auckland based 2-piece electronic instrumental ‘band’ (i.e. they play live electronic instrumentation with no computers), bev painter and hamish walker. the band formed in grey lynn in 1998, with bev taking up drum machines and a sampler and hamish using loops to compliment his past as a punk drummer (rock’n’roll is still a big element of their music). former meterman drummer jasper de roos took over the live drumming role on their 2003 release ‘billion’, put out on kog side-label midium, and they have toured with the likes of jakob
[flickr-photo:id=183663656,size=t] another alias of the prodigious di smith of the international telepaths, most commonly known as lucy lurex. in this configuration smith plays a very strange casio keybaord with its own built in tape-deck unit for backing tracks – an odd one-woman show.
picks in bold
- no releasesrn
a palmerston north rock band from the mid 90s. had a couple eps, then ran out of momentum, their collected material released on the posthumous self-titled album on spotty dog.
the brainchild of christchurch musician dean karena. karena first came to local prominence with his previous band naked lunch in 1990. naked lunch were a three piece outfit which featured dean karena on vocals / guitar, randolf (tuck) tucker – drums, peter blackman – bass. karena formed atomic blossom in late 1993. the original line up included: dean karena – guitar / vocals, prudence stone – guitar / vocals, greg hirtzel – bass (debris), trevor hall – drums.
the band did their first performance at an outdoor concert at the dux de lux in christchurch, first up on a rainy outdoor show featuring cinematic, the headless chickens and dave dobbyn. trevor hall had previously worked as an orientation and activities co-ordinator for university events, but he was a relative newcomer to drumming, and the band felt they had to replace him almost immediately, shifting hirtzel from bass to drums and bringing in layton pace (trawler, swirl). this line-up quickly cemented itself and recorded 5 songs almost immediately, one track appearing on the good things compilation, the other 4 eventually being re-recorded toward the band’s album. pace left the band after 6 months choosing to commit himself to trawler, where he got to sing and write his own music.
pace was replaced by matt monopoly and this line-up stayed solid till the band eventually disbanded in disastrous circumstances in new york in 1995. the story goes that the band continued to grow in popularity, working toward their self-released album, and building a strong following for their heavily british sonic guitar sound. the band secured support slots for smashing pumpkins on the 1995 new zealand tour, impressing the pumpkins and management. meanwhile atomic blossom’s manager was in the us working at securing the band industry support and arranging concert dates for them stateside. ab put the finishing touches on the cd and pressed 500 copies. this was used as a demo of the bands material and hardly any of them saw public release.
at the end of 1995 stone left for the us, the rest of the band were to follow early in 1996. unknown to the rest of the band stone had tired of playing in the band and felt her leaving for the us was indication enough to the others that she wanted to leave. the other members followed in 1996 and the band united to play american concerts which secured them heavy interest from us labels, notably maverick records. a record deal was as good as signed apparently before stone chose this opportune moment to abandon the band, effectively scuttling the project. stone stayed in new york, and karena, hirtzel, and monopoly returned to nz and disbanded. karena left nz for australia, probably disheartened by the turn of events. hirtzel concentrated his efforts on his other band debris. monopoly has since moved to the uk and is presently rehearsing with jeremy taylor toward possible work as cinematic.
warwick keay, michael morris, eddie olsen, carey peterson and damien saunders. album ‘rythmic tendencies’ on warner brothers wea inprint in 1983.
improvised electronic music from aucklanders paul winstanley, john kennedy, marc chesterman, with clinton williams [omit] adding contributions to their self-titled cd release. the group formed in 1999.
[flickr-photo:id=223497299,size=t] wellington based rock four-piece formed in 2002 by ex-canvas guitarist/vocalist michael carpinter, craig mason and ben litchfield, with nick major joining in time for the release of the 2004 debut, the ep shade of brown. basically a power-pop garage-rock band in the traditional sense, and not a million miles from carpinters’ former band.
the bizarre recording antics of (lil’) steve mccabe, bob brannigan and stu kowalski, a well-known, yet thoroughly underground troop that often swelled in numbers (sometimes up to as many as 10 members in the mid 1980s). three albums on flying nun in the late 80s / early 90s, along with several releases on the small sleek bott label. very make-shift, punk approach to recording, their albums were often of-the-moment pieces…
picks in bold
- big cheap motel [1983 sleek bott]
- three virgins three versions three visions [1986 flying nun FN049]
- derry legends [1987 flying nun FN120]
- ak87 [w/ the shit pop boyz 1987 sleek bott]
- scary! [w/ the sleek bott gang 1989 sleek bott]
- peter wang pud [1991 flying nun FN204]
- dirty den sessions [1991 sleek bott]
- recliner rocker [1992 sleek bott #921]
- three rooms (an elton john tribute album) [1992 sleek bott]
- across the universe in 27879 days ep [1992 sleek bott]
- the axemen singles collection [compilation 1998 sleek bott]