Die! Die! Die! announce new album and New Zealand tour

DIE! DIE! DIE! [updated artist biography]
Brand new album Harmony and NZ tour.

Die! Die! Die!
Die! Die! Die! – with new bassist Michael Logie

July 6th 2012 sees Die! Die! Die! release Harmony, their fourth studio album recorded at Blackbox Studios, France. Harmony brings together the raw energy and emotion from their live shows, encapsulating the savant pop elements within their DIY punk philosophy. Produced by Chris Townend (Portishead, D12, Violent Femmes), and bringing back Shayne P. Carter on vocals, Harmony is set to be THE album of 2012.

Bringing on board bassist Michael Logie (The Mint Chicks, F In Math, Opossom), Die! Die! Die! will tour their face melting shows this July, continuing to evoke fierce loyalty in fans and burn as many bridges as they cross.

Hamilton
Thursday 12th July – Static

Auckland
Friday 13th July – Winchester (95bFM Private Function)

Tauranga
Saturday 14th July “Die Die Die Booze Cruise on the Luvboat” – SOLD OUT!!!

Dunedin
Wednesday 25th July – Crown Hotel

Port Chalmers
Friday 27th July – Chicks Hotel

Christchurch
Saturday 28th July – Dux Live

Wellington
Friday 3rd August – Bodega

TICKETS AVAILABLE FROM UNDERTHERADAR.CO.NZ from Monday 25th June

The Stones

The Stones were an anarchic, anything goes rock band – in Matthew Bannisters’ Positively George Street novel on the Dunedin scene, Bainnister recalls Wayne Elsey (The Stones brilliant singer / guitarist) exclaiming in disgust that Sneaky Feelings think about their music, an idea that seemed foreign to the Stones. But then, the Stones didn’t need to think about the music they made, they were primal, raw, things just fell into place.. But they weren’t by any stretch of the imagination a simple band.

Their contribution to the Dunedin Double release were 4 starkly contrasting songs – one more than each of the other contributors to this seminal document of the birth of Flying Nun as a movement. On ‘Something New’ a huge pulsing wall of guitar slows just out of sync with the songs rhythm creating a beautiful shuffling melody, on ‘Surf’S Up’ they ripped apart a piano, wildly plucking the inner workings of the piano to create a rising crescendo of noise.

They had a detached irony that was never forced – their name and the sleeve for the Dunedin double piece both a brash play on their british name-sakes. Unfortunatley The Stones (who were completed by fellow former Bored Games member Jeff Bats along with Graeme Anderson) were far too short lived – Elsey’s life ended by an accident while travelling by train with the band.

Discography (picks in bold)

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Valve

Valve’s E Minor is a lovely slice of Dunedin pop from a fresh-faced band of scene-survivors. Comprised of Paul Winders (The Verlaines), Kiri Winders (My Deviant Daughter) and Jeff Harford (Bored Games, Doublehappys).

Discography (picks in bold)

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The Weeds

[Profile thanks to Tim Davey]

The Weeds were around for about a year in the mid-80’s, formed with the intention of having fun and seeing just how stupid they could be, while also entertaining people. The band provided a great distraction for its members from the more ‘serious’ music they were making in other groups at the time. The name supposedly came from the fact that all the members were quite skinny at the time.

Robert Scott and Michael Morley had been playing together in the Pink Plastic Gods in late 1984. Following the end of the group Scott (Bass, Vocals) And Morley (Guitar, Vocals) got together with Jeff Harford (Vocals) and Chris Healey (Drums) and The Weeds was born. All except Healey had had much experience in other bands; Scott had been in The Clean and was frontman with The Bats, Morley was in Wreck Small Speakers On Expensive Stereos and Harford had played with Bored Games. Following the tragic end of Doublehappys in mid-85 Shayne Carter (Guitar , Vocals) And John Collie (Drums) were also added to the line-up. An odd feature of the group was that they had two drummers.

Every gig they played involved some sort of dress-up theme which the whole band would participate in. One night they would be playing draped in foliage and weeds, another would be in glam gear or bad taste clothes. Their most outrageous ‘dress-up’ was playing in their underpants on the town hall stage as support to the Verlaines and the Rip at a 4XO dance. Their only out-of-town gigs were at the Gladstone in Christchurch as support to Look Blue Go Purple and in Auckland at Windsor Castle. The latter gig didn’t go down very well and the band realised that dressing up stupidly and playing music was best done only around people who knew you.

The essence of the weeds was not about serious music or writing meaningful lyrics but about having a good time. A review by Sharon Guytonbeck following a gig at the empire spelt this out:

with a couple of friends helping out The Weeds were a lot of groovy fun. Who needs ‘Live Aid’ when you can have this. Yes, The Weeds confirmed my belief that Dunedin is where it’s all happening musically. We don’t need the rest of the world when we can be at The Empire with The Weeds.

