bands.

The primo local groups in 1980-1982 were the Pin Group (because leader Roy Montgomery – now a Lo-Fi legend in the USA – was an essential cog in the city’s cool – he was manager of the EMI shop on Colombo St that was totally given over to NME-approved sounds….the company wasn’t that keen, but it was just about the most profitable EMI shop in NZ as a result), The Gordons, The Newtones, The Androidss, Scorched Earth Policy, Victor Dimisich Band, The Playthings, Kaza Portico / The Builders (Bill Direen‘s bands), The Volkswagens, 25c, Yeah, Mainly Spaniards were a bit popular too. I may have missed a few out….(at the same time there were kids in punk covers bands, pub rock bands, etc). But the above names were the central musical identities in a community fired by the Velvets/Stooges/Jonathan Richman/1960s USA Garage Punk/Pere Ubu/Wire – yet compelled to make their own music.

Roger began Flying Nun in early 1981 (I was the first journalist to write about the label, in The Press) because it seemed to him that if no one recorded these groups they would be lost to history.

At the same time, bands from Dunedin began forays to Christchurch where they knew that their original music would go down well with a knowing crowd that held no truck with punk covers bands. The Clean‘s first big gigs were at the Gladstone and their reputation sprang from there by word of mouth. Roger was so blown away by them he instantly marked them down for a 45 – Tally Ho.
The Verlaines, The Stones, The Chills and Sneaky Feelings also ploughed that furrow. At the time no one in Christchurch was in thrall to any ‘Dunedin scene’; in fact there wasn’t one as such. As far as we knew, there was just a few really good bands down there who had been blown away by The Enemy / Toy Love and wanted to make their own contribution. And to have it recognized in Christchurch as there wasn’t enough support for their originality down there.

Some ChCh bands quickly carved out a reputation in Auckland too. The Gordons are probably the best example. I saw their first ever gig at the Hillsborough Tavern in early 1980 (supporting Toy Love, or was it the Swingers, can’t recall exactly) and they had only been together a week and only had five songs but played them twice to rapturous acclaim from 600 people.

The Gordons did it different – offering a discordant wall-of-noise with some melodies years before Sonic Youth. Years later, in fact, SY professed huge admiration for the three, two of whom I went to school with at Ashburton College. I remember the Gordons doing three sell-out nights at the Gladstone in 1983 and just being excited at the sheer size of the Marshall stacks they had shoehorned onto and around the stage in that tiny pub. It was incredible the passions that a local band playing original music inspired – one of the great legacies of punk.

At the other end of the scale, Bill Direen was a huge talent, playing the rawest nuggets flavours in his bands The Vacuum / Kaza Portico / The Bilders yet he never made any commercial headway. The Bilders’ ‘Schwimmin In Der See’ EP (Flying Nun 1982) remains one of the label’s very best discs and the retrospective ‘Max Quitz Vol 1’ (1994 Flying Nun CD) is pretty essential to understand all that was good about garden city garage rock in the early 1980’s.

In January 1986 i made my first trip back home after 18 months in the UK and was delighted to see that Sneaky Feelings were to play the Gladstone on a saturday night while i was home. But unlike four years earlier, the pub wasn’t full and i only knew three people in there. Sneakies were still great, but that was the end of the era for me.