After Nocturnal Projections went their seperate ways in the early 80s, the two Jefferies brothers formed This Kind Of Punishment, a group that expanded their song-writing capabilities, and the punky style in which Nocturnal Projections had created. This Kind Of Punishment’s albums are quite often eery and detached, with Peter’s voice cutting through the shards of piano and guitar like it was deathly silence. Over the years the brothers accumulated a large list of contributors, with Andrew Frengley, Gordon Rutherford, Michael Harrison, Maxine Fleming, Michael Morley, Alastair Galbraith, Shayne Carter and the burgeoning talents of Grant Fell and Chris Matthews (who would later take the essence of the Matthews penned ‘Sleepwalking’ as the basis for a Headless Chickens track – and make it a hit).
This Kind Of Punishment have had a huge impact on the darker side of New Zealand rock, and their 1st two releases are well worth seeking out. By 1984 TKOP were a four-piece comprised of the two Jefferies brothers, Fell and Matthews – and played live consistently, touring the nation with Jay Clarkson‘s Expendables (from which the tkp live ’85 album is culled).
Soon after, an arts festival, “the nit-picker’s picnic,” dissolved this amalgam and a single 1986 performance with the line-up of the jefferies brothers, michael morley and shayne carter saw the end of the band.
– Dan Vallor: taken from Popwatch #9
Cakekitchen), whilst Fell and Matthews (and one-time TKOP contributor Johnny Pierce) were already establishing Childrens Hour
, the fore-runner to the ever-popular Headless Chickens.
Discography (picks in bold)
- This Kind Of Punishment [1983 Flying Nun Tkp001]
- A Beard Of Bees [1985 Self-Released Tkp002] Rn
- 5 By Four Ep [1985 Flying Nun Tkp003]
- In The Same Room [1987 Flying Nun Tfp004]
- Tkp Live ’85 [1988 Xpressway X/Way 02]
- A Beard Of Bees Cassette Reissue [1990 Compiled Reissue Xpressway X/Way 15]
- This Kind Of Punishment [1993 Reissue Roofbolt]
- In The Same Room / 5 By Four [1993 Reissue Ajax]
Originally performed as Art and Duty, a name borrowed from wellington band Beat Rhythm Fashion‘s song of the same name. The band comprised of Andrew Naylor (Drums/Bass), Rob Kitson (Also Of Clients – Drums/Bass), Rob Mayes (Dolphin, Throw, Springloader – Guitar ), Rick Tindall (Johnnies – Vocals And Guitar) and David Scales (also Of Clients – On Drums) in 1984. This band played live only once, at the gladstone, where there accident compilation track was recorded – a battle of the bands contest which included performances by the Expendables, Not Really Anything, amongst others.
A sort of transitional project for Rob Mayes, the band feature 14 songs with music written by Rob and lyrics improvised by Rick. The band followed on from a previous line up featuring Mayes, Naylor and Kitson dubiously called the Perk-U-Laters, a punk pop outfit put together by Fred Bertram, Christchurch’s self styled Malcolm MacLaren figure. Fred managed a number of bands including Desperate Measures and The Clients and fostered mayes song writing talents by manufacturing a band including the sneering vocals of Robert Blackmore, Mayes on guitar, Naylor on bass and Kitson on drums (also bassist with The Clients).
The Perk-U-Laters played 3 shows, the first at the illustrious star and garter where the predominantly punk audience enjoyed 5 raucous numbers including ‘Psycho Fred’, a thrashing torrid of cheek directed at manager Bertram, who was mixing the band at the time. Yelling for more the audience were informed ‘They Don’T Know Anymore’. One university gig and one Hillsborough tavern gig later and the band disbanded, dropping singer Blackmore and eventually enlisting Tindall on vocals for the preteniously named Art And Duty.
AD featured a new batch of Mayes compositions and included a twin drummer line-up, mainly due to the band rehearsing at the clients armagh street practice room, a house owned by Naylor and then girlfriend Kirsty Lay (Face Of The Eighties’ winner). This house was a notorious punk party venue and had the good fortune to have a good selection of band gear to thrash away on, including 2 drum kits. AD performed their songs once before Mayes decided to write a whole new batch of songs with other musicians, moving on to work with the steve birss, and eventually into Dolphin.
(profile thanks to Rob Mayes)
Discography (picks in bold)