Throw

Biography

The strange and confusing career of Throw has spawned some of the more successful and impressive releases for the Failsafe label. The band sprung from Failsafe boss Rob Mayes desire to create a studio based song writing ensemble which would have a transitional line-up as the song required.

In late 91 Mayes enlisted drummer Steve Birss again, the pair having patched things up (once again) after Birss’s split from Dolphin in early 1990. Birss had been playing in British influenced four piece Elevation (with David Hunt – guitar, Dylan – bass and Jeremy Talyor – guitar and vocals).

Taylor was enlisted for Throw to add vocals and guitar and in mid 91 Throw did their first ‘rehearsal’ , nutting out a few ideas which were to spawn the tracks ‘Honeyblonde’, ‘Time untied’ and ‘Blinder’. The next week the band recorded their practice and sent away the three songs to the QEII Arts Council for grant consideration.

At the end of that week Throw performed their first gig in support of Naked Lunch at a private party, followed the next week by supports for The Bats and Breathing Cage. Throw quickly built up a strong set of material and in the space of a few weeks had penned the 17 songs which became their stable set.

A month later Throw were headlining their own show at the Dux de Lux followed by a trip to Wellington with co-Christchurch bands Naked Lunch and Loves Ugly Children, playing a gig at the new Carpark to average attendance, and an Upper Hutt show to 6 locals and a bunch of locals who hung out in the other bar, who didn’t like anything you couldn’t ride your motor bike to. Throw also picked up one extra show at hip and happening venue Bar Bodega with ex-Christchurch man Nigel Mitchell’s new outfit, now Wellington based.

This proved to be a luck move for Throw, impressing the local crowd and particularly bar owner Fraser McInnes who took a strong liking to the band and immediately booked them to perform again. McInnes championing of Throw would spill over to Taylor’s post Throw project Cinematic, resulting in Bodega releasing the bands first album.

The Throw project in effect snowballed away from the original intention of keeping the line-up fluid and studio based and the Mayes/Birss/Taylor line-up found themselves heavily occupied with recording and performing over the next 12 months. After the initial rush had died down the band hit some internal political problems with singer Taylor wanting to claim full song writing credit for all material.

Mayes objected to this on the grounds that at least half of the bands music was written or originated from Mayes ideas, and all the material the band performed was worked on and contributed to by all members. Taylor being somewhat of a jukebox for modern pop songs, if he has heard a song he can most times play a version of it.

Taylor later conceded sometimes he couldn’t remember which stuff he’d written and which stuff he’d memorized from music he’d heard. This proves to be somewhat of a problem for the band during writing stages for the group as tunes initiated by Taylor sometimes bore strong resemblance’s to music Taylor had recently heard, and in some cases to Mayes own material he had presented at previous rehearsals.

After a few months of heated contemplation the songs were eventually registered with 1/3 credit to taylor/Mayes/Birss, but the situation had led Birssto limit his commitment to the project and Birsswould now only perform in Christchurch, and for recordings. Mayes enlisted Caroline Easther to drum for the bands North Island shows, Mayes being a fan of Easther’s drumming since her days in Beat Rhythm Fashion, through to The Chills, Verlaines, and Easther’s own band.

Relations with Taylor continued to strain, perhaps due to Throws instant success, something both Mayes and Birss had been used to with their work in Dolphin, but the young Taylor (20) had difficulty with, falling foul of the rock and roll ego syndrome.

Taylor, Mayes and Birss shoot a video for the lead track ‘Wishes from her heart’ on the forthcoming ‘All different things’ EP at the picturesque Castle Hill, the band perched precariously on rock top, during intermittent snow and sunshine. Throw continued to perform around the country working to ward their Arts Council Fund debut EP release. Throw’s work with Taylor culminated in a series of concerts building up to the release of the ‘All different things’ EP.

Taylor and Mayes played shows in Hamilton and Auckland (Powerstation with Semi Lemon Kola and The Nixons) with Easther drumming. These shows were followed by a Wellington date with Easther and a Palmerston North show as two piece with drums on backing tape, at the Feast of Stevens own EP release party. Throw were joined by Feasties drummer Glen Fletcher for the last song of their set away, a tense controlled number.

Fletcher had that day committed himself to a psychiatric hospital for mental stress, leaving the Feast of Stevens to spring him for their gig. Throw started ok with “away” but by the end of it the song was racing out of control, leaving everyone present much amused.

Taylor and Mayes drive back to Wellington straight after their Palmerston North set and find themselves at Bar Bodega with a small crowd of people and so play their two piece line-up set to excellent response. Mayes and Taylor return to Christchurch to prepare for their EP release concerts which entail a release party at Mainstreet Cafe where the band were to perform in a stripped back fashion as opposed to their normally full on power gigs, and a concert at the Dux de Lux.

Tension between Mayes and Taylor had been brewing progressively over the previous few gigs and the situation came to a head on the day of their Mainstreet Cafe release party, resulting in Taylor refusing to attend. Throw played their last performance in the original line up at the Dux at the end of September with the band not saying a word to each other throughout the gig. Mayes takes the next few months to work on the album, finishing off the songs the band had laid the basic tracks down for at the time of recording the EP.

