The Wallsockets

Biography

Highly active in the Wellington scene during the early 80s, the Wallsockets featured Fran and Martin Walsh (lead guitar and bass respectively), Brett Carstairs (rhythm guitar), and originally Tennessee (another guitarist) and drummer Nezzie, though the band brought in new vocalist Lynette Moss and drummer Simon by 1980 – and it was this line-up that completed their recordings.

The band were one of the more persuasive Wellington outfits, organizing gigs and parties, along with establishing practice and performance spaces in central Wellington. Spending time in Sausage Studio’s made the band much tighter, and by the time of their initial recordings, they were a honed and professional outfit, capable of pop-flavored punk with a dark edge.

Fran was also a one-time member of fellow wellington band Naked Spots Dance – both bands contributing to the Wallsockets-organized **** compilation featuring four post-punk bands from the era.

Members

  • Fran Walsh (Guitar, 198?)
  • Martin Walsh (Bass, 198?)
  • Brett Carstairs (Guitar, 198?)
  • Tennessee (Guitar, 198?)
  • Nezzie (Drums, 198?)
  • Lynette Moss (Vocals, 198?)
  • Simo (Drums, 198?)

Discography

  • **** [1980 W/ Beat Rhythm Fashion, Life In The Fridge Exists, Naked Spots Dance Sausage]

Links

Beat Rhythm Fashion

Biography

Fashionable Wellington-based post-punk from the early 1980’s that featured Caroline Easther (The Chills, Verlaines, Spines etc), but formed by British ex-pat brothers Nino and Dan Birch.

Initially formed as a studio-based outfit in august 1980, and heavily indebted to the sound of the Cure, the Birch brothers had been around the Terrace scene for a while, playing in both the Westown Quintet and The Mixers.

No Great Oaks 7″ Single

Beat Rhythm Fashion eventually started playing live in 1981, taking their place in a vibrant and expanding scene.

They survived a bit longer than many of the formlative Wellington punk outfits featured on ****, releasing several singles packaged in distinctive 2-color sleeves and were recorded as part of the 4-band live album Wellingtonzone, that marked the debut of the soon-to-be-huge Mockers. The band had more of a pop-friendly new-wave edge than their harder-edge contemporaries, but saw little exposure outside Wellington.

In 2007 Rob Mayes of Failsafe Records finally released Bring Real Freedom – a collection of songs culled from out of print vinyl releases, live recordings and unreleased material as part of his ongoing reissue series.

The group received some retrospective exposure in 2017 thanks to Salmonella Dub – The Christchurch dub group were due to be inducted into the New Zealand Music Hall of Fame, however they declined involvement after their pick of Beat Rhythm Fashion (as an influencing group) were deemed too obscure.

Members

  • Nino Birch (Guitar/Vocals, 1980 – 1982)
  • Dan Birch (Bass/Vocals/Drums, 1980 – 1982)
  • Glen Stewart (Drums, 1980 – 1981)
  • Caroline Easther  (Drums, 1982)
  • Peter Kaio (Drums, 1982)

Discography

  • **** [1980, w/ Life in the Fridge Exists, Wallsockets, Naked Spots DanceSausage]
  • Beings Rest Finally 7″ Single [1981, Bunk, Bunk008]
  • Turn of the Century 7″ Single [1981, Bunk, Bunk012]
  • No Great Oaks 7″ Single [1981, Epic, ES751]
  • Bring Real Freedom [2007, Failsafe Records]

Links

 

Life in the Fridge Exists

wellington-based post-punk from the early 1980s known for their excellent track ‘have you checked the children?’ which featured on the famed (and hard to find) **** wellington compilation. essentially an art-house performance troup, life only really existed for a short-period in the early stages of the wellington terrace scene.
discography
picks in bold

Naked Spots Dance

Early 80s Wellington Post-Punk Outfit In The Style Of The Au Pairs, Featuring Kate Walker, Stephen Norris, Matthew Fisher And Katherine Mcrae, And For A Short-Period Future Oscar Winner (And Member Of The Wallsockets) Frances Walsh.
The ‘5 Love Songs’ Ep Is Excellent, A Very Jagged And Fragmented Take On Post-Punk Where The Guitar Floats In And Out Of Thick Bass Grooves, And At Times Threatens To Explode – Later Culminating In An Almost-Psychadelic Styled Breakdown At The End Of The Ep.

Discography (picks in bold)

See-Also