– Critic 6/8/85

Band rehearsals were for the sole purpose of writing new material which gave their on-stage sound a very fresh feel. In mid-85 the band made some recordings at Dockside Studios on Wharf St which emerged as the Flying Nun single ‘Wheatfields’, a very Velvets-influenced piece that buzzed along with the chorus line ‘It’S Been A Hard Day On The Wheatfields …’. further recordings were made later in the year at Chippendale House which to this day remain unreleased.

By late 1985 the members of The Weeds were being pulled away by their other musical projects and the band faded away. Scott continued with The Bats and Carter And Collie went on to form Straitjacket Fits. Morley was later involved in Dead C, Gate and This Kind Of Punishment while Harford became part of My Deviant Daughter.

The Weeds played only around 15 gigs but will almost certainly be remembered by everyone who saw them for their mix of shock, humour and good music.

Discography (picks in bold)

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Straitjacket Fits

Dissonant kiwi pop-rock that at times verged on shoe-gazer (the band were known for incredibly loud live performances), often hiding their delicate melodies and concise, heartfelt lyrics behind a wall of feedback. Based around Shayne Carter and Andrew Brough (who eventually split from the band after the Melt tour to form Bike) both on guitar and vocals, David Wood filling the bass role, and John Collie at the drums. Shayne Carter was always the man in the spotlight, he had come from Dunedin band the Doublehappys and was known as a bit of an enigmatic front-man, as well as being quite the temperamental artist type. Andrew Brough however (formerly of the Orange), represented the quiet and caring, under-appreciated side of the band – his single ‘Down In Splendor’ is one of the best examples of melodic kiwi pop, a fragile, love song with a killer sing-a-long chorus.

But Carter is one hell of a songwriter also, practically carrying the first album (the classic Hail) with his singles ‘She Speeds’ and ‘Life In One Chord’. During the first two albums, the Fits were at the fore-front of kiwi rock, challenging the Chills and the Headless Chickens for the most popular of local bands, and along with the Jean-Paul Sartre Experience as the pick of the New Zealand underground scene. When the Melt tour wound down in early ’92, Brough decided it was time he formed his own band, as little of his material seem to work its way into the Fits cannon. He was replaced by Mark Peterson for the disjointed album Blow, released later in ’92.

Although Blow contains some excellent pop singles in ‘Done’, ‘Cat Inna Can’ and my personal favorite, and an excellent moot point for The Fits – ‘If I Were You’, the album was too inconsistent to support an attempted break into the burgeoning American market, and the band broke up to persue their own interests.

Carter now performs under the Dimmer moniker, releasing the brilliant, decade in the making I Believe You Are A Star last year to unanimous critical acclaim, and with a follow-up to be released shortly! Brough’s band Bike made one of the great New Zealand pop albums of the mid 90s, drawing a great deal of radio play for what was basically an all-hit album.

Discography (picks in bold)

  • Life In One Chord 12″ Ep [1987 Flying Nun Fn080 / Fne25]
  • Hail [1988 Flying Nun Fn105]
  • ‘Hail’/’So Long Marianne’ 12″ Single [1988 Flying Nun Fn108]
  • ‘Hail’/’So Long Marianne’ 7″ Single [1988 Flying Nun Fn114]
  • Hail [1990 Extended U.S. Edition Flying Nun Fn142]
  • ‘Sparkle That Shines’/’Grate’ 7″ Single [1990 Flying Nun Fn151]
  • Melt [1990 Flying Nun Fn174]
  • ‘Bad Note For A Heart’/’In Spite Of It All’ 7″ Single [1990 Flying Nun Fn175]
  • ‘Bad Note For A Heart’/’Skin To Wear’/’In Spite Of It All’/’Hail’ (Live) 12″ / Cd Single [1990 Flying Nun Fn176]
  • ‘Down In Splendour’/’Seeing You Fled’/’Missing Presumed Drowned’/’Cave In’ Double 7″ Single [1990 Flying Nun Fn180]
  • Down In Splendour Video Cassette [1990 Flying Nun Fn D16011]
  • Done Ep [1992 Flying Nun Fn242]
  • Blow [1993 Flying Nun Fn251]
  • ‘Cat Inna Can’/’Sycamore’/’Satellite’ Cd Single [1993 Flying Nun Fn265]
  • ‘If I Were You’/’Brother’s Keeper’ (Demo)/’Burn It Up’ (Demo) Cd Single [1993 Flying Nun Fn285]
  • Best Of Double-Cd [1998 Compilation Flying Nun Fn406]

Awards Etc
Rianz Awards 1990


  • Music Video Of The Year – Bad Note For A Heart
  • Cover Design Of The Year – John Collie

Rianz Awards 1993


  • Album Of The Year – Blow
  • Top Male Vocalist Of The Year – Shayne Carter

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Die! Die! Die!

Die! Die! Die! are a three-piece Auckland-based band formed by Andrew Wilson (guitar, vocals) and Michael Prain (drums), with Michael Logie (The Mint Chicks, F in Math, Opossum) their current bassist. Prain and Wilson have been playing in groups together since early attending Logan High School together in Dunedin – notably the Smoke-Free Rockquest winning Carriage H (with Tiddy Smith – who would go on to form Idiot Prayer), and then Wellington group Rawer (with Ricky French on Bass). Die! Die! Die! play a dynamic brand of Punk, with military-precise drumming, huge fuzzy bass and guitar that can vary from melodic to cathartic noise.