The album is finished in mid 1994 with initial singles being released to New Zealand on Air for inclusion on the ‘Kiwi Hit Disc’ series. Taylor’s desire to pursue his solo song writing leads him to form Cinematic and he recruits bassist James Gutherie, guitarist – and drummer Steve Birss. Cinematic go on to record and release a debut album with that line-up, followed by a further two albums in the mid to late 90s. ‘Falling inside me’ is released as a single backed with ‘Freefall’ and receives a video grant from New Zealand on Air.

The video is directed by Jonathon King and features Auckland actress Rebecca wandering round Auckland rooftops looking pouty and plaintive. The finished video is some way away from the brief given to King. A still from the video is used for the ‘Rememory’ album cover. In march 95 the ‘Rememory’ album is released. ‘Nowhere near’ is released as a single backed with ‘Time untied’, a track with it’s origins in Taylor and Birss’s previous band Elevation. The track also receives an NZ on Air video grant, the video being directed by film maker David Reid.

Mayes is again unimpressed with the directors interpretation of the bands music, the finished video result being some sort of a yuppy pool room love story. In June 95 Throw get another video grant this time for the track ‘Honeyblonde’. Mayes decides to work with camera man Brett Nicols and director and animator Gregg Page who had worked on the springloader video. Mayes also attends the film shoot and assists page on the video which is an animated claymation performance based video, showing the band performing as clay figures.

The video was nominated for a New Zealand music award as best music video, along with videos from Supergroove and Shihad. In August 95 ‘All different things’ receives a video grant and Page and Nicols again make a video for this track, based on the story of a scientist who creates a three piece band to perform a love song to impress a girl.

Mayes shifts to London in November 95 and continues to work on material for the follow-up album, ‘Dream baby good-bye’, which features unreleased re-worked material from the original 1992 sessions as well as recently recorded material.
– Rob Mayes of Failsafe Records

Members

  • Rob Mayes
  • Jeremy Taylor (Guitar/Vocals)
  • Steve Birss (Drums)
  • Caroline Easther (Drums)

Discography

  • Falling Inside You Single (Failsafe Records)
  • All Different Things EP (1992 Failsafe Records)
  • Rememory (1995, Failsafe Records)
  • Nowhere Near Single (1995, Failsafe Records)
  • Dream Baby Goodbye (1995, Failsafe Records)

Links

Atomic Blossom

Biography

The brainchild of Christchurch musician Dean Karena who first came to local prominence with his previous band Naked Lunch in 1990. [Atomic Blossom had] their first performance at an outdoor concert at the Dux de Lux in Christchurch, first up on a rainy outdoor show featuring Cinematic, The Headless Chickens and Dave Dobbyn.

Trevor Hall had previously worked as an Orientation and Activities co-ordinator for University events, but he was a relative newcomer to drumming, and the band felt they had to replace him almost immediately, shifting Hirtzel from bass to drums and bringing in Layton Pace (Trawler, Swirl).

This line-up quickly cemented itself and recorded 5 songs almost immediately, one track appearing on the Good Things compilation, the other 4 eventually being re-recorded toward the band’s album. Pace left the band after 6 months choosing to commit himself to Trawler, where he got to sing and write his own music.

Pace was replaced by Matt Monopoly and this line-up stayed solid till the band eventually disbanded in disastrous circumstances in New York in 1995. The story goes that the band continued to grow in popularity, working toward their self-released album, and building a strong following for their heavily British sonic guitar sound.

The band secured support slots for Smashing Pumpkins on the 1995 New Zealand tour, impressing the Pumpkins and management. Meanwhile Atomic Blossom’s manager was in the US working at securing the band industry support and arranging concert dates for them stateside.

AB put the finishing touches on the CD and pressed 500 copies. This was used as a demo of the bands material and hardly any of them saw public release. The album remained pretty much impossible to obtain for ten years, until Failsafe Records remastered and re-released it in 2005.

At the end of 1995 Stone left for the US, the rest of the band were to follow early in 1996. Unknown to the rest of the band Stone had tired of playing in the band and felt her leaving for the US was indication enough to the others that she wanted to leave. The other members followed in 1996 and the band united to play American concerts which secured them heavy interest from US labels, notably Maverick Records.

A record deal was as good as signed apparently before Stone chose this opportune moment to abandon the band, effectively scuttling the project.
Stone stayed in New York, and Karena, Hirtzel, and Monopoly returned to NZ and disbanded. Karena left NZ for Australia, probably disheartened by the turn of events. Hirtzel concentrated his efforts on his other band Debris. Monopoly has since moved to the UK and is presently rehearsing with Jeremy Taylor toward possible work as Cinematic.

– Failsafe Records

Members

  • Dean Karena (Guitar/Vocals, 1993 – 1996)
  • Prudence Stone (Guitar/Vocals, 1993 –  1996)
  • Greg Hirtzel (Bass/Drums, 1993 – 1996)
  • Trevor Hall (Drums, 1993)
  • Layton Pace (Bass, 1993 – 1994)
  • Matt Monopoly (Bass, 1994 – 1996)

Discography

Links

 

Cinematic

Biography

Cinematic we’re a high-profile Christchurch outfit based around local singer-songwriting fixture Jeremy Taylor that released a couple of albums in the mid 90’s.

They had quite a strong fan base, though they were never exactly my taste.. Taylor eventually went solo and ended up supporting a number of touring international acts.

Members

  • Jeremy Taylor
  • Andrew Friend
  • James Guthrie
  • Stephen Briss

Discography

  • Cinematic (1994, Beats Bodega, BEATS003)
  • Musicland (1996, Loaded Records, LOAD006)

Links