henchmen, the

west auckland punks from the early 80s – tony collins, anthony norman, norm dillinger, jerry chunn and billy williams. stooges obsessed 20-somethings who evolved out of the equally primitive ‘dum dum boys’ and made sloppy punk-metal, later reissued by revivalist imprint raw power.
discography
picks in bold

  • we’ve come to play [1983 cadaver PRA2040]
  • ‘death machine’/’bitch goddess’ 7″ single [1983 cadaver] rn
  • excelsior obermensch [1985 cadaver]
  • lust for glory [2004? raw power]

hemi

a shoot-off the the hugely popular head like a whole from nigel regan and tom watson (who has since gone on to front the now-melbourne based cassette. hemi put out a single album on wildside while hlah were at their peak.
discography
picks in bold

hellriegel, jan

after cassandra’s ears fizzled out, jan started recording solo with the mark and wayne bell, tony lumsden and mark peterson in support. having had moderate success as a relatively lively MOR singer in the fiona mcdonald mold (and using her good looks to her advantage), she’s now more likely to be found contribution to electronic releases, and has faded from the limelight in the 21st century.
discography
picks in bold

  • it’s my sin [1992 virgin 9031777192]
  • all the best thoughts ep [1992 virgin 9031777202]
  • tremble [1995 virgin 4509995722]

awards etc
rianz awards 1992

  • most promising female vocalist of the year jan hellriegelrn
  • songwriter of the year jan hellriegelrn

hayward, brent

the notorious brent s. hayward has always been a fixture in the new zealand underground scene, in early punk outfit shoes this high, then in busking mode as smelly feet, and more recently as half of the acclaimed kiwi animal – hayward has made his name through an eclectic, uncompromising and d.i.y. approach to recording and releasing music.
discography
picks in bold

  • cen$or$hit triple 7″ lathe-cut ep [self-released]

hawaii five-0

mid to late 90s christchurch band known for their organ sound and catchy singles – especially ‘hurricane bob’ (produced through peter king’s lathe-cutting facilities and put out on the tiny beat atlas inprint that also spawned the terrific barnard’s star) which actually won a bfm music award as the best unreleased song in new zealand. unfortunately they never released any further recordings (except for an appearance on the dollar mixture compilation and on ‘indie hit disc #6’) and disbanded in the late 90s.
discography
picks in bold

  • ‘speed of weed’/’soda stream’/’the salem stranger’ 7″ single [1998? beat atlas Beat004] rn
  • ‘hurricane bob’/’fry’/’kingpin’ 7″ single [1998? beat atlas Beat005] rn

have, the

when the have won the smoke-free rock-quest in 2002, it seemed like the judges we’re just cashing in on the then-current trend of rock’n’roll revivalists. the have not only sound like contemporaries the d4 and the datsuns – they even managed to steal elements of their look and image. single ‘the fuzz’ is almost a note-for-note recreation of the datsuns hit ‘motherfucker from hell’, lead singer brodie white sports a jimmy christmas style sideburn combination, guitarist peter mangan is draped in a datsun-style main etc. formed in wanganui high school, mangan and white are flanked by mike tweed (drums) and blair gibson (bass) and actually managed to secure a south-by-soutwest appearance in 2004, just before releasing their debut ep.
discography
picks in bold

  • the have ep [2004 shock]

hauraki

discography
picks in bold

hattie and the havana hotshots

hattie st. john, walter bianco, keith ballantyne, lou rawnsley and bret neilson.
discography
picks in bold

  • hattie and the havana hotshots [1981 ode SODE152]

hataitai bowling club

birchville cat motel‘s campbell kneale, along with glen ‘g-frenzy‘ and darren from ac death.

hbc was more along the lines of pistake-electronica-noise-bufoonery which resulted in some really staggering recordings. unlike lugosi, we actually played live in front of a few people at odd occassionsrn- campbell kneale; taken from this perfect sound forever interview


discography
picks in bold

hasselhoff experiment

possibly the loudest 2-man band on earth, the hassellhoff experiment we’re raw and dangerous with just a guitar and drums format (well before the white stripes hit out shores). andrew tolley (guitar / vocals – the head of the kato label) and brendan moran (drums) started out with self-released debut on tolley’s fine rock’n’roll imprint (vinyl only!), but pretty soon flying nun had snapped them up, reissueing the debut and eventually putting out the bands two follow-ups.
with a brilliant video for third album single ‘drag-racer’ by the back of the y / deja voodoo boys, the hasselhoff experiment were making great inroads – when. unfortunately just like morans’ other band (the short-lived but excellent subliminals) didn’t last, the duo splitting ways after the release of ‘out of the sandpit and onto the drive’.
discography
picks in bold

  • the hasselhof experiment [1998 kato / flying nun FN417]
  • always outnumbered [1999 flying nun FN431]
  • out of the sandpit and onto the drive [2002 flying nun FN463]