In 2003 the core duo relocated to Auckland and brought in Kane Goulter (Xanadu) as their next bassist, finally settling on their current name. This line-up was known for playing incredibly rapid sets, touring up and down the country with the likes of the Mint Chicks and Batrider. During 2003 and 2004 the group’s reputation had grown to the point where they were now (rightfully) being dubbed the best live act in New Zealand. Nick Roughan (of the Skeptics) produced several songs with this line-up, which then appeared on various early A Low Hum samplers and other releases in early 2004.

Later in 2004 Goulter gave way bass duties to Henry Oliver, and the group then recorded their debut self-titled EP with Dale Cotton. In 2005 and 2006 they undertook their first of many US and European tours, recording their debut LP with Chicago-based producer Steve Albini (Big Black, The Pixies, Nirvana etc) and mastering the results at Abbey Road in England.

In 2006 Henry Oliver moved on to be replaced by the Australian-born Lachlan Anderson, signed to Tardus Music in New Zealand (their 3rd record label in as many releases), and released their follow-up ep ‘Locust Weeks’. Anderson had been playing in the Brisbane group the French Horns, who had toured with Die! Die! Die! and made a considerable impression on the group. Oliver eventually opened D.O.C. Bar in Auckland.

With Anderson on board the group put together the landmark album ‘Promises, Promises’, their finest collection of songs yet committed to vinyl – with Dunedin music legend Shayne Carter (Bored Games, Double Happys, Straitjacket Fits, Dimmer) producing and mixing the album. A complex, emotionally driven album it shows the group expanding their sound, and solidified their position as one of the best rock acts in New Zealand.

However, it would be over 2 years before the group released the follow-up album ‘Form’ – Nick Roughan returned to produce, and the album is the group’s sole release on the legendary Flying Nun label, which had just been re-established by original founder Roger Shepphard. With their previous album the group had developed a strong template, and although the new album didn’t expand on this you can still consider the album on the great New Zealand rock releases. A fine mix of explosive rhythm and guitar, and again highly emotive vocals.

Anderson eventually left the group in 2011, though he does appear on several tracks from their 4th album ‘Harmony’, to be released on the groups own ‘Record etcetc’ label and distributed via Rhythmethod. Michael Logie was eventually brought in for bass duties in 2012, appearing on several of the album’s songs and augmenting their live line-up.

Discography (picks in bold)

  • Die! Die! Die! Ep [2005 Unstable ApeUAR041]
  • Die! Die! Die! [2005 Capitol Recordings CREC1034, Pet Piranha Records PP020, SAF RecordsSAF15]
  • Locust Weeks Ep [2006 Targus MusicTAR010]
  • Promises, Promises [2007 Tardus Music / Etch and Sketch / SAF RecordsSAF20]
  • At the Echo Live EP [2007 Kufala RecordingsKUF0187]
  • Form [2010 Flying NunFN504]
  • Harmony [2012 Records Etcetera]

Music Videos

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Martin Phillips

Although Martin Phillips can essentially be regarded as the heart and soul of his two-decade old troop the Chills (and the only surviving member of some 20+ line-up changes), Phillips has released material in a solo capacity which he clarified as being a seperate entity from his long-standing band.

2000’s ‘Sketchbook Vol. 1’ was a finely compiled and represented anthology of some of Phillips lost material – as over the years he has taken it upon himself to record several hundred hours of song-fragments that failed to make it to release.

Phillips originally debuted back in the late 70s with the unrecorded The Same – a punky troup who shared the same characteristics of the early Clean, though a little greener-still behind the ears. The Same were born into the same scene that spawned Shayne Carters’ high school gang Bored Games, and were inspired to action by witnessing small-town heros the Clean and (primarily) the Enemy in their formulative stages.
Discography (picks in bold)

  • Sunburnt [1996 As Martin Phillips And The Chills Flying Nun Fn303]

  • ‘Come Home’/’How Much This Place Has Changed’/’Lies, Lies, Lies’/’The Streets Of Forgotten Cool’ Cd Single [1996 As Martin Phillips And The Chills Flying Nun Fn340]

  • ‘Come Home’/’The Streets Of Forgotten Cool’ 7″ Single [1996 As Martin Phillips And The Chills Flying Nun Fn340]

  • ‘Surrounded’/’Friends Again’/’Stupid Way To Go’/’Yabba Dabba Doo’ Cd Single [1996 As Martin Phillips And The Chills Flying Nun Fn365]

  • ‘Surrounded’/’Yabba Dabba Doo’ 7″ Single [1996 As Martin Phillips And The Chills Flying Nun Fn365]

  • Sketch Book Vol. 1 [2000 Flying Nun Fn415]

See-Also