With Opposite Sex and Ipswich at Dux Live. Saturday July 28th 2012.
It’s no secret that Die! Die! Die! are one of my favourite New Zealand bands. Since the group first morphed from the ashes of Smokefree Rockquest champions Carriage H (initially taking the name Rawer), the formative duo of Andrew Wilson (Guitar and Vocals) and Michael Prain (Drums) have been pushed the boundaries and expectations of what a New Zealand group can be. Now supplemented with former Mint Chick Michael Logie on bass guitar (replacing the departed Lachlan Anderson) the group are now very influential in their own right.
You can see an element of Die! Die! Die!’s fury and passion in opening act Ipswich. The trio have made great strides in the last year establishing themselves throughout New Zealand. Ipswich have releases coming out on excellent Auckland-based independent label Muzai Records and recently won the coveted RDU ‘Round-Up’ band competition – a testament to their power in a live setting. Their songs are built on jagged guitar riffs and overdriven bass, invoking the likes of the Skeptics, the Gordons and other Flying Nun era groups.
Dunedin group Opposite Sex made for an intriguing contrast. With their North Island based guitarist Fergus Taylor sitting out these South Island shows, the duo of Lucy Hunter (Bass and Vocals) and Tim Player (Drums and Vocals) varied between primal drumming and sing-shout songs and melodic, whispered numbers built on Hunter’s extraordinary virtuoso approach to bass guitar. I saw elements of old-school Welsh post-punk group Young Marble Giants in their songs, very cool.
You can tell Die! Die! Die! are a very special group – as soon as the boys hit the stage the audience surged forward, hanging on every word from frontman Andrew Wilson and thrusting back and forth to the military rhythm of exception drummer Michael Prain. Starting their set with a handful of older songs before gradually introducing their new material the trio never relented in intensity. Michael Logie showed he’s no slouch on bass, adding huge crunchy, fuzzy riffs to Prain’s powerful beats and allowing Wilson to freely roam around the stage and into the crowd, leading the audience in anthemic chants ‘A.T.T.I.T.U.D’ and ‘How Ye’. The new album Harmony shows the groups continued evolution and refinement – truly one of New Zealand’s finest bands.