Excellent Christchurch guitar band that evolved from earlier group The Centre Will Hold. From that group Jamey Holloway (Guitar / vocals), and Nathan Bycroft (Drums) were joined by Nik O’Keefe (Bass, Vocals) and Marcus Winstanley (Guitar) to form the original line-up in mid 2003. This original line-up played in a low-key manner, with just Winstanley’s guitar adding an extra layer of Shoegaze type guitar into the mix (as he had done with previous band Barnard’s Star).
Eventually Bycroft left and after a short stint by Stephen McCarthy (Pine) the ever-versatile Simon Nunn (also of the Steffan Van Soest Hit Machine, Hi-Tone Destroyers etc) filled the drummers seat more permanently, and beefed up their sound quite a lot. Michael Summerfield (Palace of Wisdom, Cowboy Machine) joined on viola, adding a level of country/folk inflection to their sound. The group managed to win the 2004 RDU Round Up band competition, released an EP with the help of Michael Brassell (aka Michael J Hex) / Arc Life Records and set up All Plastics – a small recording studio.
Simon Nunn eventually found himself committed to his regular gigs as a professional musician, so young drummer Matt Scobie (Black Market Art, T54) was brought in to replace him, and long-time bassist Nick O’Keefe also left, replaced by Vaughan Watson (Pumpkinhead, Squirm). The group has continued a low-key existence, with only a handful of shows a year and recordings few and far between.
Discography (picks in bold)
Undercurrents (Blue Stripes) EP [2004 Arc Life]
Undercurrents (Big Ears) EP [2005 All Plastics]
Undercurrents EP (Black Birds) [November 2006 All Plastics]
Rock Power-Trio from Christchurch City, announced in late 2011 as one of the revitalized Flying Nun records new signings. Led by guitar-slinger Joe Sampson, with productive drumer Matt Scobie (Undercurrents, Black Market Art, Planet of the Tapes) and bassist Sam Hood the group only formed in 2009 but quickly shot to prominence in their home-town before ‘making our way to Dunedin in July 2010 to record 6 songs in Dale Cotton’s home studio’. They’ve since released those recordings on Jasper Bryant-Green’s ‘Gold Sounds’ label, plus a 2nd EP in late 2011.
O’Lovely began as a duo (originally named The O’Lovelys) consisting of Laura Lee Watson (Synth/Vox – also of Pop Hits City) and Brooke Singer (Keys – formerly of the Ragamuffin Children and now French for Rabbits). In 2007 the pair were joined by Matt Scobie (Drums – formerly of Black Market Art and now T54 etc) and Joe Sampson (guitar – formerly of Charlie Bones, now front T54).
Sampson left the group to be replaced by Lee Devinish, but with the groups impending tour of Europe in mid-2008 (where they would be performing as a 3-piece), the line-up was then reverted back to Sampson on guitar for their final few shows. The group were the focus of a lot of attention in late 2007 and 2008, and eventually released their debut self-titled album with distribution through Global Routes.
Around this time the group fractured, with Singer leaving to pursue different avenues, and Watson establishing more authority, quickly building a new line-up. At the same time Watson had been playing in Pop Hits City with Ross Heath (formerly of Bang! Bang! Eche!), Will MacFarlane, Chris Andrews (Bass – Palace of Wisdom) and Tim Woods (Drums). The new O’Lovelys took the rhythm section of Woods and Andrews, and added Perry Mahoney (also a former Bang! Bang! Eche! member) on guitar.
This line-up recorded the ‘Lost Love’ EP with Dale Cotton in Dunedin – songs that eventually made their way onto the groups 2nd album ‘Constellation’. However by the release of the album the group had relocated to Auckland, had cycled through a small handful of supplementary bassists and had been renamed ‘O’Lovely’.