Discography (picks in bold)
- Mutton [199? Yellow-Eye Eye010]
Solo alias of Wellington based singer songwriter Charlotte Yates.
After debuting with Jayrem group Putty In Her Hands in 1987, Yates released the first recordings as Charlotte Sometimes on Festival Records in 1991 before being part of Kitsch folk group When the Cat’s Been Spayed, who had significant success with their tour and album Down the Hall in 1993.
Edmund Cake (aka Edmund McWilliams) is a bit of a cult figure in New Zealand music. Most local music fans would be familiar with his most famous group – the bizarre but super-poppy Bressa Creeting Cake. Others might know his later solo material under his own (fake) name or as subsequent releases as Pie Warmer. However one of the highlights of his early output was in fact a Flying Nun 7″ single under the name Rik Starrr back in 1995.
With a fake Australian back story, Cake spun a couple great tunes, immediately setting a template for future releases.
Cake has always been a dab hand at creating generally humorous and thoroughly eclectic pseudo pop music that spread-forth into many different stylistic directions.
However, after Bressa Creeting Cake went their separate ways, Cake found finding a home for his solo full-length debut -a tight pop package called Downtown Puff – quite a hard effort, despite working alongside Neil Finn on the soundtrack to Christine Jeffs critically lauded film ‘Rain’.
Thankfully after spending two years in limbo the newly established Lil Chief Records (home of contemporary popsters such as the Brunettes and the Nudie Suits) came to the rescue. The album featured contributions from both former Bressa Creeting Cake compadres (Geoff Maddock and Joel Wilton – now of Goldenhorse), along with a plethora of others in a small capacity.
Cake subsequently resurfaced in 2009 with a new group called Pie Warmer, releasing their debut The Fearsome Feeling on Lil’ Chief.
Bob Cardy has a long history of making lo-fi, shambolic and DIY rock music.
From the early days of post-Vacuum Blue Ladder Christchurch with the infamous Axemen (then known as Bob Brannigan), through to the eventual rise of Shaft in late 1990’s Auckland, often with Lil’ Stevie McCabe as his song-writing partner.
A nasty piece of twisted work from former Palmerston North dwellers Claire Pannell and Dave White. Claires tortured vocals spit forth tales of molestation trauma and a world of personal turmoil.
Noise by way of distortion/feedback guitar work and a barrage of chaotic percussive noise. A violent collision of the classic industrial attitude and an anarchic sound and vocal punishment
– Club Bizarre
Pannell – otherwise known as Furchick, is an Australian ex-pat of New Zealand who has also been in groups Froit Head and Air Traffic Controllers, whilst Clark is a veteran of many groups synonymous with Palmerston North such as Thin Red Line, The Clear, Lung and Baldman.
3-piece Auckland new wave act from the early/mid 80’s featuring Nigel Russell (Spelling Mistakes, Danse Macabre), David Bulog and Trevor Reekie, though they went through many other members.
After an EP and an album the band disbanded with Russell going on to join Greg Johnson Set. Car Crash Set are recognized as one of New Zealand’s pioneering electronic acts, taking inspiration from the likes of Suicide and New Order.
[Started] as a two piece guitar, vocal and drum project with drummer Robert Key (The Sombretones) agreeing to help Graeme play a series of live shows at The Rising Sun Tavern on Auckland’s notorious Karangahape Road to promote the then new release on Flying Nun Records messages for The Cakekitchen.
The 2 piece format (an idea used by The White Stripes to great effect years later) evolved into a more easily palatable 3 piece lineup with the inclusion of young Auckland bass player Rachael King.
Together they toured New Zealand 3 times, recorded two albums worth of material and made a healthy impact for themselves before calling it a day and going their separate ways in April 1990
– Graeme Jefferies
With the band going in different directions, Graeme formed a new Cakekitchen in London with expatriates Keith McLean and Huw Dainow, recording the ‘How Far From The Sun’ album and touring Europe and then the States, securing a deal with homestead records in New York just as things were falling apart in England.
Jefferies had soon again relocated – this time to France, and with the departure of his London backing band he started recording with french multi-instrumentalist Jean-Yves Douet.
With ajax releasing Jefferies back catalog in Europe (including the long out of print This Kind Of Punishment material), the new Cakekitchen duo recorded two of their most acclaimed releases; ‘Stompin Thru The Boneyard’ and ‘Devil And The Deep Blue Sea‘.
What they (The Cakekitchen) lacked in personal, they more than made up for with hands, legs and fingers, managing at one time or another to play 6 different instruments during the course of their sometimes over two hour long shows– Graeme Jefferies
This configuration of The Cakekitchen lasted until 1995, securing European distribution through the Raffmond label, and stateside through Merge along the way, touring 7 countries and playing many high-profile festivals and performance slots.
Graeme resurfaced in Bavaria with another duo, this time using Raffmond boss (and a member of The Notwist) Marcus Archer as a collaborator on analogue 8-track recordings which eventually constituted the everything’s going to work out just fine album.
The Cakekitchen continued to tour (including an american jaunt with The Mountain Goats) using many different musicians (Stefanie Bohm, Marion Gerth, Andre Richels, Paul Lemp, Steven Keusch, Dieter Roseeuw, Herbert Dee etc) releasing ‘Talking To Me In My Sleep‘ and the soundtrack to the successful German film ‘Sonnenallee’ for director Leander Hausmann.
More live work followed in 2002 when Graeme played solo for the first time in 10 years when he took to the road with Robert Scott‘s ‘Creeping Unknown‘ package tour.
The tour was a healthy 14 shows and after jamming with Robert in a hotel room in Dortmund Graeme joined his band at the end of the night to play some additional songs with them such as the classic Flying Nun chestnuts “Tally Ho” and “Anything Could Happen”.
The traditional two piece Cakekitchen line-up was even resurrected for a couple of the shows on this tour when at the Munster and Koln shows Herbert joined Graeme on stage for the entire set.
– Graeme Jefferies
‘How can you be so blind?’ was recorded with Michael Heilrath and released in late 2002, with Marcus archer rejoining to fill in the percussion roles.
the performing line-up continues to fluctuate, with Graeme performing through-out Europe utilizing many different configurations for an increasingly eclectic Cakekitchen.
A very active documenter, Graeme tracks the bands history and current progress on the excellent Cakekitchen website. (where Graeme’s various quotes have been taken from).
3 piece rock band out of Rotorua featuring Jeremy Taylor (Bass), Anthony Anema (Drums), and Mike Olsen (Guitar).
Auckland based 3 piece pop-rock band band formed in 1996 featuring Andy Moore (The Letter 5), Boyd Thwaites (The Lils) and Nicola Rush that released two albums and were include on the (excellent) Dollar Mixture compilation.
Luckily scored a support slot for Pavement and played at both the Big Day Out (the year it rained) and the disastrous Sweetwaters festival.
The songs feature a variety of instruments. Pianos, bells and xylophones augment stripped back guitars, bass and drums to produce an elemental rock sound, evocative of the 1960’s – yet firmly placed in the new millennium.– John Ten Velde: On a review of Stop Look Listen from NetCD